- Joined
- Sep 3, 2018
I want to talk about two Epic Collections I just finished reading. The Incredible Hulk: Ground Zero, and Venom: Symbiosis.
Ground Zero features the start of Peter David's run on the Hulk. This is a run I heard about but never read because the price of back issues was insane when I was growing up. The premise is pretty simple: Bruce Banner becomes Grey Hulk, and his change is triggered by the day/night cycle as opposed to anger. Banner doesn't control the Hulk, but influences the Hulk based upon the cycle of the moon (Banner's influence is most pronounced when the moon is full, for example). This volumes contains all the issues from when Bruce becomes the Grey Hulk to when he is killed by the Leader. The story is... okay. You can tell Peter David is trying to tell a different kind of story from the average comic book of the time, specifically, a continuing plot as opposed to having more episodic adventures. The problem is that the more serialized nature of the stories just make every issue that doesn't move the story along feel like filler. And by god there is a lot of fucking filler in this book.
The other thing I need to mention is the reason why back issues were so insanely priced: the artist. Todd McFarlane draws most of the issues in this collection and... he sucks. Todd is doing all the things that made Todd popular, but without the refinement and skill. You can tell there's a lot of things Todd can't draw, like fight scenes. Todd also can't keep his own characters on model. The same character will look radically different, page to page and issue to issue. Its really infuriating to read an issue and not know who's speaking because the character doesn't look like he did three pages ago.
Final Rating: 5/10
Venom: Symbiosis is the first Venom epic collection and features the origin of the symbiote suit, Peter getting rid of it, the suit finding Eddie Brock and the first four or five Venom stories Marvel published. These are comics I read as a kid (except maybe the Vault graphic novel), and they still hold up for the most part. Venom under McFarlane is okay. By this point, McFarlane has evolved as an artist and he really gels with Spider-Man in a way he never did with the Hulk. His spidey is bright, bold and a breath of fresh air. His Venom is also interesting. Conceptually, I like the idea of Eddie Brock as a stalker--as a guy who can disguise himself as anyone and slip into Spidey's life without Spidey realizing it.
Sadly, stalker Venom is never really utilized. Instead, we get religious fanatic Venom under Todd, which is a much less interesting take on the character. Venom doesn't really come into his own until Erik Larsen* takes over and you get the deserted island issues. Spidey and Venom fighting on the desert island is my favorite Venom story of the era.
Besides the ASM stories, there are also a couple of back up stories from ASM annuals which are hilariously bad (off-model small mouthed Venom, holy moley!), and two issues of the underrated Darkhawk comic.
All in all, the stories hold up.
Final Rating: 8/10
*Its nice to be reminded how good an artist Larsen used to be before he decided to turn The Savage Dragon into a lazy fetish comic.
Ground Zero features the start of Peter David's run on the Hulk. This is a run I heard about but never read because the price of back issues was insane when I was growing up. The premise is pretty simple: Bruce Banner becomes Grey Hulk, and his change is triggered by the day/night cycle as opposed to anger. Banner doesn't control the Hulk, but influences the Hulk based upon the cycle of the moon (Banner's influence is most pronounced when the moon is full, for example). This volumes contains all the issues from when Bruce becomes the Grey Hulk to when he is killed by the Leader. The story is... okay. You can tell Peter David is trying to tell a different kind of story from the average comic book of the time, specifically, a continuing plot as opposed to having more episodic adventures. The problem is that the more serialized nature of the stories just make every issue that doesn't move the story along feel like filler. And by god there is a lot of fucking filler in this book.
The other thing I need to mention is the reason why back issues were so insanely priced: the artist. Todd McFarlane draws most of the issues in this collection and... he sucks. Todd is doing all the things that made Todd popular, but without the refinement and skill. You can tell there's a lot of things Todd can't draw, like fight scenes. Todd also can't keep his own characters on model. The same character will look radically different, page to page and issue to issue. Its really infuriating to read an issue and not know who's speaking because the character doesn't look like he did three pages ago.
Final Rating: 5/10
Venom: Symbiosis is the first Venom epic collection and features the origin of the symbiote suit, Peter getting rid of it, the suit finding Eddie Brock and the first four or five Venom stories Marvel published. These are comics I read as a kid (except maybe the Vault graphic novel), and they still hold up for the most part. Venom under McFarlane is okay. By this point, McFarlane has evolved as an artist and he really gels with Spider-Man in a way he never did with the Hulk. His spidey is bright, bold and a breath of fresh air. His Venom is also interesting. Conceptually, I like the idea of Eddie Brock as a stalker--as a guy who can disguise himself as anyone and slip into Spidey's life without Spidey realizing it.
Sadly, stalker Venom is never really utilized. Instead, we get religious fanatic Venom under Todd, which is a much less interesting take on the character. Venom doesn't really come into his own until Erik Larsen* takes over and you get the deserted island issues. Spidey and Venom fighting on the desert island is my favorite Venom story of the era.
Besides the ASM stories, there are also a couple of back up stories from ASM annuals which are hilariously bad (off-model small mouthed Venom, holy moley!), and two issues of the underrated Darkhawk comic.
All in all, the stories hold up.
Final Rating: 8/10
*Its nice to be reminded how good an artist Larsen used to be before he decided to turn The Savage Dragon into a lazy fetish comic.