- Joined
- Apr 19, 2019
Boy why the fuck did they bother doing Discworld in the first place if they were just going to turn it into Game of Thrones.
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Boy why the fuck did they bother doing Discworld in the first place if they were just going to turn it into Game of Thrones.
Kind of similar here, I went and bought 3 more of Pratchetts books for my kindle because after reading this thread and watching the animations recommended earlier I got the urge to continue reading his stuff. I've only read 15 of the discworld books so I still have a lot left to enjoyUrge to A-Log...rising...
NOT. RESISTING. WELL.
I'm just gonna go the fuck home today and start reading straight off my shelf.
BECAUSE at least I still have Sir Pratchett's real legacy on printed paper, you fucking limey scum. And you'll NEVER take that away from me.
There's a reading guide that might be of use if you like one particular style or character group. It's not needed though, I jumped around for the first half of his works (dependeding on what the library had at the time) before reading them as they were released.Kind of similar here, I went and bought 3 more of Pratchetts books for my kindle because after reading this thread and watching the animations recommended earlier I got the urge to continue reading his stuff. I've only read 15 of the discworld books so I still have a lot left to enjoy
Thanks this is very handy. I've bookmarked it. I didn't read in any order, friends gave me random books they thought I might like and then I bought the ones that would show up first or recommended on amazon.There's a reading guide that might be of use if you like one particular style or character group. It's not needed though, I jumped around for the first half of his works (dependeding on what the library had at the time) before reading them as they were released.
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One of the best things about Pratchett was that you could continually see his improvement as an author. In a purely literary sense there is an immeasurable difference between his earlier works and his later ones. I do actually find it a little jarring to read the early discworld books these days.This is what you people get for being able to stomach Terry Pratchett's writing.
I think the problem is that modern series writers are millenials who only ever read Harry Potter and YA novels. Their knowledge of Terry Pratchett's works is limited to the wikipedia articles.Whats surprising is how easily it would have been to translate discworld into a socially concious series and they still seem to have fucked it up. The Cheery littlebottom casting is a real head scratcher with the social issues with Dwarves and gender being an obvious parable for LGBT rights, their's quite a few scenes which overtly spell this out such as a bad guys nervous breakdown in the fith elephant because she's horribly trapped by dwarven tradition. If anything casting a open non-binary feels a little tone deaf because the primary social issue in Dwarven society is they don't acknowlague gender.
It doesnt even really feel like discworld where the mark is closer to early modern gearing up for an industrial revolution where gunpower hasnt been invented. whereas this feels more a like a dr who episode.
Who ever made the call not to cast Charles dance as the Patrician should be fired on the spot.
It all feels very half hearted and cynical if anything they've swapped out a lot of in depth social commentry and ethnic representation more... generic form of representation, where everywere is an idealized northern london. Which is very 2010+ BBC when I think about it.
I honestly wouldnt be surprised if this isnt a rehash of another script with Discworld grafted on.
Ultimately, the overarching joke of Discworld is the juxtaposition of classic fantasy and cynical reality. At first it was just parodying fantasy, then it used fantasy to parody reality. The dwarfs and the world around them were used to parody questions of LGBT issues, feminism, fundamentalism, racism, immigration, industrialisation, integration etc, but you could also view them as a funny take on Tolkien’s dwarfs. Ditto the other races. Pratchett trusted the reader to draw their own conclusions. The books never felt like “HERE’S THE MESSAGE.”Whats surprising is how easily it would have been to translate discworld into a socially concious series and they still seem to have fucked it up. The Cheery littlebottom casting is a real head scratcher with the social issues with Dwarves and gender being an obvious parable for LGBT rights, their's quite a few scenes which overtly spell this out such as a bad guys nervous breakdown in the fith elephant because she's horribly trapped by dwarven tradition. If anything casting a open non-binary feels a little tone deaf because the primary social issue in Dwarven society is they don't acknowlague gender.
It doesnt even really feel like discworld where the mark is closer to early modern gearing up for an industrial revolution where gunpower hasnt been invented. whereas this feels more a like a dr who episode.
Who ever made the call not to cast Charles dance as the Patrician should be fired on the spot.
It all feels very half hearted and cynical if anything they've swapped out a lot of in depth social commentry and ethnic representation more... generic form of representation, where everywere is an idealized northern london. Which is very 2010+ BBC when I think about it.
I honestly wouldnt be surprised if this isnt a rehash of another script with Discworld grafted on.
I remember he was very proud of Small Gods, and how both atheists and the very religious would come up to him and praise him for how he portrayed religion in it.The books never felt like “HERE’S THE MESSAGE.”
I guess my main problem with Pratchett and Brit humor more widely is that it just feels like a dude is standing there saying "Oo blimey ain't this a silly situation?" over and over and over. Can't those damn limeys ever let a joke stand on its own without aptronyms, wink-nudging and self referential bullshit?One of the best things about Pratchett was that you could continually see his improvement as an author. In a purely literary sense there is an immeasurable difference between his earlier works and his later ones. I do actually find it a little jarring to read the early discworld books these days.
It's one of my favorite things about Jim Butcher (my favorite current author) as well, seeing the quality of the prose noticeably increase every few installments.
I guess my main problem with Pratchett and Brit humor more widely is that it just feels like a dude is standing there saying "Oo blimey ain't this a silly situation?" over and over and over. Can't those damn limeys ever let a joke stand on its own without aptronyms, wink-nudging and self referential bullshit?
I’m reminded of the Ankh-Morpork’s Campaign for Equal Heights, a pro-dwarf organisation that was made up entirely of humans, because the dwarfs would just attack you with an axe if you insulted them. I can’t imagine there will be any jokes like that in this adaptation - these seem like the kind of people that joke was targeting.Holy shit I think I just figured out something...
The reason there are no dwarves is almost certainly because "dwarf" is considered an offensive slur against midgets by #woke diversity and inclusivity commissars who are attached most BBC projects these days
Seriously, I guarantee they are going to do a bunch of interviews and articles into the runup of this being shat out and they will smugly be gloating about how sensitive and thoughtful they are for not using such dated and problematic language