- Joined
- Oct 12, 2021
Weebs went to 4chan and reddit. IMO 4chan weebs are much better than reddit weebs. But good on the 4channers for refusing to watch western media and kike propoganda
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Great post, 2008 was also the year the US industry shit itself, starting with the closure of Pioneer/Geneon (which was actually in 2007), a bunch of US publishers and magazines all went kaput or restructured by 2009, the boom years of the 2000s were over and it never went back to that same sort of energy where the sky seemed the limit and you could find anime magazines at grocery stores.The 2008 crisis caused every anime studio to drop the pretense and just start pandering to the most insane otaku consoomers who'd drop the most dosh. Like with capeshit, it usually means the product is bland and boring to appeal to autistic manchildren. Something to chew on - in the 90s, you'd typically see 30-40 new TV anime created in a year. In the 2010s, that number ballooned into the hundreds, but the entire industry still had a budget that was less than it was in the 90s (in real terms). So you see all these one-season otakubait shows that exist purely to sell merchandise because anime is wholly unprofitable any other way, and it's unironically easier to just hit every low-brow otakubait franchise at once than bother trying to pick a winner (hence the one-season aspect).
Next up, manga. The 2008 crisis (notice a pattern here?) severely damaged the industry in Japan, and sales of manga periodicals fell considerably. Fewer artists were able to break in and so you began to see a handful of long-running manga series by perennial oldfags not only dominate the industry (as they had pre-recession) but almost subsume it. There's still plenty of small monthly or even bimonthly published manga out there, but there's not really a thriving industry of moderately popular series in the middle ground between the small niche manga and the big guys that you used to see. Without this industrial middle class, long-term career prospects for aspiring manga artists disappeared and they all just started drawing art for gacha shit instead. And on top of that, the massively overpriced manga industry in the US and the wider anglophone world (priced in such a way to not undercut domestic comics btw) never really got back on its feet because 1) not even hardcore weebs are willing to pay $10 for a tankobon volume printed on toilet paper anymore and 2) Japanese companies are literally exceptional and can't figure out how to hire westerners to actually market their shit in the west in a way that westerners will consume.
Finally, the third pillar - vidya. Japanese video games succumbed to the same fate as western ones - jewry. Almost every game company in Japan began to focus on soshage - social (media) games aka gacha - and this low-effort race to the bottom pulled resources away from not only the gaming industry but also manga and anime as well. I'm honestly amazed to see JRPGs even begin to make a resurgence as I'd thought all the people who knew how to program them were now living in gacha slave pens cranking out more seasonal events so Kinoko Nasu can buy his third private jet.
Now all this merely explains the decline in quality. And that's exactly the point - Japanese pop culture used to distinguish itself as being relatively high-quality while also still appealing to somewhat niche tastes. Which is why weebs were so zealous about it. Now it's not. Now all that's left is a kind of nostalgia for what was. People still like this shit, but it's not the mark of enlightened cultural consumption that it once was.
Basically everything in the world suffered a downturn in 2008, it's incredibly depressing to reflect on that fact.Everything basically went to fuck in 2008
Necroing because I can't believe I didn't say this before. Megatokyo could've only happened before 2007. Though, to my shock, it's apparently still going somehowIn the past, the overly literal nature of most translations ("nakama", "un", etc) gave viewers/readers a shitty crash course in Japanese things and it showed as classic weeb vocabulary and an unrealistic image of Japan. Now that it's mainstream and has official translations, people aren't forced to learn random words and traditions to keep up with the story, eliminating the classic vocabulary and obsessiveness. The lack of obvious signaling that it's from another culture also means today's weebs apply western cultural norms and instead have dumbass takes like "omg child abuse!!!"
The ones I seen dont like the OG series because they find it too depressing/not enough hyper and fun and shit like modern anime is. They can't handle the deaths and the ambiguous not-happy endingFullmetal Alchemist is a big one, those that saw it remember it well but zoomers don't give a shit about it, pretty surprising considering how massive it was at one time.
I remember watching the first two episodes and being bored out of my mind, never watched the rest.Haruhi is one that seems pretty much forgotten by everyone, which is also surprising given how huge it at one time was.
