The Writing Thread

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Not a bad idea, but might make it part of this writing thread come November rather than start a whole new thread.
Why not stage it for a summer month or a winter month? I’ve always found November to be too busy to run the challenge. The most I wrote was about half of the word requirement before work and family got in the way.
 
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Short I wrote for one of my more neurotic characters. I'm still trying to get better at depicting a character's stream of consciousness.
The suddenness of it brought to mind one of the original stories, one that she had learned to tell very well.

It was about an old turtle god, the very one who had carved their island out of some hazy primordium. During the day, he worked dutifully, gouging the soft earth with claw and flipper. But each night, his strength failed as the fickle, writhing thing that was a god's heart slowed and beat fitfully. And so he toiled under the sun, only to watch his passionate efforts be reclaimed by the sea every time the light faded.

Untold years passed before nomads arrived in the area. Some of the wisest amongst them watched the god's labor with interest that soon turned to compassion. Approaching him with due humility, they offered their limited strength in a bid to preserve his progress while he could no longer move. The turtle god graciously accepted their company, despite knowing that the task was far beyond them. Many nights passed without headway, and each gave him a greater appreciation of his mortal companions. Their children chattered around him even as he shaped the sand and the clay, never doubting in his unspeaking gentleness. In the fading light he watched them bring in the last catch of each day, pulling scores of fish from the waves with primitive nets, sifting life from the ocean as he had seen so many whales do with their baleen. And as stars began to glitter overhead, many of their strongest would take up tool and stick and even bare hand when necessary, digging desperately as the tide unsettled the sands at their feet. It was pitiful to watch and it filled him with warmth.

A young fisherman grew fond of taking his meals on top of the god's shell, even during the midday when he shifted and clambered the most. The others often scolded and jeered at the man during climb up, and the turtle wished he could assure them that he did not mind such things. The fisherman soon tried to share his food with his new companion, and though the turtle did not care for fish, he one day accepted the simple offering of a fragrant pot of tea. There was barely a taste to a being as large as him; only something vaguely bitter and herbal. But as night began to fall, his heart continued to to beat, steadily and quietly. The nomads watched in wide-eyed wonder as the god worked away joyously for nearly an hour after the sun had set, after which his usual weakness crept-

The story offered her no comfort. Why was it boiling over now?

Children were playing with dice down in the street, huddled and hushed. She saw no reason for their secrecy. Parents' eyes lingered over them, but scrutiny never furrowed their brows. She hadn't seen someone chastised over a game of chance since she had arrived. The sky was clear and soaked bright blue. The vaguest scent of something was suffusing the room.

Anfree got her hands to moving. She ran the cloth over the flat of the scalpel again, and then once again. The outline of her face, just blurry enough and dark enough to be called a silhouette, remained as it was. It did not matter how many times fabric darkened steel, how many times it passed by like night. She smiled, the embers of frustration tempting her to talk to herself for the first time in a long time. Instead, she slid the scalpel carefully back into its fold in the kit and rolled everything up. Laflan was cooking something. Something savory was wafting up through that breezy house and sitting under her nose like, like-

Her bag - a *doctor's* bag. It sagged against the wall just beneath where sunbeams fell onto the desk, its colors dulled in the shadow. The image was already fading from her thoughts as she descended the stairs, humming softly. He'd set something to simmering a while ago, and now she was deep in its miasma. It wasn't that she disliked his cooking. She turned the corner at the bottom of the stairs and walked softly on the balls of her feet. White sunlight glared through the open front door and down the hall and his voice and the light kept at her back all the way to the kitchen. She left the door cracked.

It was a stew. Anfree's nose told her that for sure now. The wood was cold under her feet and it reminded her of when she was much younger. She lifted the pot's heavy lid gently, causing a quiet clatter as it bumped and scraped the edges. Beef was browning nicely, floating on a stocky sea alongside peppers and string beans and onions. It wasn't that she disliked his cooking. He always made so much and so often, and it was such a big and empty house. When he, his wife, and Anfree were fed there was always so much left over, and Laflan was a generous man who would give the rest out to whoever would take it. But there was always more food than hands and mouths.

