Star Trek - Space: The Final Frontier

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I looked up some stuff related to Star Trek.

TOS ran for only 3 years.
It was supposed to be cancelled after 2 but a fan letter campaign extended it.

Gene tried to get it on for years before he finally managed to find some money and talent. Then he had to fight the studio who wanted to turn it into a generic action adventure show.

Charitable they too might have had to fight Gene going to heavy on the gooner in space fantasy.

After it died he got the offer to buy the rights to it, failed to get the money and lost the chance.

The Roddenberry estate could have owned star trek.

Instead he tried to secure a movie deal.
10 years.
It took a decade for him to do this.
Star Wars made people look around for decent scifi deals and they found what at that point must have been a kooky old show that didn't get far.

Star Trek the Motion picture was made for the still strong fan base and is famously slow. After that picture he got less control of the follow up and Wrath of Khan was a huge success, ensuring he would have less control of latter movies as well.

Then they made a bunch of those movies until he finally managed to get The Next generation going.

That aired 20-21 years after TOS.
TNG became a huge success. It helped solidify star trek as an icon of scifi.

The first season is famously considered bad. It was very akin to ToS, kooky, focused on strange cultures, belief systems, people.
Crucially it shifted in the 2nd session to character drama, not action adventure. A perfect fit.
Once more Roddenberry was pushed into more of a consultant role.

He passed away somewhere at the beginning or middle of DS9.
Both DS9 and Voyager has pretty bad last seasons and since then everything just gets worse.

In the 2010s Paramount destroyed a number of fan projects, and nu trek is as people know.
The once rock solid fan base is also aging more and more.

Star Trek existed because Gene Roddenberry was insane and dedicated his life to fight the suits at Paramount in order to make them billions.

It flourished best when he had some but not total control and worked with a team that had some understanding and talent.

The IP started to dissolve after he passed, helped by Paramount deliberately damaging the solid supply of talent they had available, pushing them out, suing them, or failing to utilize them.

I've looked at the Paramount website by the way. The job and career pages are very fake positivity. Very 'omg hashtags us, so valid' That toxic positive stereotype. Like a forced smile.

You want good star Trek you need someone like Rodenberry, a creative with insane dedication.
Then you need someone to constrain him, but that second person must know what the hell they are doing.

This feels applicable to all larger ips. You get some insane creative to be the main driving force, build up the world, the feel, when they aren't around any longer everything flounders.
 
Bringing Trip back from the dead seems like an obvious layup. They did the same thing with Dan Connor and guess what, audiences love it when you undo your bad decisions.

It helps the episode considered the Enterprise finale is the previous episode by the Star Trek fanbase at the time of cancelation. As the "Trip dies" episode was B & B doing the double bird at ST fans.
 
It helps the episode considered the Enterprise finale is the previous episode by the Star Trek fanbase at the time of cancelation. As the "Trip dies" episode was B & B doing the double bird at ST fans.
A scene right at the end where Malcolm rear naked chokes Trip and throws himself into the warp manifold to fulfill his destiny would have rocked so hard.

Remember...
 
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"To show you the power of Cardassia... I SAWED THE PLANET BAJOR IN HALF!"
 
Yesh.

My only gripe is that the store prices are fucking insane, like 30$ for one ship insane, but thankfully you don't have to worry about getting any of the high level shit until you hit the level cap (65). Before that point you don't have to spend a single cent to have a great time and perform completely fine and you won't even reach the endgame for like 40+ hours.

Just doing regular story missions will give you good enough gear/ships for free that you can play the <65 game without any stress.
Always wait for discounts, but I'm guilty about buying at full price too.

The game is pretty hard jank at parts, espeically everything related to ground missions, my least favorite part of the game. If you want to fly cool ships and commit mass murder in space, then its great.
 
Yesh.

My only gripe is that the store prices are fucking insane, like 30$ for one ship insane, but thankfully you don't have to worry about getting any of the high level shit until you hit the level cap (65). Before that point you don't have to spend a single cent to have a great time and perform completely fine and you won't even reach the endgame for like 40+ hours.

Just doing regular story missions will give you good enough gear/ships for free that you can play the <65 game without any stress.
Whale prices are crazy (Mudd's Market is just praying on the mentally ill), but STO is still a remarkably F2P friendly (if grindey) game, even at the level 65 end-game.

Seasonal events will give you relatively decent end-game ships for free, and it's relatively trivial to build out a 70-100k DPS build which is perfectly capable of advanced queues. Most of the $30 ships are also purchasable using the Tier 6 Coupon, which you can get by completing 3 of those seasonal events. A grind for sure, but one that only requires 10 min/day after you've reached end-game.

I do miss the times where you could use the Dilithium->Zen market to easily farm enough Dilithium in the admiralty system to get any Zen ship you wanted. But that's been broken for years now...
 
