- Joined
- May 25, 2013
Yeah but it's batshit, too bad the movie didn't get made.Yea but that one is shit
Was that the one that was going to be by the director of Hausu?
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Yeah but it's batshit, too bad the movie didn't get made.Yea but that one is shit
And now, part 2.I love that already there's three different opinions on the Funko lol. God, I hope the movie's a blast.
I just saw the Godzilla fan-animation channel Vrahno released a new video, and I'm only six minutes in, and it's weird but captivating.
I wouldn't be opposed to it as long as the monster was dynamic and cool. Something a kid would want to buy a toy of.When is Toho going to make another Godzilla movie where he fights a new monster?
Hell, since the multiverse is all the rage nowadays, maybe Toho would do a legacy sequel set in either the Showa timeline or Heisei timeline.I wouldn't be opposed to it as long as the monster was dynamic and cool. Something a kid would want to buy a toy of.
Just keep Gen Urobuchi away from it this time. The anime trilogy was so stupid.Hell, since the multiverse is all the rage nowadays, maybe Toho would do a legacy sequel set in either the Showa timeline or Heisei timeline.
Aren't they planning on making new Godzilla films? History shows again and againWhen is Toho going to make another Godzilla movie where he fights a new monster?
By that logic we would end-up with Zilla who was pure DEX vs. normal Godzilla who is a STR END build. I guess the only time the Big G has ever been agile and wasn't slow and thick was this scene:And while we’re at it, can we also have a new Godzilla design where he isn’t slow and thick all the time?
I now want a multiverse Godzilla crossover just because the height differences between the different eras could be used for comedic effect. Showa Godzilla is 164 ft tall, Heisei is about 300 ft tall, Millennium at his largest was 328 ft tall, and Reiwa and Legendary are close to 400 ft tall. The newer Godzilla's are more than twice the size of the original Godzilla. You could milk a lot of humor out of people being scared of the original Godzilla before they see the newer ones approaching from behind and declaring they need a new change of pants. Or have Showa era monsters stare-down their Godzilla before modern Godzilla's pick them up and throw them over the horizon. Maybe have Showa Godzilla climbing up modern King Ghidorah or Mechagodzilla, Shadow of Colossus style to fight them. Point is there could be a lot of humor and potential from having the different era Kaiju interact with each other.Hell, since the multiverse is all the rage nowadays, maybe Toho would do a legacy sequel set in either the Showa timeline or Heisei timeline.
I'm sick of theo's obsession with trying to make Godzilla dark and serious all the time have a little fun dammit stop trying to emulate the handful of genuinely serious movies and have some fun wit the ones that were lighter and more willing to have actual fun with the premiseWhen is Toho going to make another Godzilla movie where he fights a new monster? And while we’re at it, can we also have a new Godzilla design where he isn’t slow and thick all the time?
Gen is a mixed bag when it comes to his content. Thuderbolt Fantasy, Psycho pass, and his masterpiece Kamen Rider Gaim are his best works.Just keep Gen Urobuchi away from it this time. The anime trilogy was so stupid.
The dimensional stuff with Singular Point ain't much better.
I wish Toho would do a universe series with each movie focused on one or two monsters, like a movie about Mothra and Rodan, Baragon and Manda, etc. This weird esoteric shit is not working.Hell, since the multiverse is all the rage nowadays, maybe Toho would do a legacy sequel set in either the Showa timeline or Heisei timeline.
They should seriously just do what the monsterverse films did post 2014 and just make everything a fun monster romp first all that other dumb shit second and especially no esoteric shit like you saidGen is a mixed bag when it comes to his content. Thuderbolt Fantasy, Psycho pass, and his masterpiece Kamen Rider Gaim are his best works.
The rest is...ehhhhh with a few being legitimately terrible such as the Godzilla Anime trilogy.
I wish Toho would do a universe series with each movie focused on one or two monsters, like a movie about Mothra and Rodan, Baragon and Manda, etc. This weird esoteric shit is not working.
I wish Godzilla was back to fifty meters and was agile and durability as hell. The newer ones are just him being a billion feet tall and firing a tiny atomic breath.I'm sick of theo's obsession with trying to make Godzilla dark and serious all the time have a little fun dammit stop trying to emulate the handful of genuinely serious movies and have some fun wit the ones that were lighter and more willing to have actual fun with the premise
That's mostly the Japanese interpretations as of late Godzilla earth was the worst offender but shin Godzilla was pretty bad about it and singular point Godzilla tooI wish Godzilla was back to fifty meters and was agile and durability as hell. The newer ones are just him being a billion feet tall and firing a tiny atomic breath.
Yeah, because you can really feel the impact when Godzilla dropkicks Megalon - not once, but twice.You had to go and bring up what was running through my head when I typed up my last post. I can't understand filmmakers who have to give inhuman creatures - especially reptiles - human expressions and gestures - like smirks - to convey what they might be thinking or feeling, and I can't understand filmgoers who have to have it spelled out for them to that degree.
Kong swinging and flinging about Hong Kong like he was made out of marshmallows and strong farts is another thing that comes to mind when I think about the unintended benefits of older, clunky suitmation vs. the best, slickest, most expensive movie magic that modern Hollywood has to offer. There's no weight to these absurdly huge creatures. I don't want them to be crushed to puddles by their own sheer size as if it was a dull, grey examination of real world physics and I did kind of like a few moments of Kong swinging through the tunnel in Antarctica but these hulks were effortlessly suspended higher than my sense of disbelief. No gravity, no gravitas, it just boils down to a big monkey shaped cloud of pixels bouncing spastically around the screen, and a director rubbing his pecker raw.
Compare it to this clip:I do love the creativity of combining elements of the Showa films with the MonsterVerse.
So go back to their roots of making individual monster movies and later throw them all together for a cinematic crossover? I'd be down for that.I wish Toho would do a universe series with each movie focused on one or two monsters, like a movie about Mothra and Rodan, Baragon and Manda, etc. This weird esoteric shit is not working.
They knew they had struck gold with this scene that they just had to do it twice. In their heads they knew how epic this scene was and the joy it would bring to men and women, children, janitors, robots, and Minnesotans of all ages.Yeah, because you can really feel the impact when Godzilla dropkicks Megalon - not once, but twice.
I'll pay attention only if Godzilla comes back in future moviesOh by the way, guess what's started production recently?
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