The lid crashed noisily and Anfree thought about the house call she would have to make soon, for the boy who had been exhausted and feverish the night before. But now her throat was tightening for food she would not be able to eat and rooms with open windows that Laflan did not want her to close.
 
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Wrote another short, this one's about space pirates raiding a ship they shouldn't have.
Also, I love Sunshine.
The mining ship drifted lazily in the void, the bodies of its crew hanging by their feet from tethers connected to the underbelly. They were decapitated, heads cradled in their arms, everything held in place by frozen blood. This was the signature of Madam Hemlock.
***
The ship was making a return trip from an asteroid a light minute away from the Sun when the raid happened. The jetblack pirate vessel was cloaked from the miner’s rudimentary scanners, the breach of an airlock being the only warning given of their sudden intrusion. The ensuing slaughter was quick and merciless with no survivors, the pirate crew was well practiced and moving like a single organism. Madam Hemlock strode through the captured vessel, admiring the viscera and wiping clean her cutlass before sheathing it in an ornate scabbard spiderwebbed with gold and bedazzled with diamonds and pearls. There was a severed hand tied to the scabbard, her master key to all the ship. Her bright red cloak flowed behind her as she entered the control room.
“What’s the cargo?” She asked a member of her crew who was watching a screen.
“Just what we thought. An asteroid's worth of gold, tons of it.”
“Perfect, must have been a hell of an asteroid.” She smiled, it was always great when a raid had no complications. She turned to head out of the room, she wanted to see that gold.
As she made her way to the cargo hold she occasionally barked orders at her crew, and as the most feared pirate in the system they listened to her demands with no complaint. No one, man or woman or even robot, had stolen and slaughtered more than the dreaded Madam Hemlock. Many had tried to stop her, but none had succeeded. She reached the cargo doors, and placing the severed hand of the captain on the keypad they opened. The sight was overwhelming.
The gold seemed to glow of its own accord, even Madam Hemlock had never seen so much wealth in a single place. And now it was hers, all hers. As she scanned the room she heard a loud crash followed quickly by a loud series of curses. She quickly turned as a crewmember sprinted into the room and grabbed her around the waist, picking her up and bolting through the halls of the ship. He paid no heed to his captain’s enraged threats and thrashing, there was something he was even more afraid of.
As he ran through the control room he screamed, almost out of breath, “CLOSE THE DOOR! CLOSE THE DOOR! GET AWAY FROM THE CARGO CLOSE THE DOOR!”
With that he collapsed, black foam coming from his mouth as the convulsions started. Madam Hemlock didn’t know what was wrong, but she knew to run. Out of the corner of her eye she saw other crewmembers fall and convulse, black foam leaking from their eyes and noses and ears and mouths. The door was closing, she could make it.
She made it.
***
“What the fuck is going on!?”
Madam Hemlock and her remaining crew were sat at a round poker table in the rec room, every face pale and wide eyed. It took half an hour for everyone to calm down enough to regain order, after a headcount it was determined that two thirds of the crew had perished.
“It appears to be some type of biohazard ma’am, reviewing security camera footage it appears that Jim was sorting through booty and opened a small box. When the box was opened, a dark cloud came from it and… I think it’s a type of spore or something…” stammered the young man who was looking at a portable screen acquired from the control room. He passed around the screen.
The picture was of a man laying on the metal floor of the cargo hold. His face was in a large, black puddle. His body was contorted like a dead spider, his veins black and bulging against his skin. As the survivors flicked through the cameras it became apparent that they were the only ones left on this ship, black bile and old dark blood making a horrific abstract painting of their vessel. Of their prison.
