Maybe we saw different interviews and articles Dixon wrote. In this one he mentions fanboys' ascent into both creative and managerial positions as a factor that harmed the industry.
He said as much in his interview with Ethan Van Scriver too.
I've not been ignoring you. I've been swamped. Also this probably reads salty. It's not. I just get annoyed by ignorant boomers like Chuck mixing what he wishes was the solution with the actual facts on the ground.
The difference is, I don't see being a 'fanboy' as a writer being a bad thing. The turning point is fanboys becoming editors. Also Dixon's opinions outside of his wheel house are usually pretty bad.
Mark Waid's Flash or Geoff Johns JSA didn't hurt comics. Busiek Marvels didn't hurt comics. Those fucking sold.
Axel Alonso, big Vertigo fanboy, Joe Quesada, huge DKR/Watchmen fanboy, and Andy Khouri, faggot fanboy, rising into editorial positions hurt comics.
Besides that, big problem with fanboys is that they sometimes like characters or certain versions of them to the point it becomes detrimental. That can extend to both writing and company's management. These sentiments led to Marvel and DC ditching most of their non-superhero titles, writers playing favorites with characters, writing stories inaccessible to someone who is not as obsessed with characters, or writing bad self-inserts so they can live vicariously through them and hang out with their favorite superheroes.
Of course, people obsessed with ideology are even worse. They see art as little more than means to spread their propaganda.
Batman alone has consistently outsold every DC Vertigoshit title over the last twenty years. DC cancelling its non-superhero titles was a desperate act of self preservation. They sold horribly and when you cut the worst selling titles, surprise! It's not Batman, Superman, Wonder Woman, Flash, et cet. Vertigo shit.
This is a case of a bad argument for
expanding the market place.
Chuck does the same thing. "Oh. It's not
diverse enough. My favorite manga is a golf manga!"
Fucking....retarded. How much does the golf manga sell, Chuck? The thing that kicked this off, Demon Slayer. Do you read Demon Slayer? It's generic Shonen. Young boy develops magic powers and fights bad guys. It's the Japanese version of
superheroes. Manga has shit, like golf manga, because its fucking healthy. Its fucking healthy for allot of fucking reasons. A big one is that they do their big tent poles right!
What mainstream comics need is not to put out ten golf comics. It needs to get its shit together. It starts with the big guys. Success runs down and when comics are healthy you'll get your fucking alt shit selling better.
those first two you listed are almost ten years old tho. DC's recent track record from like, the last 3 years has not been good.
We live and hope.
Red Son made Superman a murdering dick, killing joke made Batman a terrible ally to Barbara and Dick and Jim. It's like the tits in charge don't understand the relationships they're depicting or characters. Red Hood was alright.
I miss JLU.
Red Son Superman was a story about how even Superman was corrupted by the evil Soviet Union system. Its a well written, subtle, nuanced book. Completely uncharacteristic of Mark Millar. Not coincidentally its also if not his best work, among them.
The movie tried to tone down Red Son's best moments, completely axed Wonder Woman's entire story and replaced it with a woke one, and may be the worst adaptation DC has put out in terms of butchery.
Killing Joke is split between the wholly created first half and the second half adapting the novel.
The first half is more or less in line with the Timm animated series. It's canon Bruce did that to Dick and Barbara in the TAS continuity. Whether you like that is up to you.
The second is an awful adaptation. Mark Hamil is amazing. But that's it. The artwork is horrible with the joker looking less like a colorful ghoul and more like a meth addict. The coloring is wrong, following the abomination Brian Bolland did to the original. When South Park does a better adaptation than professional comic creators, it's time to go home.