Careercow Robert Chipman / Bob / Moviebob / "Movieblob" - Middle-Aged Consoomer, CWC with a Thesaurus, Ardent Male Feminist and Superior Futurist, the Twice-Fired, the Mario-Worshipper, publicly dismantled by Hot Dog Girl, now a diabetic

[BScCollateral]

View attachment 2757948

And he lifted a doghouse that weighed four or five tons.

 

[JayHarrison]

Some prime sperging out this.. morning? There is way more but most of it is boring.
View attachment 2759618

Moviebob speaking on his own behalf is a terrible, horrible, no-good, very bad look for his own brand.

---

Moar Glenn Greenwald:
View attachment 2760499
View attachment 2760501

Shut up, Bob.

---

View attachment 2760507

So... if you're like Moviebob and you're willing and eager to allow foreign nationals to traipse into your country without any form of background or vaccination checks... you're definitely a bad guy, like Moviebob.

---

Apparently commies like to toss around alt-right 8-chan buzzwords (and apparently the Chinese commies are also alt righters making up buzzwords on 8chan) also something something dogwhistles:
View attachment 2760508

Thus spoke Moviebob, Leftist idiot (but I repeat myself twice) liberal with a hair trigger.

---

America is not properly represented by the TV sitcom caricature of Boston, Portland, and San Francisco...

See, according to Moviebob's logic, blue metropolitan areas are not its regional caricatures from TV sitcoms. Also, based on Moviebob logic, the U.S. Midwest deserves nicknames like "Bumblescum" and "Stisterbang" countries BASED SOLELY ON TV SITCOM CARICATURES!

 

[Duke Nukem]

He thinks it makes him smarter. Also, he needs a bogeyman to blame every one of his failings on so that he doesn't have to accept he's the reason his life is shit.

Yeah he seems to be one of those r/iamverysmart types on steroids. The reason I was thinking maybe his parents had extreme views is that it's often a way to rebel or reclaim yourself once you're growing up and hopefully getting out on your own. Who knows maybe he really can't explore new ideas and just parrots his parents' views except he puts them on crack before spazposting.

 

[Malagor the dank omen]

Also, he needs a bogeyman to blame every one of his failings on so that he doesn't have to accept he's the reason his life is shit.

We know already that Bob cannot operate to a level of maturity expected from a man of his age, but maybe he would know that accepting your failures and mistakes and trying to overcome them is a good sign of maturity. It's uncomfortable and harsh, but it helps you be a better person and shows those around you that you try to take responsability.

But that's too much. And at this point i think it's not so much to avoid the pain of himself dealing with his own mistakes, but more out of laziness. Why get off your own ass and try to improve your life a bit by getting some real achiavable goals that would get you some nice motivation? Better consoom. And this laziness extends to every facet of his life.

 

[Marshal Mannerheim]

Is it just me or does Bob's bitching about "8chan" remind anyone else of Chris Chan and 4-cent_garbage.com?

 

[Adamska]

Yeah he seems to be one of those r/iamverysmart types on steroids. The reason I was thinking maybe his parents had extreme views is that it's often a way to rebel or reclaim yourself once you're growing up and hopefully getting out on your own. Who knows maybe he really can't explore new ideas and just parrots his parents' views except he puts them on crack before spazposting.

No, Bob is just a delusional moron who basically fumed over this one time over 25 years ago when some Irish, Greek, and Italian kids made fun of him for tarding out and doodling mario shit.

Atheism just made him feel smart because he isn't and he needs something to use for moral and intellectual superiority. Because god help he learn to read for fun.

 

[Ralph Barnhardt]

And he lifted a doghouse that weighed four or five tons.

WITH HIS BARE HANDS

 

[glib]

DON'T YOU KNOW PEOPLE ARE DYING OF COVID?
DON'T YOU KNOW UNBORN CHILDREN ARENT DYING OF ABORTIONS!

THIS IS A PROBLEM WE CAN ONLY SOLVE BY REMOVING CHRISTIANS FROM SCOTUS

this level of hypocrisy is insane, but whats more insane is there are some people believing that this contradiction is not a problem.