Taking a deep breath, Madam Hemlock stood up and placed her hands on the poker table. “They must have information on whatever that shit is in their system, find anything you can and report back to me. The rest of you, split into two teams. Team one, find food. We may be here a while. The contaminated zone lays between us, the galley, the control room, and where we docked our ship.”
“Team two, collect any and all EVA suits you can find. Check everywhere, if it comes down to it those may be our only chance of survival. I will be taking inventory of whatever medical supplies and medications we have access to, the med bay is in the danger zone but there should be kits stored around the ship. We will meet back here.” With that, they all got to work.
***
Madam Hemlock sat on a bucket in a janitor's closet with her face in her hands. ‘We are so fucked, we are so fucked, we are so fucked’ is what she was muttering to herself. The situation was worse than she could have imagined. This was a mining vessel, true, but after digging through the old captain’s files it became apparent that, if anything, the gold was incidental to the ship’s true purpose.
Transport of planet-killing mycological weaponry. A true weapon of mass destruction, the spores were to be disposed of upon arrival back on Earth. Found on the asteroid there was no cure, no treatment, no recourse. Once breathed in, the spores would kill at an extreme rate and even a single, microscopically small spore spelled the end. Not wanting this weapon to fall into bad hands, the Emperor of Earth ordered discrete collection and destruction. It was a miracle that any of Madam Hemlock’s crew were left standing.
Taking a deep breath, she calmed herself and stood up. She sighed, and made her way to their impromptu meeting room. Luckily they found the EVA suits, more than enough, as well as medical supplies and various medications. Various snacks and foodstuffs were found, more than enough for an extended stay. But they couldn’t stay, they had to escape their quarantined, floating prison.
Lots were drawn, and a young man was chosen to suit up and brave the spores. He was stoic. Either he would die now or die later, but there was a chance his suit would save him. As he donned the helmet he stepped into the hallway leading to the contaminated zone, closing the door behind him. The rest of the crew watched the cameras, huddled around the portable screen.
The young man appeared fine as he slowly walked through the carnage, trying to avoid the bodies and their liquified innards puddled on the deck. The only sound was his footsteps, the crew didn’t even realize they were holding their collective breath. For five minutes, nothing happened. But then the young man froze, and he started clawing at his helmet's face shield. He collapsed to his knees, clawing at his obscured face, muffled screams that soon turned to gurgles heard not through the camera but heard and felt through the walls of the ship itself. He fell, silent.
The crew looked at each other, no longer bound by a chain of command but by the gravity of their situation. The silence dragged on, nobody knew what to say. What they even could say.
Madam Hemlock violently rose, screaming “WHAT THE FUCK” as she launched her chair at the wall.
“WHAT THE FUCK! IT CAN GET THROUGH AN EVA WE’RE FUCKED” She yelled as she paced around the room, pulling her hair and screaming inarticulate nonsense as the rest of the crew began to pray and weep. Their only hope was dashed, there was no way out.
***
Hemlock sat with her crew, silent after their temporary desperate madness. She raised her tear-stained face, gazing around her. Only four men remained, four men and their captain. She broke the silence.
“Men, we have done unspeakable things. I do not regret that. We have made the decision to rob, kill, hijack, and mutilate any and all who stand in between us and wealth. I do not regret that. What I regret is that this is our last day alive.” She pulled out the portable screen and handed it around the crew.
“The Emperor’s Fleet is on their way, the miners sent out a distress signal when we boarded. There’s multiple scenarios we could expect. The first is that they attempt to board and die from the spores. That would not help us, and likely lead to the next scenario.” She continued.
“The second scenario is they blast this ship to pieces. If that happens, the spores will spread through space and likely eventually make their way to Earth. I’ve run the calculations on this here screen, if this ship blows up and even a single spore floats to Earth it could very well be a near-extinction event.”
