- Joined
- Nov 4, 2017
I think I must have made myself forget that.Marco Polo was cancelled after two seasons, not one. Nevertheless, your point still stands.
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I think I must have made myself forget that.Marco Polo was cancelled after two seasons, not one. Nevertheless, your point still stands.
That's a very good and succinct comparison man.Honestly since I actually do like Gundam, it feels like most of you guys only really watched Wing, SEED, and whatever popped on US airwaves at the time from the criticisms I'm seeing here. Those ones were a lot more like the stereotype I've been seeing get dragged into this thread. Particularly SEED, which is to the original run what Dave's Clone Wars is to Tartokovsky's; an inferior duplication that emphasizes things you don't really like.
Like yeah, the original run wasn't perfect; but it also did give clear signs on Newtype ability before episode 37; those weird insights that Amuro and others had at times were clear signs of them using "flashes", or being able to read and understand the opponent's moves before they do them. And no, that wasn't tacked on for the show; they were actually a thing that was always there and would've been expanded on. The issue however was IT GOT CANCELLED EARLY. I recall they were supposed to have maybe double the episodes to work with before that point but Sunrise got sick of it and canned it. With that in mind I think they did a decently good job at finishing the run.
Hence Star Wars being sci-fi fantasy it could do things in their universe that we cannot do in ours. But as soon as the franchise tried to be less fantasy and more realistic sci-fi it opened up something that shouldn't have been opened. Because it is no longer playing with just its own rules for its own universe but now also playing with our rules in their universe.If I'm looking for a sci-fi entertainment series where people use the power of believing in themselves to overcome the laws of physics, my first choice wouldn't be Star Wars...midichlorians don't make it more believable, either.
Similarly, Star Trek was more fun back when problems were solved by Captain Kirk being an alpha Chad, rather than when Geordi Laforge was solving them with tachyon bursts from the navigational deflector.Hence Star Wars being sci-fi fantasy it could do things in their universe that we cannot do in ours. But as soon as the franchise tried to be less fantasy and more realistic sci-fi it opened up something that shouldn't have been opened. Because it is no longer playing with just its own rules for its own universe but now also playing with our rules in their universe.
Honestly since I actually do like Gundam, it feels like most of you guys only really watched Wing, SEED, and whatever popped on US airwaves at the time from the criticisms I'm seeing here. Those ones were a lot more like the stereotype I've been seeing get dragged into this thread. Particularly SEED, which is to the original run what Dave's Clone Wars is to Tartokovsky's; an inferior duplication that emphasizes things you don't really like.
Like yeah, the original run wasn't perfect; but it also did give clear signs on Newtype ability before episode 37; those weird insights that Amuro and others had at times were clear signs of them using "flashes", or being able to read and understand the opponent's moves before they do them. And no, that wasn't tacked on for the show; they were actually a thing that was always there and would've been expanded on. The issue however was IT GOT CANCELLED EARLY. I recall they were supposed to have maybe double the episodes to work with before that point but Sunrise got sick of it and canned it. With that in mind I think they did a decently good job at finishing the run.
That's a very good and succinct comparison man.
Over here, Gundam SEED/SEED Destiny is the mainstream spike in Gundam interest growing up (in addition to Gundam Wing when I was in elementary school) and currently the only new mainstream spike is Iron-Blooded Orphans. Same comparison with Parasite Dave's Clone Wars- it's hailed as a great achievement in storytelling, but pales in comparison with the older originals or wayside stories, like Republic Commando, Jedi Academy and since we're using the Gundam comparison analogy; After War Gundam X. (I fucking love AWGX!)
I just don't like anime in general, so I have a very low tolerance for the shenanigans that Gundam gets up to. I like Ghost in the Shell, but only SAC and 2nd Gig. Ghost Stories is great, 8th MS Team, uh... Initial D is fun for a while? I think that's about it. Also DS9 is the best Star Trek, and Voyager is underappreciated.
It's kinda funny how a lot of Trekkies have such pride over the technical aspects of later shows, when it's just gobbledygook with sci-fi terms to cover up for the fact that they can barely write a decent plot that doesn't involve magic technobabble. At least with TOS, that was limited to a certain extent. Especially when Kirk is more than capable of breaking the Prime Directive to save lives, whereas Picard and other captains have dilemmas over whether or not to save lives if it gets in the way of their precious Prime Directive.Similarly, Star Trek was more fun back when problems were solved by Captain Kirk being an alpha Chad, rather than when Geordi Laforge was solving them with tachyon bursts from the navigational deflector.
