Sunflower Samurai
kiwifarms.net
- Joined
- Dec 17, 2019
I dont think anyone has the answer for that at the moment due to vtubing's explosive growth and most will deal with it in interesting manners, afaik no company has a dedicated roadmap of the sort but some ideas had been floating about like making the performers long term and less dedicated to weekly streams and more suited to events only, sort of like the VA model, but with music production and occasional performing thrown it, possibly circling back to IRL idolshit but maybe some will take some of the lessons learned, who knows, its still a developing industry, for all we know, it crashes and burns spectacularly in 2026You bring up a interesting point. Companies will often spend big and in the red early on to grow. Once established things tighten up. Maybe the contract is nice now. What about in a few years when loans are due?
It depends on what you watch, for the big two companies's EN divisions, for Hololive only two of them have relatively squeaky voices and only one of them really commits to a higher pitched uwu voice, the other one has a lower tone of voice and only really forces the squeaky one for bits, for Nijisanji i dont think any of their talents have higher pitched voices, at the most one kinda does, but less squeaky and more just kinda faggy, they all just sound like women, they seemingly dont force their voice that much.If Vtubers aren't loli aligned then why do they all try to sound like children from bad anime dubs?
Indies are dime a dozen though, but the twitch indie scene rejects Lolishit and some have meltdowns over even being considered Loli, even when their models sorta qualify for some
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