 

[blablabla]

no blobbo you arent supposed to write anything about anything. you are not a real critic or an influencer. you live on patreon wellfare. get the beatles out of your retard head you mongoloid fat fuck

 

[Red Hood]

MovieBob reviewed the perfect movie for him to review since it's about two things he's such an expert in: Catholicism, and lesbians.

Review - BENEDETTA (2021)

http://www.patreon.com/moviebob1https://www.redbubble.com/people/moviebob/works/42529276-big-picture-with-moviebob-logoIn case you were expecting The Mad Dut...

youtu.be

Mirror:

Review - BENEDETTA (2021)

http://www.patreon.com/moviebob1 https://www.redbubble.com/people/moviebob/works/42529276-big-picture-with-moviebob-logo In case you were expecting The Mad Dutchman to show up on the 21st Century festival circuit with this particular story and hand in something OTHER than the ultimate attempt at...

invidio.xamh.de

MovieDob Presents...

 

[Ralph Barnhardt]

I honestly can't tell if claiming the occasional YouTube upload stutter is the same as having your arm ripped off in a factory accident is his usual intellectual dishonesty or his bottomless stupidity. As in, is he just posturing ... or does he really believe it?

There's still things people with one arm can do, you ableist! If Bob's internet cuts out or Premier dies mid render he might miss now self imposed deadlines! He puts himself on the line EVERY DAY! What do all you cyber bullies do? Do you bear your soul to the world while mixing in exciting descriptions while parsing the complex world of cinema making like a modern day wizard? Of course not. You just sit behind your computer screens which makes Bob's life far more dangerous because you know where he lives and you call him fat! An oil rig worker deserves to be 'sploded because he's destroying the environment. Bob's bettering the world and once took a stand for some coworker dammit!

I'm going back to the vtuber thread. At least they can't help their idiocy there. Enjoy your bigot burger and soggy french byes!

 

[Fanatical Pragmatist]

America is not properly represented the TV sitcom caricature of Boston, Portland, and San Francisco...
View attachment 2760628
See, according to Moviebob's logic, blue metropolitan areas are not its regional caricatures from TV sitcoms. Also, based on Moviebob logic, the U.S. Midwest deserves to nicknames like "Bumblescum" and "Stisterbang" countries BASED SOLELY ON TV SITCOM CARICATURES!

It's funny because he clearly misses the irony in that statement.
Like I'm 95% sure the comment he's replying to the dude is mocking the recent antifa/blm riots in safe blue cities.

Of course, Bob, who can't understand sarcasm or irony gets offended and thinks that this is a face-value accusation that Boston, San Fran & Portland are the main hubs of white supremacy. Bob, in defense of his beloved BAHSTAN then launches into the attack!

 

[Walrus and Carpenter]

No, Bob is just a delusional moron who basically fumed over this one time over 25 years ago when some Irish, Greek, and Italian kids made fun of him for tarding out and doodling mario shit.

Atheism just made him feel smart because he isn't and he needs something to use for moral and intellectual superiority. Because god help he learn to read for fun.

What's the story with there being Greeks at his Catholic school? I've never known Greeks to be anything but Orthodox. Some Syrians and Lebanese are Catholic.

Bob's grandmother Chipman was Portuguese, so I assume that Pa Chipman must have been raised as Catholic as a result.

 

[Positron]

Bob deigns to respond:
View attachment 2760465

"I have interacted with the legal system".
Translation: Bobby has exposed himself when drunk.


I'll talk about Benedetta when I find the strength to undergo that 8 minutes of torture. Bobby gives the film 9/10

Or perhaps not. Uploading is hell at this moment so I'll defer the update.

