Ah, The Great Kat. One of the most polarizing figures in all of Metal. You will either love her or hate her. Absolutely no in-between.
Here is the in-between: I like her early stuff, the later and nowadays things not so much.
And I don't really care for her private life and all the scandals and shit. At best it get's a chuckle out of me and especially how retarded people have reacted to her antics.
Hate to be a massive contrarian ITT, but I couldn't get into Electric Wizard. While some of their music is good (the self-titled being my most liked album of theirs), nothing ever stood out to me beyond their extremely crunchy guitar tone. Dopethrone is one of those classic albums I never truly got. The riffs are largely unmemorable and the album quickly blurs into one sonic mass of distorted guitars.
While I strongly disagree on the "largely unmemorable riffs" part (no joke, I just have to read the word Dopethrone and the intro of Funeralopolis starts playing in my head) you are kind of describing what Dopethrone was meant to be. A nasty sonic mass of distorted guitars, meant to be a one long dirty, raw, ugly, fuzzy, confussing and disturbing trip, to be the most ugliest, fuzziest, nastiest, confussing and disturbing Doom record. That's what Jus wanted to achieve at the time.
Also Jus talked about how 1) the personal lifes and the issues (health issues, drugs, trouble with the law) the EW guys back then had influenced the album and 2) the production of the album itself being troubled. So all these stuff led him to become angry and miserable and he wanted Dopethrone to reflect that.
Sure, people can argue about "Is Dopethrone the ugliest album in EW's history/ever" and might argue in favor of one of their first two albums and I think that's fair and all I have to say is that it's probably just in the eye of the beholder, that it's subjective and if you feel otherwise than I can live with that.
It's 2023 and I still remember the very first moment I heard this album for the first time and how I felt and how the album took me capitative. And it never let me go since then. But I guess what also contributes here is the fact where I lived back then, how I lived back then, I how felt about stuff and shit, what was going on in the rest of the world and that it was 2000, literally a new milenium had started. The album itself was such a perfect soundtrack to all of this. And I fucking love the riffs hahahaha
Drone Metal is another genre that seems cool on paper but sucks in execution. I want my Metal to be full of life, not be defined by dull and plodding riffs that create heavy soundscapes that ultimately build to nothing. Funeral Doom suffers from the same problem, but isn't nearly as bad as Drone Metal.
I like a lot of shit that is labelled as Drone Metal but I don't like the term "Drone Metal". I just call it drone and I the best drone is when it blends into Doom Metal. All I can say here is that I think this some sort of music -or sounds- that either resonates with something deep inside you or it doesn't. May sound cliche or gay or pathetic or whatever but either you feel it or you don't.
I'm really a huge fan of SUNN O))). Even have two Sunn tattoos. A very small O))) logo and one of the album artworks but not both together, each standing for itself on different parts of my body. But I get why people might not like Sunn or might be annoyed by their fanbase.
Same for Funeral Doom. Either this stuff takes your mind on a journey or it doesn't.
Here is one of my favorite Drone stuff, BONG from UK: