Some shows open with a monologue about fair Verona (where they lay their scene), some shows open with a tap dance number with forty chorus members flapping in unison.
And some shows open with a vlog about ShadowLordStan eating a rotten burger as his girlfriend looks on in disgust.
That was when you knew that Hawk Mom Theatre’s lolcow was going to be something a little different.
The show is centered around Sheena, a jaded twenty-something who is the enthusiastic (if somewhat airheaded) girlfriend of ShadowLordStan, an internet sensation who has stuck around far beyond his five minutes of fame. In his desperate attempts to become popular again, Stan has descended to the point of being a ‘lolcow’, which the show helpfully defines as “a person whose foolish behavior can be ‘milked’ for amusement”, in other words, a perfect target for online trolls. Over the course of the show, Sheena begins to take on the trolls herself, and her life begins a downwards spiral as she becomes a lolcow herself.
Hawk Mom Theatre advertised the show as a dark comedy and it certainly fits the bill. For every time that you burst your stomach laughing at Sheena showing off her mid-range kitchen gadgets as if they were made of solid gold, you also get a heart-wrenching moment where you realize that she truly does love her little lolcow. Even though they don’t spend a lot of time together, Sheena’s still comforted by knowing that he’s just a door away.
Sheena is brought to life brilliantly by Pascal Lamothe-Kipnes, who does an amazing job at displaying the character’s many shades of pure optimism, false happiness, frustration at life, and hopelessness as the show goes on. She has a fantastic energy on stage that breaks your heart when you see that light go out of her eyes.
The trio of podcasters bring their own special energy to the show as well, using their natural chemistry to create an entertaining peanut gallery filled with three distinctive personalities. Watching the bookworm, couch potato, and philosophy major deal with the guilt of inadvertently inspiring their viewers to call the SWAT team to Stan and Sheena’s house is one of the highlights of the middle portion of the show. (This is a reference to a real-life phenomenon called ‘swatting’ in which people would call police or SWAT teams to the homes of Twitch streamers).
I applaud playwright Robbie Huebner’s choice to tackle the pertinent issue of online harassment. The reality of online culture is that there are people who dedicate themselves to tearing down content creators. Since its inception in 2005, the webcomic XKCD has had at least three websites devoted to harshly criticizing its content, all of which are very uniquely named different variants of XKCD sucks. In 2015, YouTube Let’s Play channel Game Grumps had a discussion board devoted to ranting about problems that the fanbase had with a show starring people sitting in a room playing video games, complete with its own three-part witch hunt where the fans went after the wife of one of the creators’.
While I did thoroughly enjoy the show, and found myself laughing at it’s witty dialogue and references to cyberculture, the plot is unfortunately the servant of two masters. By trying to deal with both the battle between Sheena and the podcasters on one hand and her crumbling relationship with Stan on the other, the show tries to fit two independent conflicts into its 65-minute runtime. While both problems are seemingly related to each other, the script does not allow them to crossover enough, perhaps hindered by the choice to have Stan never physically appear on stage. Whenever Sheena lashes out at the podcast group, she hurts ShadowLordStan’s online credibility, but rather than having a confrontation about her actions, Stan just locks himself in his room for longer and longer portions of the day. The script has two interesting plot threads, and if they could compliment each other better (perhaps by deciding which is the main conflict and which is the side story), the entire show would improve as a result. The script is already very good. With a little more focus, I believe that this could ascend to an undoubtedly great piece of theatre.
That being said, lolcow is one of my favorite shows that I have seen at a Fringe Festival in a long time, and I will heartily recommend it to anyone I know that is looking for something funny, something entertaining, something different, or something that is just plain enjoyable.
You can catch lolcow at the Langham Court Theatre on Thursday, August 31 at 7:45pm, or on Saturday, September 2 at 3:00pm.