Bobby correctly identifies Benedetta as a drama of power play (he compares it with Showgirl, which I haven't seen), but his observation get buried among lots of trash (at around 3:00 of the review; I won't transcribe) that serves to make the film more complex, more varied, than it is. At the center the film is about a highly intelligent, highly enterprising girl's rise through the ranks in her convent. A major focus of the drama is whether Benedetta's stigmata are real (and the film does not resolve this), but no matter, once she (Virginie Efira) becomes Saint and Mother Superior, she abuses her power, indulges with lesbianism with impunity, and by turning her biological mother's Holy Virgin statue into a dildo, seems to be estranged with her faith (although the film's ending is again ambivalent). The revenge of Sister Felicita (Charlotte Rampling), the former Mother Superior ousted by Benedetta, inadvertently introduces Black Death into the town which leads to her own degrading death. A very telling moment is when Felicita confessed that, all through the years, she has never heard the voice of God (this in turn reminds me of The Two Popes, in which Benedict XVI confesses to Jorge Bergoglio that he has not heard His voice for ten days). That a supposedly spiritual person like Benedetta, haunted by the vision of Jesus, can indulge in such power play as an unspiritual person like Felicita -- this is the strongest criticism towards the church I can discern in this film.

Bobby is impressed with spectacles and Verhoeven's "multi-level film language, without which "the film would only be half as entertaining" (around 5:10). I certainly don't see this film as "multi-leveled". Elle, which Bobby erroneously identifies Benedetta to be the follow-up of, is multi-leveled -- the switch from a whodunit-revenge drama to a twisted romcom is nothing short of breathtaking. By contrast, Benedetta is straightforward and somehow underdeveloped. In the first half of the film I noted the metaphor of the female breast -- the breast as the source of nourishment and solace, as an sexual asset which often brings unwanted attention. It is, however, also the doom of women and can cause their deaths. However the subtext simply vanishes in the second half, while the Black Death subplot, with the shutting down of town borders, looks tacked-on (I don't think Verhoeven is inspired by covid, but the parallel is uncanny) -- but this subplot does provide much of the spectacle that Bobby revels in.

Bobby praises Daphne Patakia, the other half of the lesbian pair, for her wild-eyed sex appeal, but I'm more impressed by Efira. I can't say her Benedetta is well-acted, but she is definitely well-cast. Her demeanor, a mixture of sacred unflappability and icy odiousness, perfectly encapsulates the essence of the character, about whom the audience should feel divided. Both actresses have perfect figures, but the other female nudity on show are not always arousing. The melodrama, though simplistic, is nonetheless very gripping. Benedetta is good entertainment, but don't expect a vision. 6/10.

 

[Sexy Senior Citizen]

Is it just me or does Bob's bitching about "8chan" remind anyone else of Chris Chan and 4-cent_garbage.com?

It's worse. Chris could probably trace some of his trolling to /b/. Bob is just beating the decomposed corpse of Gamergate.

Bobby correctly identifies Benedetta as a drama of power play (he compares it with Showgirl, which I haven't seen), but his observation get buried among lots of trash (at around 3:00 of the review; I won't transcribe) that serves to make the film more complex, more varied, than it is. At the center the film is about a highly intelligent, highly enterprising girl's rise through the ranks in her convent. A major focus of the drama is whether Benedetta's stigmata are real (and the film does not resolve this), but no matter, once she (Virginie Efira) becomes Saint and Mother Superior, she abuses her power, indulges with lesbianism with impunity, and by turning her biological mother's Holy Virgin statue into a dildo, seems to be estranged with her faith (although the film's ending is again ambivalent). The revenge of Sister Felicita (Charlotte Rampling), the former Mother Superior ousted by Benedetta, inadvertently introduces Black Death into the town which leads to her own degrading death. A very telling moment is when Felicita confessed that, all through the years, she has never heard the voice of God (this in turn reminds me of The Two Popes, in which Benedict XVI confesses to Jorge Brogolio that he has not heard His voice for ten days). That a supposedly spiritual person like Benedetta, haunted by the vision of Jesus, can indulge in such power play as an unspiritual person like Felicita -- this is the strongest criticism towards the church I can discern in this film.