“Men, make peace with yourselves. We are pirates, we are criminals and we are the most feared bandits in the solar system. But we are, above all and despite our deeds, human. And we cannot allow humanity to perish because of our hubris.” She arose, hand on the pommel of her cutlass. Her men looked at her with grim determination.
“We shall crash into the Sun.”
The ship resounded with cheers.
***
They suited up in silence, warriors dressed not in parade but in purpose. Their mission was etched with the precision of a scalpel, each second a sacred beat of destiny. Five minutes. That was all they had. Five minutes to save a galaxy. They ran, one after another, into the belly of the plague-ridden ship.
The first man unlocked the sealed doors with trembling fingers.
The second ignited the ion boosters.
The third aligned the vessel toward the blazing maw of the sun.
The fourth, barely conscious, disabled every safeguard the ship’s mind possessed.
Each gave their life not with a scream, but with resolve. For the first time, they were not scavengers, not pirates. They were heroes.
And then came Madam Gladiolus Hemlock. Clad in her flowing red cloak, her gilded cutlass still at her hip though it would serve her no more, she stood alone before the quarantine gate. She tightened her suit, bowed her head, and charged into the fungal inferno with a cry of defiance that echoed through the ship.
She burst into the control chamber, coughing, choking, vision swimming with spores and swirling light. She dragged herself to the comms panel and spoke, blood and foam already on her lips.
She began to speak, her voice steel.
“To the Emperor’s Fleet, this is Madam Gladiolus Hemlock. Cease pursuit. Do not board. Do not send aid. This vessel is death incarnate. A single breath from this mold will unmake your worlds. We go to the Sun not in fear but in duty.”
She gasped, trembled, and laughed once, as colors bled from the walls.
“I die unrepentant. I have burned colonies, shattered fleets, torn down kings. I carved my name into the stars… and now I burn it into the Sun.”
Her voice cracked.
“But... the light... it’s everywhere. It’s inside me. The Sun is speaking, no—no, the spores—they’re singing. I hear... every voice I silenced. I see the children… crying in doorways I torched. Mother… I see your eyes. I see all of you…”
She collapsed, foam and blood spilling from her lips, hand still on the panel, whispering as her vision melted into kaleidoscopic fire.
“I was the villain. I was the curse. I... I thought I was righteous. I thought I was free.”
A final rattle of breath.
“I’m… I’m sorry…”
And then, silence.
***
The ship drifted into the Sun, tailed by Fleet ships that held their distance, like mourners at the edge of a pyre. The ship, once a simple mining vessel, now glided in silence. A coffin of steel and sacrifice.
As the solar winds kissed its hull, the ship began to ignite. Fuel lines ruptured in a symphony of flame. Gases ignited like prayers. The metal screamed and bloomed open, shedding its armor like the skin of a dying god.
From afar, it no longer looked like a ship. It became a phoenix. Not metaphor, not symbol, but shape and spirit. Wings of pure fire stretched across the void, each feather a licking arc of radiant death. Its head bowed in regal sorrow, as if it knew the weight of what it carried. Smoke curled around it. An aura, a halo.
Within the furnace, within the core of that impossible blaze, something moved. A figure, vast and ancient, born from the fusion of heat and memory. Fire took form. She was a woman, carved from light and flame, her hair cascading embers, her eyes twin stars on the verge of collapse. In her arms, swaddled in firelight, was a child. Small, still, but radiant. She did not speak. She was the song. The song of endings and births.
Hemlock’s ashes rode the breath of that woman. Her sins, her sorrow, her final act of redemption all curled like incense around the child’s sleeping head. And the phoenix screamed. Not in pain, but in release. A cry that rippled across sensor arrays and made hardened soldiers weep without knowing why.
The Sun opened its arms, the woman of flame stepped into the core with the child. The phoenix folded its wings.
And the ship, the sins, the woman, all was consumed. Light poured outward. Nothing escaped. Nothing survived.
Everything was forgiven.
 