SW was actually more realistic in its earlier iterations, it was only later when they decided to throw caution to the wind and have things like the Galaxy Gun, the Star Forge, and more fantastical tech like that of the Gungan cities, as opposed to tech that resembled what was viable science during the 1970s:Hence Star Wars being sci-fi fantasy it could do things in their universe that we cannot do in ours. But as soon as the franchise tried to be less fantasy and more realistic sci-fi it opened up something that shouldn't have been opened. Because it is no longer playing with just its own rules for its own universe but now also playing with our rules in their universe.
in my case the first time I saw First was the movies because that's all that was translated at the time, and iirc they bring up Newtypes when Matilda shows up which is way earlierLike yeah, the original run wasn't perfect; but it also did give clear signs on Newtype ability before episode 37;
It's kinda funny how a lot of Trekkies have such pride over the technical aspects of later shows, when it's just gobbledygook with sci-fi terms to cover up for the fact that they can barely write a decent plot that doesn't involve magic technobabble. At least with TOS, that was limited to a certain extent. Especially when Kirk is more than capable of breaking the Prime Directive to save lives, whereas Picard and other captains have dilemmas over whether or not to save lives if it gets in the way of their precious Prime Directive.
SW was actually more realistic in its earlier iterations, it was only later when they decided to throw caution to the wind and have things like the Galaxy Gun, the Star Forge, and more fantastical tech like that of the Gungan cities, as opposed to tech that resembled what was viable science during the 1970s:
That's what it feels like. It's science babble for people who don't actually do science. I could tell when I saw how inconsistent their technobabble was.Star Trek science seems plausible when you're 13 and don't really know anything about even basic Newtonian mechanics. Then you get older and learn that TNG scripts literally had "techity techity tech" in places, to be filled in later by bullshit.
Exactly. The Falcon's erratic performance served the plot. Instead of Han fixing it by triangulating the hydrotopic matrix, he had to go and get it fixed because he basically put a hyperdrive that's supposed to be really fast in a literal piece of shit. It's like if I took a broken-down Camaro, refurbished it a bit, and then stuck in a new, updated engine that goes faster than most cars, which of course, would eventually lead to problems down the road.The tech should serve the story. For example, with the Millennium Falcoln, if you remember the scene where the warp drive won't go, how warp speed "works" is completely irrelevant to the story. Han and Chewie are just Bo and Luke Duke in space. The Space General Lee won't start, and Space Boss Hogg is bearing down on them.
That's because you're dealing with writers who just see Star Wars as any other sci-fi that they can paste over with bullshitium, not noticing that doing this would piss people off the way the Crucible Space Magic pissed off the Mass Effect fanbase when it debuted in ME3.By contrast, literally nothing leading up to the Holdo Maneuver makes sense, and then the writers pull a TNG-tier deus ex machina out of their ass, and just how retarded the entire thing is stands out in sharp relief to the audience.
That's what it feels like. It's science babble for people who don't actually do science. I could tell when I saw how inconsistent their technobabble was.
At his recent keynote speech at the New York Television Festival, former Star Trek writer and creator of the re-imagined Battlestar Galactica Ron Moore revealed the secret formula to writing for Trek.
He described how the writers would just insert “tech” into the scripts whenever they needed to resolve a story or plot line, then they’d have consultants fill in the appropriate words (aka technobabble) later.
“It became the solution to so many plot lines and so many stories,” Moore said. “It was so mechanical that we had science consultants who would just come up with the words for us and we’d just write ‘tech’ in the script. You know, Picard would say ‘Commander La Forge, tech the tech to the warp drive.’ I’m serious. If you look at those scripts, you’ll see that.”
Moore then went on to describe how a typical script might read before the science consultants did their thing:
La Forge: “Captain, the tech is overteching.”
Picard: “Well, route the auxiliary tech to the tech, Mr. La Forge.”
La Forge: “No, Captain. Captain, I’ve tried to tech the tech, and it won’t work.”
Picard: “Well, then we’re doomed.”
