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Yeah that's a really good point! I specifically have a memory back in highschool where a kid was bullied for listening to Biggie Smalls. Despite Biggie being one of the most influencial figures in the genre there is no respect or regard for figures of that cultures past. I listen to genre's like death metal and while I might not find myself pulling up Black Sabbath I can still enjoy, understand, and respect their contribution to my genre's history. There isn't a single genre of music where people feel uncomfortable rolling back 30+ years to listen to their genres classics except rap music.Rap is the only genre of music where you're discouraged from knowing the classics. The rap community wants you to only listen to the current thing and nothing from before your time, or else you're a boomer, oldhead, etc. No other music community is like this. With jazz and classical, you're expected to know the standards. For rock, everyone knows who Elvis and The Beatles are. But for rap, if it was produced before 2016 it might as well not exist. They thought ignoring all this music and history would keep rap fresh and innovative, but instead it had the opposite result. Now everything sounds like a bad Blink 182 impersonation over trap beats, and people are rightfully jumping ship and looking for different things to listen to.
It might have already found it. Have you heard about that hip new song from Kanye?Rap will find another sound, look around SoundCloud or in some artists deep cuts and it will be there already. I have a feeling it's going to be a rise of the 90s style grit and realism again. There are a lot of new guys out there that keep this sound going and rappers like Nas who released 4 or 5 albums in the last few years that all did extremely well.
Plus gen alpha is a bit more based than young millenial/gen-z who are all fucking retards, gen alpha is going to appreciate that sound more, telling it observational and not through a woke lens.
Hip-hop is two generations younger than jazz, and it has at least a few years of innovation left. Still, it is beginning to look backward as much as forward. In recent years, the rapper Bun B, whose resonant baritone is recognizable from his guest verse on Jay Z’s “Big Pimpin’,” has been a Distinguished Lecturer at Rice University, where he co-taught a course on rap and religion. At Harvard, the Hip-Hop Archive and Research Institute recently accepted applications for the Nasir Jones Hip-Hop Fellowship. Rosenberg’s concerts still draw diverse, youthful crowds; but what proportion of the audience will be young and black when Jay Z plays the Barclays Center in 2024?