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So I've been working on something recently and I'm wondering if this conflict I'm about to explain below is "morally comprehensible". It makes sense to me, but while doing some revisions on my outlines and chapter plans to account for changes made during the actual writing I've realized it's a bit of a maze so I'm not sure if it's the same for others. Gonna be slightly vague for brevity, so forgive me if this is written/punctuated weirdly.

  • The character who we'll call V is the protagonist. V is basically a guy who want to be a moral, upstanding person like anybody else, but due to his background is not very good at understanding people beyond a surface level and frequently doesn't consider the full consequences of his actions. In this book, which is book 2 in the series, V ends up assuming the identity of another person, D, who dies after V tries to assist him (D was assaulted and severely wounded). V does this initially by accident (V can make himself look like D with little effort, let's just say) then decides to keep doing it because he is wanted by the police due to the events of book 1 (though he is assumed dead, an open warrant remains), and finally justifies his continued skinwalking of D by using the excuse of not wanting to cause emotional and mental harm to D's family/friends (V has no remaining family).
    • Notably, despite V's outward friendliness, he is a dangerous person. At multiple points in the story he uses force and threats to coerce people into doing what he wants, though he does this because those people are criminals or otherwise disreputable or immoral. Hypocritically, V also participates in some disreputable activity to make money because D's job doesn't pay very well and he needs the cash to maintain his facade of being D. He is also very good at deception in general and assumes several identities over the course of the story to protect himself or manipulate people who he doesn't view as innocent.
  • A is the deuteragonist, an "ex-cop" type with a serious axe to grind with V, who he views as the person to blame for serious injuries he suffered at the end of book 1 and the subsequent loss of his job, among other things. A is also under threat of assassination by a third party that is technically "unknown" but suspected to be connected to the end of book 1 and trying to cover up the events that happened. After learning that V is still alive (V is the only remaining witness besides A to the events, so he can corroborate them), he makes it his personal mission to catch him, reveal the truth about what happened in book 1 so that the true perpetrators can be brought to justice, and finally kill V in single combat as revenge for his suffering once he is no longer useful (this is considered appropriate in A's culture).
    • While A doesn't particularly care about others, he also doesn't seek to involve anyone in his problems. A is also an "ends justify the means" kind of person, but he doesn't feel the need to rationalize his actions to himself or others as being "good" or "moral". To A, his actions are justified by the need for truth and justice, and by neutralizing the threat of V. To some extent this is self-interest, as it would help him avoid assassination, get his job back, and experience emotional satisfaction but he doesn't lie to himself or others about that.
  • Obviously, by the end of the story these two meet again and shit goes sideways.

The intended main moral conflict here is basically "deceiving people to preserve their happiness" (V) versus "revealing the truth even if it hurts people" (A), but with an inverse conflict of "proactively handling problems" (A) vs "letting sleeping dogs lie" (V), and a further layer of "moral hypocrisy" (V) vs "intentional moral avoidance" (A). There are a few more as well, but it's pretty much this sort of thing all the way down. V and A aren't meant to be strictly good or evil, but they are meant to have conflicting viewpoints and they do have somewhat mirrored actions. What I want to know is: Does anything I just said make sense or is this way too much of a rat's nest?

The story isn't really supposed to be an up-its-own-ass exploration of themes and concepts and shit, it's more of an action/suspense thriller with mixed-in psychological drama on the surface, but I do want to make sure that this conflict makes sense. Not like I wanna rewrite the 45k words I have on this so far but I'd rather do that than finish it at the estimated 120k and make something incomprehensible.
 
I’ve been playing with the “stream of consciousness” style with a character who’s a bit like myself, (dialed up naturally) because for me that’s the only way I can do that style, I can’t get inside the head of someone who doesn’t think like me, just can’t. Naturally some of his experiences are mine but recontextualized and amplified a bit.

He’s this sort of cutthroat amoral outsider journo and the joke is he’s everything wrong with the modern journalist, just in the mind and body of the old-school “hunt down leads and infiltrate” type. He’s a con man, does hatchet jobs and comes off as this charming stranger offering good coverage to fringe groups.

It’s been fun writing a character who is so casually nihilistic and zealous, who thinks he’s counterculture and this rebel, but is literally wearing the trappings of the typical normie-tier counterculture figures, like Thompson or Tyler Durden and doesn’t realize that he’s just as much of a vapid sellout as everyone else.

The “commodification of the counterculture” is sort of the theme of my novel, that the real fringe guys putting in the work, aren’t amoral nutcases who dress like peacocks and cultivate a look, they do it cause they see the rot and want to cut it out, in whatever small way they can.
 
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I’ve been playing with the “stream of consciousness” style with a character who’s a bit like myself, (dialed up naturally) because for me that’s the only way I can do that style, I can’t get inside the head of someone who doesn’t think like me, just can’t. Naturally some of his experiences are mine but recontextualized and amplified a bit.
Oh so you're kind of doing a Kerouac thing? That's pretty dope.
 
Oh so you're kind of doing a Kerouac thing? That's pretty dope.
Yeah, the “fictional narrative” but if you read inbetween the lines there’s truth.