Really? because most zoomie weebs have never seen the likes of macross plus.stuff from the 90s has had longer legs
Even back in the day many goths were into it for the aesthetic and little else.As for the goth community I can attest that most of the young goths are in it because it's a "fashion sense" and nothing more
Predictable TBH.meanwhile the old school goths either turned into alcholic Karen's and other assorted losers.
I read somewhere that the industry really got fucked at the end of the 80's when the asset bubble collapsed and funding became scarce since most otakus couldn't afford to pay $100 for an OVA anymore. It kind of shows when you look at stuff like AKIRA which has zero chances of being done today and boasts a kind of hand-made animation that has never seen again. Lots of 80's anime has rough corners due to the limitations of tech att but the animation its fluid as fuck, thats only possible due to higher budgets.The 2008 crisis caused every anime studio to drop the pretense and just start pandering to the most insane otaku consoomers who'd drop the most dosh.
TBF gacha its a billion times worse than most western F2P games.Finally, the third pillar - vidya. Japanese video games succumbed to the same fate as western ones - jewry. Almost every game company in Japan began to focus on soshage - social (media) games aka gacha - and this low-effort race to the bottom pulled resources away from not only the gaming industry but also manga and anime as well. I'm honestly amazed to see JRPGs even begin to make a resurgence as I'd thought all the people who knew how to program them were now living in gacha slave pens cranking out more seasonal events so Kinoko Nasu can buy his third private jet.
When was that the case?but it's not the mark of enlightened cultural consumption that it once was.
That's why I like stuff like FMA better and am kinda meh on modern animes.The ones I seen dont like the OG series because they find it too depressing/not enough hyper and fun and shit like modern anime is. They can't handle the deaths and the ambiguous not-happy ending
I liked it, it's a slice of life series with some added supernatural/sci fi stuff essentially.I remember watching the first two episodes and being bored out of my mind, never watched the rest.
This is a valid point though.I think it was popular due to all the porn, like overwatch.
Not all things from the 90s obviously, but stuff like Sailor Moon, Dragon Ball, Pokemon, all franchises bigger than anything that originated in the 2000s.Really? because most zoomie weebs have never seen the likes of macross plus.
In the 2000s it was people wearing Pink Floyd shirts and not knowing it was a band.Even back in the day many goths were into it for the aesthetic and little else.
But then again we're in a particular superficial age where kids wear nirvana shirts not even knowing it was a band.
There were a few sci fi/action adventure anime movies post Akira that also had hyper detailed animation like Ghost in The Shell, Vampire Hunter D Bloodlust, Steamboy and Paprika, but it's certainly something that's defunct now (I think Paprika might have been the last) and certainly Akira has a unique look to it.I read somewhere that the industry really got fucked at the end of the 80's when the asset bubble collapsed and funding became scarce since most otakus couldn't afford to pay $100 for an OVA anymore. It kind of shows when you look at stuff like AKIRA which has zero chances of being done today and boasts a kind of hand-made animation that has never seen again. Lots of 80's anime has rough corners due to the limitations of tech att but the animation its fluid as fuck, thats only possible due to higher budgets.
they still exist.You can ask the same thing about juggalos, goths and wiggers. Where they all go?
My only objection is that site looks more readable than the actual MySpace ones.they still exist.
you just have to see them in real life
back in the 2000's, lots of myspace profiles, when they had those obnoxious eye killer backgrounds had their own themes.
every weeb, wigger and goth made it known by their profile.
you can't customize a twitter or facebook page in the same way.
here's an example of that 2000's self website
the audio sucks but everybody had myspace profiles like this or their own websites like this.
This. And it's gross to see.They were all purged by various types of libtard, who now wear the weaboo culture like a skinsuit.
I remember being in a torrent group where we would pay this Japanese bilingual NEET in Bitcoin when it was really early to get us scans and raw rips of games, anime and manga or even translate it for us. We would sometimes get shit weeks before official channels would release their versions. I'm slightly suicidal whenever I think about the amount of Bitcoin I spent for early Monogatari episodes. Crunchyroll is truly the weeb antichrist.This. And it's gross to see.