“And then Data pops up and says, ‘Captain, there is a theory that if you tech the other tech … ‘” Moore said. “It’s a rhythm and it’s a structure, and the words are meaningless. It’s not about anything except just sort of going through this dance of how they tech their way out of it.”
Exactly. The Falcon's erratic performance served the plot. Instead of Han fixing it by triangulating the hydrotopic matrix, he had to go and get it fixed because he basically put a hyperdrive that's supposed to be really fast in a literal piece of shit. It's like if I took a broken-down Camaro, refurbished it a bit, and then stuck in a new, updated engine that goes faster than most cars, which of course, would eventually lead to problems down the road.
yeah they're a very nice alternate take, and a good way to get under the hood about how newtyping somebody works other than "then you trip balls at each other"Also check out the English novels for the original Gundam. That actually explains how the tech works and has a far more hardcore tone and alternate ending.
It's f=ma, you can't call that one technobabble. I took it as Rian's way of saying that all the other Star Wars movies were stupid because they could have just done that the whole time. That's one of the main themes of the movie, that all the SW movies before TLJ were stupid and RJ is much smarter, so it's also justified from a narrative standpoint.By contrast, literally nothing leading up to the Holdo Maneuver makes sense, and then the writers pull a TNG-tier deus ex machina out of their ass, and just how retarded the entire thing is stands out in sharp relief to the audience.
Sure, but that's not what you said. You said it had nothing to do with Star Wars and I'm saying it's does. By your own logic the EU isn't Star Wars because most of it doesn't have anything to do with the Skywalkers. You don't have to be an autistic fanboy to enjoy Mando S1 which is why it had normie crossover appeal but enjoying it is enhanced by knowing at least about the OT.Unless you're literally retarded (which tbh judging b this and the rest of your comments in this thead you probably are) you should understand what I mean by this. Season 1 is mostly unburdened by greater star wars lore. There's no prophecies, legends or chosen ones or anything like that.
No shit. Doesn't mean it's not attempting to be Star Wars. We've pointed out ITT how many elements Jon and Dave attempted to take from the things that inspired George to make the OT. Westerns and Japanese stuff.Someone with no prior experience of starwars can watch it and enjoy it just fine, because for the most part its literally just bounty hunting in space. And in fact several HAVE. A lot of people who have never watched star wars have watched the mandalorian and enjoyed it because it works as a standalone for this reason.
Which was informed by what happened in ROTJ.The most complicated part about season 1 lore is "There used to be an old government that's fallen now."
Sometimes I wonder if 0079 being inspired by Star Wars is something the fans made up, or it Tomino actually was a fan of ANH. Another thing, think about how George was immediately told to fuck off from working on Disney Wars, while Tomino is old as hell and still working on Gundam shit to this very day. The Japanese are something else.Like yeah, the original run wasn't perfect; but it also did give clear signs on Newtype ability before episode 37; those weird insights that Amuro and others had at times were clear signs of them using "flashes", or being able to read and understand the opponent's moves before they do them. And no, that wasn't tacked on for the show; they were actually a thing that was always there and would've been expanded on.
The Bajorans are a completely forgettable part of the trek universe imo. A race of anteater nosed people with indian styled jewelry such as nose rings that connect to an earring that worship their gods via D&D scrying orbs. They tried way too hard to make them relatable by equating them to space joos suffering under the cardassian occupation/concentration camps. But then never showed any of it. So it was little different than Kira screaming hysterics for no reason.Weirdly enough, as much as Trekkies the world over warned me how flimsy and poorly-handled the mystical Bajoran elements of DS9 would be, I didn't find them anywhere as intrusive or tacky as I'd been led to believe.
And at any rate, the show at least spent the time and the intimate examination necessary to make the Prophets and the Pah-Wraiths justifiable as an in-universe element, right from the first episode of the show. That, and the spiritual conflicts it created for characters like Sisko, Kira and Winn Adami actually added to the personal stakes of the characters rather than distracting from them, or feeling like a misguided, desperate attempt by the writers to make the story "deep".
I would still take Sisko and Gul Dukat battling as the embodiment of Bajoran "good vs evil", wonky SFX and all, over that farce of a final confrontation between Rey and Palpatine in the finale of TROS.
To be fair this has been a problem with Star Wars since the year 1XXX.And the reason I hated Dave from last week's show was he made the galaxy feel even smaller.