Illumithotty
kiwifarms.net
- Joined
- Feb 2, 2022
I generally sympathize with anyone's effort to squeeze more money out of their bosses, especially when they're a bunch of money hoarding kykes, and even moreso with a business so legendarily shady as Hollywood.
I'd feel a lot more sympathetic twenty years ago, or probably even thirty years prior, since that span of time as seen an enormous amount of strip mining. All the reboots, the remakes, the subversions and useless sequels and so on. To a large extent, writers have shown that they're almost getting vestigial to most of Hollywood's output. I honestly think the sudden explosion of superhero movies is more about getting their hands on literally a century of storylines and characterization to work through more than anything particularly compelling about superheroes compared to anything else - it's an easy day for writers if they can just skim old issues of whatever, write new dialogue, and send it off for marketing to inject niggers or chinks into depending on the intended market.
They've increasingly shown themselves to be terminally out of touch, in what's reminding me of how journalism went into freefall when the primary qualifications for becoming a reporter started to include 'a trust fund to get you through years of internships,' and mostly coasting off of other people's work for their unglamorous bread and butter jobs. Who cares if an AI steps in to provide 90% of the work with just one or two writers to polish the turd? It's just a natural evolution of what's already been happening, and there's just not enough creative weight in the outsider projects anymore because no one cares what some pampered little shit with no talent has to say.
What I see is especially hypocritical, personally, is how self-centered these shits have been in the last 30 years. When all the stuntmen, choreographers, practical effects artists, etc, were being culled because of the rising sophistication of CG and the utter devolution of camera work. I know exactly where they were; taking a long lunch break, of course. Writers had less and less consideration of writing things that could be done and were increasingly reliant on computers to handle that part of their job, but suddenly the rise of technology wasn't so perilous to creativity back then.
Plus, you know, the delicious irony of it all. Being automated out of the job is only supposed to happen to lower class whites who're proud of their family, their community, and their values, but have committed the mortal sin of being proud of their race. I can understand why they're all so pissed and grasping onto every justification possible; this isn't how it was supposed to be! They're not like those factory workers, farmers, salesmen or restauranteurs; they're the scrappy underdogs that love everything darker than they are, so they're supposed to win in te end! The TV said so!
I'd feel a lot more sympathetic twenty years ago, or probably even thirty years prior, since that span of time as seen an enormous amount of strip mining. All the reboots, the remakes, the subversions and useless sequels and so on. To a large extent, writers have shown that they're almost getting vestigial to most of Hollywood's output. I honestly think the sudden explosion of superhero movies is more about getting their hands on literally a century of storylines and characterization to work through more than anything particularly compelling about superheroes compared to anything else - it's an easy day for writers if they can just skim old issues of whatever, write new dialogue, and send it off for marketing to inject niggers or chinks into depending on the intended market.
They've increasingly shown themselves to be terminally out of touch, in what's reminding me of how journalism went into freefall when the primary qualifications for becoming a reporter started to include 'a trust fund to get you through years of internships,' and mostly coasting off of other people's work for their unglamorous bread and butter jobs. Who cares if an AI steps in to provide 90% of the work with just one or two writers to polish the turd? It's just a natural evolution of what's already been happening, and there's just not enough creative weight in the outsider projects anymore because no one cares what some pampered little shit with no talent has to say.
What I see is especially hypocritical, personally, is how self-centered these shits have been in the last 30 years. When all the stuntmen, choreographers, practical effects artists, etc, were being culled because of the rising sophistication of CG and the utter devolution of camera work. I know exactly where they were; taking a long lunch break, of course. Writers had less and less consideration of writing things that could be done and were increasingly reliant on computers to handle that part of their job, but suddenly the rise of technology wasn't so perilous to creativity back then.
Plus, you know, the delicious irony of it all. Being automated out of the job is only supposed to happen to lower class whites who're proud of their family, their community, and their values, but have committed the mortal sin of being proud of their race. I can understand why they're all so pissed and grasping onto every justification possible; this isn't how it was supposed to be! They're not like those factory workers, farmers, salesmen or restauranteurs; they're the scrappy underdogs that love everything darker than they are, so they're supposed to win in te end! The TV said so!