Bobby is impressed with spectacles and Verhoeven's "multi-level film language, without which "the film would only be half as entertaining" (around 5:10). I certainly doesn't see this film as "multi-leveled". Elle, which Bobby erroneously identifies Benedetta to be the sequel of, is multi-leveled -- the switch from a whodunit-revenge drama to a twisted romcom is nothing short of breathtaking. By contrast, Benedetta is straightforward and somehow underdeveloped. In the first half of the film I noted the metaphor of the female breast -- the breast as the source of nourishment and solace, as an sexual asset which often brings unwanted attention. It is, however, also the doom of women and can cause their deaths. However the subtext simply vanishes in the second half, while the Black Death subplot, with the shutting down of town borders, looks tacked-on (I don't think Verhoeven is inspired by covid, but the parallel is uncanny) -- but this subplot does provide much of the spectacle that Bobby revels in.

Bobby praises Daphne Patakia, the other half of the lesbian pair, for her wild-eyed sex appeal, but I'm more impressed by Efira. I can't say her Benedetta is well-acted, but she is definitely well-cast. Her demeanor, a mixture of sacred unflappability and cold odiousness, perfectly encapsulates the essence of the character, about whom the audience should feel divided. Both actresses have perfect figures, but the other female nudity on show are not always arousing. The melodrama, though simplistic, is nonetheless very gripping. Benedetta is good entertainment, but don't expect insights. 6/10.

You put more effort into your review than Bob ever will. Bob just saw the lesbian nuns and rated 9/10 because he got a boner.

 

[Godzilla@1989]

"I have interacted with the legal system".
Translation: Bobby has exposed himself when drunk.

View attachment 2761202
I'll talk about Benedetta when I find the strength to undergo that 8 minutes of torture. Bobby gives the film 9/10

Or perhaps not. Uploading is hell at this moment so I'll defer the update.

Bobby correctly identifies Benedetta as a drama of power play (he compares it with Showgirl, which I haven't seen), but his observation get buried among lots of trash (at around 3:00 of the review; I won't transcribe) that serves to make the film more complex, more varied, than it is. At the center the film is about a highly intelligent, highly enterprising girl's rise through the ranks in her convent. A major focus of the drama is whether Benedetta's stigmata are real (and the film does not resolve this), but no matter, once she (Virginie Efira) becomes Saint and Mother Superior, she abuses her power, indulges with lesbianism with impunity, and by turning her biological mother's Holy Virgin statue into a dildo, seems to be estranged with her faith (although the film's ending is again ambivalent). The revenge of Sister Felicita (Charlotte Rampling), the former Mother Superior ousted by Benedetta, inadvertently introduces Black Death into the town which leads to her own degrading death. A very telling moment is when Felicita confessed that, all through the years, she has never heard the voice of God (this in turn reminds me of The Two Popes, in which Benedict XVI confesses to Jorge Brogolio that he has not heard His voice for ten days). That a supposedly spiritual person like Benedetta, haunted by the vision of Jesus, can indulge in such power play as an unspiritual person like Felicita -- this is the strongest criticism towards the church I can discern in this film.

Bobby is impressed with spectacles and Verhoeven's "multi-level film language, without which "the film would only be half as entertaining" (around 5:10). I certainly doesn't see this film as "multi-leveled". Elle, which Bobby erroneously identifies Benedetta to be the sequel of, is multi-leveled -- the switch from a whodunit-revenge drama to a twisted romcom is nothing short of breathtaking. By contrast, Benedetta is straightforward and somehow underdeveloped. In the first half of the film I noted the metaphor of the female breast -- the breast as the source of nourishment and solace, as an sexual asset which often brings unwanted attention. It is, however, also the doom of women and can cause their deaths. However the subtext simply vanishes in the second half, while the Black Death subplot, with the shutting down of town borders, looks tacked-on (I don't think Verhoeven is inspired by covid, but the parallel is uncanny) -- but this subplot does provide much of the spectacle that Bobby revels in.

Bobby praises Daphne Patakia, the other half of the lesbian pair, for her wild-eyed sex appeal, but I'm more impressed by Efira. I can't say her Benedetta is well-acted, but she is definitely well-cast. Her demeanor, a mixture of sacred unflappability and cold odiousness, perfectly encapsulates the essence of the character, about whom the audience should feel divided. Both actresses have perfect figures, but the other female nudity on show are not always arousing. The melodrama, though simplistic, is nonetheless very gripping. Benedetta is good entertainment, but don't expect insights. 6/10.