Which, the weird and downright ridiculous “Sektur” part of the site had a hand in my novel, these lunatics debase themselves and provide some of the most raw and hilarious content I’ve ever seen, for minuscule audiences is hilarious and that the majority of the planet won’t know about it makes it a very private joy. My protagonist feels like a guy who could exist in that part of the Internet, rolling in the shit.
 
I really don't want to powerlevel too much with my story, my hope is to attempt to publish it someday (I know, I know, 🌈). But I could really use someone to bounce ideas off of. Basically my story involves a people who have tried to revive Old English, kind of like the Israelis with Hebrew or the Irish with gaelic. But instead of replacing English, it just became a second language. However, this has lead to unforseen "side-effects" over the years. They don't use many "latinate" words and instead tend to favor native Anglo words. They've even replaced some familiar loan words with germanic equivalents (astronaut=spaceman [I know space is latin, but still], guard=ward or watchman, etc.) If you've ever heard of "Anglish" before, I'm kind of copying this idea, but not to the extreme that they go. My people also pronounce vowels more purely and flip their r's, giving them something like a highlands scot accent.
Anyway, this may not sound too complicated, but I'm struggling with finding a balance in this. I can't go too crazy with replacing loanwords, otherwise their dialogue becomes near incomprehensible for leaders. E.g. military words: if I replace General with, say, Herwit (here is an oe word for army + wit, oe for one who is knowledgeable of something) nobody is gonna know what I'm saying. But if I don't replace anything, they don't really sound like a distinct people. And if I just revive archaisms (thees and thous, yonder and thither, etc), they're going to sound like weird amish people which is not the vibe I'm going for.
Here's some dialogue examples. One is more "conservative" with the anglicisms, and the other more liberal. Let me know what you all think. Also I'm just starting out, so if my dialogue could use improvement in general I'd love to hear your suggestions
Edward found Alfred sitting by a window at the end of a long hall, slumped over and fidgeting with his ring. Robert stood by him.
He hesitated before finally mustering the courage to ask "How is she? Any news?"
Alfred didn't look up at him. "These outsider doctors cannot be trusted. I fear..." his voice quivered, then fell silent.
"They haven't told us much" said Robert after an awkward silence.
Eadweard found Ælfræd sitting by a window at the end of a long hall, slumped over and fidgeting with his ring. Hrobeorht stood by him.
He hesitated before finally mustering the courage to ask "How is she? Any news?"
Ælfræd didn't look up at him. "These outlander leeches ne can be trusted. I fear..." his voice quivered, then fell silent.
Eadweard bit his tongue. He wanted to ask what he meant but knew now was not the time. He once again felt shame and embarrassment over his upbringing. Yet, as though reading his mind during the awkward silence, Hrobeorht began to speak. "He means the doctors. They haven't told us much."
 
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Ever deal with the conundrum of writing bits and pieces and not knowing what to do with them? Do I make a few small changes and incorporate them into my unpublished novel? Do I share them individually? Or, do I save them and wait for another project that might come to mind?
 
Ever deal with the conundrum of writing bits and pieces and not knowing what to do with them? Do I make a few small changes and incorporate them into my unpublished novel? Do I share them individually? Or, do I save them and wait for another project that might come to mind?
Save everything and organize it, when you have writing block you can look at all your older ideas and get inspired. I enjoy incorporating my old ideas into new works.
 
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Ever deal with the conundrum of writing bits and pieces and not knowing what to do with them? Do I make a few small changes and incorporate them into my unpublished novel? Do I share them individually? Or, do I save them and wait for another project that might come to mind?
I save it all, aborted drafts, shorts, everything and I harvest the good stuff for the final product.
 
Save everything and organize it, when you have writing block you can look at all your older ideas and get inspired. I enjoy incorporating my old ideas into new works.
I've done that. I wrote a whole book and -upon advice from my inner circle- I never put it out there but instead chopped it up and spread the pieces around.
 
Yeah, I write useless bits of nothing all the time when I'm stuck / bored with what I'm actually supposed to be working on. It's a good exercise if anything and sometimes kick-starts me back to productive mode.
 