TOS ran for only 3 years.
It was supposed to be cancelled after 2 but a fan letter campaign extended it.
iirc the "fan" campaign was run by B'jo Trimble, who also (by a total coincidence) ran the scammy front company "Lincoln Enterprises" which Gene sold studio property out of
Gene Roddenberry was one of the greatest mythmakers of the 20th century, in that he created the myth of "Gene Roddenberry - Creative Genius"
 
iirc the "fan" campaign was run by B'jo Trimble, who also (by a total coincidence) ran the scammy front company "Lincoln Enterprises" which Gene sold studio property out of
Gene Roddenberry was one of the greatest mythmakers of the 20th century, in that he created the myth of "Gene Roddenberry - Creative Genius"
That sounds even cooler though. Faking a letter campaign through some dumb shell company to keep your creative dream alive a little while longer. You could make a movie about that. Artistic license the fuck out of it. Build on the myth.

It feels so weird that TNG is just 20 years after TOS.

You always find weird shit you didn't realize when you look into the history of random properties.
 
That sounds even cooler though. Faking a letter campaign through some dumb shell company to keep your creative dream alive a little while longer. You could make a movie about that. Artistic license the fuck out of it. Build on the myth.
yeah ngl I'm not entirely not-jelly of what an amazing pile of scam and casting couch Gene Rod was rocking
there's a joke/theory of ZC in FC being an extended riff on Gene Rod The Myth vs Gene Rod The Man
I can def say I've seen a memo from a Profiles In History type auction where Gene Coon and the other guy were both all "uhh Gene Rod what in the literal fuck are you doing buying this script, I guess we can salvage this" and no I don't think it specified which ep
 
Shatner is visibly seething through the whole fucking interview. :story:
I don’t think Bill was angry in that interview, People love Shatner rage stories, but this one just seems a bit awkward.

Bill gets morbid, talking about the inevitability of nonexistence a few times. His favorite subject is basically death.

Avery’s sitting there trying to be understanding, like gently noodling on the piano like “hey man let’s maybe not do Death Hour right now.”

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I heard young people are supposed to be the ones freaking out about death because they’re new to the whole “being alive” thing. But no, young people CAN'T WAIT TO DIE and Boomers treat death like it’s a cable package they can’t cancel. "I’m still subscribed to mortality, I never agreed to this.”
 
I heard young people are supposed to be the ones freaking out about death because they’re new to the whole “being alive” thing. But no, young people CAN'T WAIT TO DIE and Boomers treat death like it’s a cable package they can’t cancel. "I’m still subscribed to mortality, I never agreed to this.”
Boomers lived as pampered manchildren in the golden age of humanity, young people are living in the pyrite age as serfs.

If you have no materials to begin with then its hard to form material attachment. People don't want to lose what they work for. If you work for nothing to begin with then you lose nothing.
 
I don’t think Bill was angry in that interview, People love Shatner rage stories, but this one just seems a bit awkward.

Bill gets morbid, talking about the inevitability of nonexistence a few times. His favorite subject is basically death.

Avery’s sitting there trying to be understanding, like gently noodling on the piano like “hey man let’s maybe not do Death Hour right now.”

View attachment 8842771

I heard young people are supposed to be the ones freaking out about death because they’re new to the whole “being alive” thing. But no, young people CAN'T WAIT TO DIE and Boomers treat death like it’s a cable package they can’t cancel. "I’m still subscribed to mortality, I never agreed to this.”

Shatner has admitted that he suffers from depression and that he was suicidal after Nimoy died because he felt like everyone he cared about from his generation was gone. I wish I could find the tweet but he said at some point that he keeps riding horses because it is the best way he has found to fight off depression and if he couldn't do that he wouldn't go on.

Remember a while back his wife drowned in their swimming pool, he has been through a lot and is very old so I am not going to hold his being awkward in interviews against him.
 
iirc the "fan" campaign was run by B'jo Trimble, who also (by a total coincidence) ran the scammy front company "Lincoln Enterprises" which Gene sold studio property out of
Gene Roddenberry was one of the greatest mythmakers of the 20th century, in that he created the myth of "Gene Roddenberry - Creative Genius"
That the letter writing campaign was what allowed ST TOS a third season is, of all the myths surrounding that show, the biggest pile of bullshit ever foisted upon an unknowing fanbase. NBC had already decided to renew the show before the letter writing fiasco even got off the ground, for one reason. The NBC honchos discovered that the show was selling color televisions for their parent holding company RCA. Simple as.

The deluge of letters coming into NBC was seen, by NBC, as an annoyance. That's why they made the announcement on one of the episodes hat there would be a new season and that people could stop writing in.

I like ST TOS, but find most of the "Mythos" surrounding the show and Gene Roddenberry (far from some foward thinking genius, but rather, a cynical credit/money grubbing pervert who had one good idea), fairly nauseating.
 
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