- Joined
- Apr 7, 2019
It really does shock me how a show about love and understanding can screw over characters like Jasper. After using her for plot development, they just threw her to wayside, never mind that she still has problems of her own. The show tries to paint this has Jasper having to heal on her own but it just came off as “She’s not Steven’s problem anymore so she can fuck off.” Ultimately, it was always about what Steven wanted and getting what he wanted, with everyone else coming second, if at all.You know, I just realized something dark about Steven himself, but probably something Rebeca didn't intent.
Pink Diamond's had the need to be loved by people, especially by people that disliked her, because she loved the thrill of the conquest and seduction, but once you loved her back she instantly lost interest in you. Sure she might've played with you a little, but in the end, she just discarded you as she did with Spinel. In fact, people that loved her from the get-go like Pearl, and Spinel just bored her.
Sure she did stay around with her loved ones, but she eventually abandoned all of them without exception.
Greg was different in that he actually sought her out, but he also was the only person that confronted her and said: "I am not just a disposable toy. Look at me, like a real person".
Steven was a bit better with it because he did have some attachments at first, but ultimately he was very much like her. Consider how he spent the whole show trying to win Jasper, but the instant Jasper became attached to him he lost all interest in her. And I don't mean just the scene of him still being in shock for shattering her.
Connie for Steven and Greg for Pink are the only ones they tried to have something for the rest of their lives.
And the show's finale of him abandoning everyone just confirms it. He really is Pink's son.
People make the comparison to Utena and Sailor Moon but a more apt shojo comparison would be a more twisted Fruits Basket; the all loving hero who redeems everyone with kindness, the cast with problems and neuroses underneath a shiny exterior, right down to forgiving the most monstrous character in the cast.
Given Sugar’s...activism and her desire to break into broadway, I think even she wants to branch out and give animation a rest. For better or for worse, SU is her magnum opus and any animated show she’d make would get comparisons to Steven. At best, she’ll give it another go with Netflix just because it’s less restrictive than CN but I can easily see her retire from cartoons altogether.Thankfully, I don't think Rebecca Sugar will ever get another show on Cartoon Network or really anywhere else outside of maybe one of those Netflix original shows that last a season or two at most.
The rise of Steven Universe was entirely a case of simply being at the right place at the right time. Rebecca Sugar was part of the Adventure Time crew back when that show was the big heavy-hitter for CN in the early 2010's, and that show more than anything kicked off the trend of "CalArts" Tumblr style cartoons that were dominant in the 2010's and was epitomized by Sugar's show. CN struck gold with Adventure Time and so they gave Rebecca Sugar her own show.
But here's the thing, most of the old regime big shots at Cartoon Network in the 2010's are no longer with the company, and this phenomenon had largely completed itself before March 2020. So now Rebecca Sugar is in a position where she does not have the connections she used to have back in 2014-2015.
Plus, you've got COVID-19 actively wrecking everyone's shit at every level, and we're on the cusp of a new cultural zeitgeist and that's another mark against Rebecca Sugar having any future at CN or anywhere else.
For good or ill, Steven Universe is very much a cartoon that embodies the 2010's both culturally and aesthetically,
It will always be seen as the weird hipster cartoon about lesbian space rocks and it's going to be dated in several years. At least with Adventure Time and Teen Titans Go, they aren't quite as obviously 2010's except for their art style.
Teen Titans Go may be a dumb kids show, but it's simple enough that it'll always be good rerun fodder that kids will watch, and that's all it ever was really meant as. Adventure Time veered off the deep end in its later seasons, but the early seasons were just a goofy adventure comedy for the kids, so those will still hold up.
Steven Universe always tried to be this "deep" artsy thing when it clearly wasn't, and Rebecca Sugar was trying to make a woke American version of Sailor Moon or Utena but instead ended up with the show that will be to the 2010's what Ren & Stimpy was to the 1990's, a show that was popular in its time but is now seen as embodying the worst elements of that era's pop culture and will be little more than punchline fodder for Robot Chicken sketches or a VH1 "I Love The 2010's" special.
Honestly, thanks to Corona-chan taking a crowbar to the economy and Steven Universe likely to become a dated relic of the 2010's for reasons I outlined above, I doubt we'll see much more of this.
Rate me optimistic for thinking that, but "Get Woke, Go Broke" starts to matter when the global economy is in the shitter and the culture starts to change.
On the other hand, I can agree with you; people mock He-Man and ThunderCats for being super 80s but I guarantee you people in the 20s and 30s will be saying how 2010s SU is. It embodies every single praise and criticism 2010s media had in one package. Even the LGBT stuff might look quaint in a few years, which would really date the show.
I will never buy this no matter how many times people try to push it. It really felt like this was something Sugar tacked on at the last minute and everyone fell for it, trying to make the show look smarter than it was.