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Yeah, I write useless bits of nothing all the time when I'm stuck / bored with what I'm actually supposed to be working on. It's a good exercise if anything and sometimes kick-starts me back to productive mode.

I do the same myself; I've got a pretty good chunk of notes on my stories and stuff laying around, waiting to be used. Helps keep the creativity flowing, even when I'm not actively writing anything.
 
Short one I wrote today, I got the visual idea from One Punch Man and the rest is pretty self evident. This one's about an alien invasion.
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The Reptilian fleet was on its way. The armada, thousands of warships strong, had the morbid purpose of enslavement, death, and pillage. Their target was, of course, Earth. Earth held a primitive hominid species, prime slave material, as well as vast resources above and below its crust. Enslave the populace, raze the land, break open the planet's crust and siphon the metals within, this was what the Reptilians would do to mankind and have done to many other planets whose names have been erased from history.
The humans knew, they could see the fleet as black as void and moving as if a swarm of locusts. They received the message, broadcast throughout the air implanted in their dreams. Accept our rule peacefully, or resist and serve as an example. There was nothing they could truly do, they hadn’t even mastered space flight much less intergalactic war. But humans, as a species, were tenacious and vicious, so they fought as well as they could.
Sending their most powerful warheads into the void, targeting the largest ship with their nuclear bombs. The armada was as far as Mars when the first missile struck, the bright flash of irradiated light casting the light of sun upon the dark ships moving silently towards their victims. The light subsided, the most powerful weapon of man doing no more than a pebble cast against Behemoth. Inside, the Reptilians hissed in laughter. They loved when the primitives fought back, having their spirits broken even before arrival from the futility of their situation. The fleet did not stop their advance, and soon they encircled the Earth.
***
The Earth stood still. For a brief moment, the entire planet was silent. The birds, the insects, the animals, nothing made a single noise as even those that didn’t know knew. Children embraced their parents, dogs curled up at their master’s feet, men silently wept and women nursed their babes. Nothing mattered anymore, the sky was black with monstrous beasts made of unearthly metals. Time was up.
The ships above charged their weapons, weapons that drew on the zero point to unleash destruction unimaginable. Thousands of ships prepared tens of thousands of armaments, and then the order was given.
FIRE
The void of space lit up with the alien assault, but then time stopped. Time stopped, perception did not. Stepping out from behind nothingness, the being stood upon the Earth. The being’s body was clad in armor that looked to have been forged from dying stars, inscribed with a shifting language older than time, living glyphs twisting and flaring like a galaxy itself. Its face could not be called that, infinite eyes swirling in a corona of the most brilliant light. Gazing upon it was gazing into the core of a star. It spoke in a voice as pure as love and soft as a newborn's touch, a voice containing only peace and harmony. It spoke to the planet on which it stood.
No weapon forged against thee shall prosper…
Unfurling wings like solar flares, each reaching the ends of the solar system with a holy and pure light that spoke of beauty and love and grace, blazing with the power of ten thousand suns. The concept of matter trembled, the being waved its hand. The weapons were no more, their discharges absorbed into the light. Time resumed. The being turned its multitude of eyes to look into the very being of each and every Reptilian invader. The being spoke again, this time to the armada. In a voice of ten thousand trumpets, of collapsing stars, of metal tearing across dimensions.
Who shall make war with the Lamb?
The words echoed in every soul, spoken without sound yet deafening. The armada fired upon the angel.
The angel drew a sword of flame, etched with the Law of Heaven, vibrating with the word that birthed creation, and pointed it outwards towards the heavens.
FALL
With that command one third of the armada simply fell. As if now affected by gravity the ships fell down, down, down, into the infinite void of space. The angel pointed his sword, this time at the invaders.
BURN
Another third immolated, burning as soon as the word was decreed. The sky flashed in brilliant colors, colors unseeable and perfect. Humanity wept joyously, the invaders cried and shrieked. The angel remained where he stood atop the Earth, and gripped the sword in two hands.
IT IS DONE
With his final declaration, Micheal swung his sword. The armada was no more.
Man was saved.
 
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