It's worse. Chris could probably trace some of his trolling to /b/. Bob is just beating the decomposed corpse of Gamergate.

You put more effort into your review than Bob ever will. Bob just saw the lesbian nuns and rated 9/10 because he got a boner.

Any lesbian movie that features two girls tribbing and scissoring is going to be a masterpiece to Bob, no matter how good the plot is.

Hell, Below Her Mouth would be a perfect movie for Bob. All lesbian sex and hardly any plot.

 

[Koby_Fish]

"I have interacted with the legal system".
Translation: Bobby has exposed himself when drunk.

View attachment 2761202
I'll talk about Benedetta when I find the strength to undergo that 8 minutes of torture. Bobby gives the film 9/10

Or perhaps not. Uploading is hell at this moment so I'll defer the update.

Bobby correctly identifies Benedetta as a drama of power play (he compares it with Showgirl, which I haven't seen), but his observation get buried among lots of trash (at around 3:00 of the review; I won't transcribe) that serves to make the film more complex, more varied, than it is. At the center the film is about a highly intelligent, highly enterprising girl's rise through the ranks in her convent. A major focus of the drama is whether Benedetta's stigmata are real (and the film does not resolve this), but no matter, once she (Virginie Efira) becomes Saint and Mother Superior, she abuses her power, indulges with lesbianism with impunity, and by turning her biological mother's Holy Virgin statue into a dildo, seems to be estranged with her faith (although the film's ending is again ambivalent). The revenge of Sister Felicita (Charlotte Rampling), the former Mother Superior ousted by Benedetta, inadvertently introduces Black Death into the town which leads to her own degrading death. A very telling moment is when Felicita confessed that, all through the years, she has never heard the voice of God (this in turn reminds me of The Two Popes, in which Benedict XVI confesses to Jorge Brogolio that he has not heard His voice for ten days). That a supposedly spiritual person like Benedetta, haunted by the vision of Jesus, can indulge in such power play as an unspiritual person like Felicita -- this is the strongest criticism towards the church I can discern in this film.

Bobby is impressed with spectacles and Verhoeven's "multi-level film language, without which "the film would only be half as entertaining" (around 5:10). I certainly doesn't see this film as "multi-leveled". Elle, which Bobby erroneously identifies Benedetta to be the sequel of, is multi-leveled -- the switch from a whodunit-revenge drama to a twisted romcom is nothing short of breathtaking. By contrast, Benedetta is straightforward and somehow underdeveloped. In the first half of the film I noted the metaphor of the female breast -- the breast as the source of nourishment and solace, as an sexual asset which often brings unwanted attention. It is, however, also the doom of women and can cause their deaths. However the subtext simply vanishes in the second half, while the Black Death subplot, with the shutting down of town borders, looks tacked-on (I don't think Verhoeven is inspired by covid, but the parallel is uncanny) -- but this subplot does provide much of the spectacle that Bobby revels in.

Bobby praises Daphne Patakia, the other half of the lesbian pair, for her wild-eyed sex appeal, but I'm more impressed by Efira. I can't say her Benedetta is well-acted, but she is definitely well-cast. Her demeanor, a mixture of sacred unflappability and cold odiousness, perfectly encapsulates the essence of the character, about whom the audience should feel divided. Both actresses have perfect figures, but the other female nudity on show are not always arousing. The melodrama, though simplistic, is nonetheless very gripping. Benedetta is good entertainment, but don't expect insights. 6/10.

If he was sauced while interacting with police, he probably hallucinated the White Supremacisms of any of the attending officers, or dreamed it while blackout drunk drying off in the "drunk tank". I seriously doubt he was present while a police officer used the hard-R in front of a blek person.

 

[Mola Ram]

"I have interacted with the legal system".
Translation: Bobby has exposed himself when drunk.

