- Joined
- Jun 2, 2019
I’m glad they’re branching out again. I feel like 2010’s Pixar was sequels and merchandise bait.
Pixar’s a little overrated, but the baseline quality has always been head and shoulders above the competition.
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I’m glad they’re branching out again. I feel like 2010’s Pixar was sequels and merchandise bait.
bruh they are sperms literally lmao
Anything will be better than the rush job that was Onward from these guys, at this rate.
I completely agree, believe it or not though I dont think the good dinosaur is as bad as people make it out to be, yes it was a very generic and predictable dinosaur and human love story, but it was told competently and had absolutely beautiful animation that all Pixar films pretty much guarantee. Honestly I think Brave is much worse that that film, Controversial opinion, I think it might even be a contender for worst Pixar film. Period. Say what you will about the Cars franchise, at least the films were ridiculously profitable from both commercial and merchandising sales,Onward didn't feel rushed, just underdeveloped. Brave for all its development hell felt rushed while The Good Dinosaur felt like both.
https://www.kickstarter.com/projects/ironspike/lackadaisy-the-animated-short-film
Ok so one of my favorite webcomics is going to have a short film via Kickstarter. Anybody familiar with the people in charge of the project? I'm feeling cautiously optimistic about it.
Also looking at the VAs there's a woman(?) with a beard,I have no problem with it just intrigued.
I'm (kind of) hoping this does succeed so that other webcomics like unsounded, SSSS or K6BD can potentially have an animated adaptation. Or it can go the way of homostuck and burn in flames by the fandom and toxic internet culture.
I think for She-Ra, 52 episodes were the original plan and it's not an interview excuse? I've heard that rumor earlier.In breaking news, and apologies if you already saw this from the SPOP thread, She-Ra and the Princesses of Power is concluding after it’s fifth season.
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Exclusive: 'She-Ra' showrunner Noelle Stevenson reveals season 5 will be its last
All good things, as they say, must come to an end. Since She-Ra and the Princesses of Power first launched on Netflix in 2018, the…ew.com
With one of the bigger shows of the late 2010s now ending, this leaves Rick & Morty, Loud House and maybe Hilda as one of the few big 2010 shows still airing. It really is starting to feel like the end of one era and the beginning of a new one. I have high hopes.
52 episodes being endgame sounds about right, especially with Netflix’s weird approach to seasons. Although I do find it hilarious that the He-Man reboot is airing later on this year, just before SPOP was announced to be ending.I think for She-Ra, 52 episodes were the original plan and it's not an interview excuse? I've heard that rumor earlier.
So, kind of Gravity Falls situation here. And I don't have to write which one use their screentime better.
I really liked Hilda, but despite all praise, it's more of niche show? At least the type that does not have loud fandoms, that for sure.
Miraculous Ladybug it's still on air and doing really good. I have soft spot for it, because it's the show clearly made for kids and younger teens to enjoy and have fun watching. And just being oldschool action show, that is rare now.
I think for She-Ra, 52 episodes were the original plan and it's not an interview excuse? I've heard that rumor earlier.
So, kind of Gravity Falls situation here. And I don't have to write which one use their screentime better.
I really liked Hilda, but despite all praise, it's more of niche show? At least the type that does not have loud fandoms, that for sure.
Miraculous Ladybug it's still on air and doing really good. I have soft spot for it, because it's the show clearly made for kids and younger teens to enjoy and have fun watching. And just being oldschool action show, that is rare now.
52 episodes being endgame sounds about right, especially with Netflix’s weird approach to seasons. Although I do find it hilarious that the He-Man reboot is airing later on this year, just before SPOP was announced to be ending.
And you do have a point about Hilda being fairly niche, which just underlined how the 2010s era is truly over. Every show that helped define it has now ended or is ending, while the shows that debuted in 2019 seemed to be a transition to 20s animation.
Finally, for all it’s simplicity, I appreciate Ladybug for what it is; a fun superhero/magical girl series with action and some plot here and there. No teasing an overarching mystery and lore baiting, no preaching about social issues, sometimes you just need the simple things.
It's fine, but the show started sloping after they split their work between two different animation studios to cut costs and the writing started taking a hit in season 3. I'm feeling a sense of Rick and Morty-ism. The first season was the best, the second season was pretty good but not nearly as good as the first season, and the third season is just okay because the shit brings it down.Miraculous Ladybug it's still on air and doing really good. I have soft spot for it, because it's the show clearly made for kids and younger teens to enjoy and have fun watching. And just being oldschool action show, that is rare now.
When I meant "distant-but-still-somewhat-uncomfortable second" I meant REALLY distant, the most I see from them is them liking some spergy political tweets and, in Estelle's case, some occasional Kanye-tier nonsense. I remember seeing some of Zach Callision's liked tweets being on Grace's level but he went dark a while ago.How unfortunate to hear about Estelle. But yes, with the advent of social media, you really start to see the craziness that goes behind the scenes of today’s shows. The ego trip of working on a popular show plus their own personal demons and instant thought display is quite the lulzy combo.
The co-director danger hair and putting Big mouth at the same group as Primal actives some knee-jerk reaction on me, but given that she also worked on Hazbin Hotel and other successful productions I think it will be fine. Is obvious that the artstyle is different because there's no way that you could adapt Tracy's art without putting millions on it (even tho the kickstarter shows that they could get that money easily) you can see the care that's been put into the project. But god those stretch goals kind of suck, 90k for emojis, really?https://www.kickstarter.com/projects/ironspike/lackadaisy-the-animated-short-film
Ok so one of my favorite webcomics is going to have a short film via Kickstarter. Anybody familiar with the people in charge of the project? I'm feeling cautiously optimistic about it.
Also looking at the VAs there's a woman(?) with a beard,I have no problem with it just intrigued.
I'm (kind of) hoping this does succeed so that other webcomics like unsounded, SSSS or K6BD can potentially have an animated adaptation. Or it can go the way of homostuck and burn in flames by the fandom and toxic internet culture.
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What's interesting - French cartoons had a lot of solid overarching storytelling earlier.
Or Italy and Winx Club, Angel's Friends and Huntik.
Yep, Europe had it far better than we had for getting on the anime bandwagon much earlier with the type of shows that were picked up and aired, especially in France and Italy.I think that's because a lot of those specific shows you mentioned were either heavily influenced by anime or were co-productions with Japan (such as was the case with Mysterious Cities of Gold) since TV networks in France, Italy, and several other European countries have heavily aired localized versions of anime since at least the 1970s, comparatively more than the few extremely localized anime that aired on English-language television in the United States and Canada before the mid-1990s.
Obviously, English-speaking North Americans did see some anime with serialization like Star Blazers (Space Battleship Yamato), Belle and Sebastien (Meiken Jolie, although Belle et Sebastien was the name of the original French novels that series was based on), and Robotech (Macross, Mospeada, and Southern Cross) air on television, but those were very occasional exceptions compared to the sheer amount of serialized anime Europe got on television.
I think that's because a lot of those specific shows you mentioned were either heavily influenced by anime or were co-productions with Japan (such as was the case with Mysterious Cities of Gold) since TV networks in France, Italy, and several other European countries have heavily aired localized versions of anime since at least the 1970s, comparatively more than the few extremely localized anime that aired on English-language television in the United States and Canada before the mid-1990s.
Obviously, English-speaking North Americans did see some anime with serialization like Star Blazers (Space Battleship Yamato), Belle and Sebastien (Meiken Jolie, although Belle et Sebastien was the name of the original French novels that series was based on), and Robotech (Macross, Mospeada, and Southern Cross) air on television, but those were very occasional exceptions compared to the sheer amount of serialized anime Europe got on television.