View attachment 2761202
I'll talk about Benedetta when I find the strength to undergo that 8 minutes of torture. Bobby gives the film 9/10

Or perhaps not. Uploading is hell at this moment so I'll defer the update.

Bobby correctly identifies Benedetta as a drama of power play (he compares it with Showgirl, which I haven't seen), but his observation get buried among lots of trash (at around 3:00 of the review; I won't transcribe) that serves to make the film more complex, more varied, than it is. At the center the film is about a highly intelligent, highly enterprising girl's rise through the ranks in her convent. A major focus of the drama is whether Benedetta's stigmata are real (and the film does not resolve this), but no matter, once she (Virginie Efira) becomes Saint and Mother Superior, she abuses her power, indulges with lesbianism with impunity, and by turning her biological mother's Holy Virgin statue into a dildo, seems to be estranged with her faith (although the film's ending is again ambivalent). The revenge of Sister Felicita (Charlotte Rampling), the former Mother Superior ousted by Benedetta, inadvertently introduces Black Death into the town which leads to her own degrading death. A very telling moment is when Felicita confessed that, all through the years, she has never heard the voice of God (this in turn reminds me of The Two Popes, in which Benedict XVI confesses to Jorge Brogolio that he has not heard His voice for ten days). That a supposedly spiritual person like Benedetta, haunted by the vision of Jesus, can indulge in such power play as an unspiritual person like Felicita -- this is the strongest criticism towards the church I can discern in this film.

Bobby is impressed with spectacles and Verhoeven's "multi-level film language, without which "the film would only be half as entertaining" (around 5:10). I certainly doesn't see this film as "multi-leveled". Elle, which Bobby erroneously identifies Benedetta to be the sequel of, is multi-leveled -- the switch from a whodunit-revenge drama to a twisted romcom is nothing short of breathtaking. By contrast, Benedetta is straightforward and somehow underdeveloped. In the first half of the film I noted the metaphor of the female breast -- the breast as the source of nourishment and solace, as an sexual asset which often brings unwanted attention. It is, however, also the doom of women and can cause their deaths. However the subtext simply vanishes in the second half, while the Black Death subplot, with the shutting down of town borders, looks tacked-on (I don't think Verhoeven is inspired by covid, but the parallel is uncanny) -- but this subplot does provide much of the spectacle that Bobby revels in.

Bobby praises Daphne Patakia, the other half of the lesbian pair, for her wild-eyed sex appeal, but I'm more impressed by Efira. I can't say her Benedetta is well-acted, but she is definitely well-cast. Her demeanor, a mixture of sacred unflappability and cold odiousness, perfectly encapsulates the essence of the character, about whom the audience should feel divided. Both actresses have perfect figures, but the other female nudity on show are not always arousing. The melodrama, though simplistic, is nonetheless very gripping. Benedetta is good entertainment, but don't expect insights. 6/10.

Great review. Better than anything I've read by Bob, which seems like faint praise, but then you're just a message board rando and this is supposed to be his job (worse than working in a coal mine!).

So what does A Man for All Seasons have to do with this? I couldn't discern anything from your writeup, besides the common religious themes.

 

[Koby_Fish]

I just thought of something. Maybe, while Bob was being drunkenly but gently (relatively speaking) let into the drunk tank cell door, there was also a blek person there who was high off his ass and fighting and having to be klunked over the head with a billy club or two just to get him to stop fiting while they led him to a regular jail cell and Bob's stupid galaxy paste-eating brain figured they were just treating an intoxicated melanated individual more harshly only because blek.

 

[Woe-B-Gon (TM)]

"I have interacted with the legal system".
Translation: Bobby has exposed himself when drunk.

View attachment 2761202
I'll talk about Benedetta when I find the strength to undergo that 8 minutes of torture. Bobby gives the film 9/10

Or perhaps not. Uploading is hell at this moment so I'll defer the update.

Damn it man, I'm not here for good movie reviews, I'm in the Moviebob thread!

Seriously, though, thanks for the review. Benedetta's not my cup of tea but even so the read was interesting.