Careercow Robert Chipman / Bob / Moviebob / "Movieblob" - Middle-Aged Consoomer, CWC with a Thesaurus, Ardent Male Feminist and Superior Futurist, the Twice-Fired, the Mario-Worshipper, publicly dismantled by Hot Dog Girl, now a diabetic

How will Bob react to seeing the Mario film?


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Art sperging.
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wow what a completely original concept for a ga-
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Oh whoops.
 
Is-is Bob expressing sympathy towards a dang, dirty conservative?
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So beneath that mass of ego, abrassiveness, and smugness. There's a good man there. But in order for him to come. He needs to burn all those flaws, and actually think for others. This is a rare moment of good in Bobbo Chimpman's heart. Let's enjoy it.
 
October can't come soon enough.
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OK, I'm gonna have to sperg for a minute and smack Bob with my English degree.

Venom is not the "do you even lift" version of Spider-Man. Venom began as a basic villain, but has since evolved a narrative of his own. Unlike Peter Parker, Eddie Brock was a man with nothing: the victim of childhood abuse, and later professional failure, who bonded with the symbiote over their mutual hatred of Spider-Man.

Yet despite wanting to eat Spidey's brains, the dual being called Venom still retained something of a moral core: he never stopped thinking he was doing the right thing. He held to his own code of honor, and refused to harm those he thought of as innocent. (Crucial, since if he'd targeted Aunt May or MJ he could have destroyed Spidey in five seconds.) During times of ceasefire between the two, Venom would actually step into the role of antihero, helping others who he viewed as innocent. It's not for nothing that his '90s miniseries was called "Lethal Protector."

Venom was thus the darker, more desperate, no-holds-barred reflection of Spider-Man. He was what Spider-Man could become without friends, without a support network, without scruples or a sense of "with great power comes great responsibility."

How is this not a story worth exploring? Frankly, I find it more interesting than the umpteenth MCU film about random quippy dude #17. Venom is fucked up, but he has a solid--albeit skewed--sense of morals and none of the social conventions that prevent him from, say, biting a guy's head off in the most literal sense. He even has his own, even darker equivalent in the form of Carnage, who has no morals whatsoever and is basically "what if the Joker got a symbiote?"

TL;DR: A leashed demon is always more interesting than a shining knight, because the demon's redemption means more.
 
Is-is Bob expressing sympathy towards a dang, dirty conservative?
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Most likely because he lost his own dad last year.
Otherwise he would dance on the grave.

that is actually a certain theory I have about some of these lolcows: If they lost someone they truly cared for, perhaps they would finally snap out of whatever awful mindset they are on, because finally they learn how the "peasants" feel.
 
OK, I'm gonna have to sperg for a minute and smack Bob with my English degree.

Venom is not the "do you even lift" version of Spider-Man. Venom began as a basic villain, but has since evolved a narrative of his own. Unlike Peter Parker, Eddie Brock was a man with nothing: the victim of childhood abuse, and later professional failure, who bonded with the symbiote over their mutual hatred of Spider-Man.

Yet despite wanting to eat Spidey's brains, the dual being called Venom still retained something of a moral core: he never stopped thinking he was doing the right thing. He held to his own code of honor, and refused to harm those he thought of as innocent. (Crucial, since if he'd targeted Aunt May or MJ he could have destroyed Spidey in five seconds.) During times of ceasefire between the two, Venom would actually step into the role of antihero, helping others who he viewed as innocent. It's not for nothing that his '90s miniseries was called "Lethal Protector."

Venom was thus the darker, more desperate, no-holds-barred reflection of Spider-Man. He was what Spider-Man could become without friends, without a support network, without scruples or a sense of "with great power comes great responsibility."

How is this not a story worth exploring? Frankly, I find it more interesting than the umpteenth MCU film about random quippy dude #17. Venom is fucked up, but he has a solid--albeit skewed--sense of morals and none of the social conventions that prevent him from, say, biting a guy's head off in the most literal sense. He even has his own, even darker equivalent in the form of Carnage, who has no morals whatsoever and is basically "what if the Joker got a symbiote?"

TL;DR: A leashed demon is always more interesting than a shining knight, because the demon's redemption means more.

Hey quippy dude #17 has one of the most heart breaking, tragic arcs in comic history, and you say bob knows nothing about comics.
 
Most likely because he lost his own dad last year.
Otherwise he would dance on the grave.

that is actually a certain theory I have about some of these lolcows: If they lost someone they truly cared for, perhaps they would finally snap out of whatever awful mindset they are on, because finally they learn how the "peasants" feel.

He probably doesn't even realize Kelsey Grammer is conservative or ANYTHING about John Mahoney. He just likes TV and he's sad 'cause Frasier is sad.
 
TL;DR: A leashed demon is always more interesting than a shining knight, because the demon's redemption means more.

Bob will never understand this, because he chooses to live in this absolute "black and white" world where there is no shades of grey in stories. And the things he chooses to like and dislike are so reflective of that. His obsession with Mario is probably the biggest example of this.
 
Bob will never understand this, because he chooses to live in this absolute "black and white" world where there is no shades of grey in stories. And the things he chooses to like and dislike are so reflective of that. His obsession with Mario is probably the biggest example of this.

Jesus, when you put it like that it's ... kind of sad. This guy is supposed to be a media critic, and he doesn't know the first thing about subtlety in storytelling. He's missing out on so much.
 
Bob will never understand this, because he chooses to live in this absolute "black and white" world where there is no shades of grey in stories. And the things he chooses to like and dislike are so reflective of that. His obsession with Mario is probably the biggest example of this.

Jesus, when you put it like that it's ... kind of sad. This guy is supposed to be a media critic, and he doesn't know the first thing about subtlety in storytelling. He's missing out on so much.

That all the world is Black and White and inability to appreciate subtlety. The lack of true empathy for others, beyond as some sort of impersonal concept such as his “I must champion the Blacks! And minorities against the whites!” Which is not actual empathy and is rather narcissism. All of these are hallmarks of autism. Of being well on the spectrum. This is why Bob isn’t really an art or movie critic. He’s a professional lol Cow.
 
Nazi and postmodernism again? What a fucking parrot.

I'm not versed in Summer popcorn flicks, but does anyone at all denounce Bay's or Synder's films as "pro-fascist"? I sure didn't see anything neo-classical in their oeuvre.

One thing I dawned on me reading his most recent series of tirade is that Bob seems to believe that, whenever a certain thing is hated, no matter who the haters are, it has to be for the same reason. The SS denounced jazz as degenerate because it is not Aryan music (I don't know about the supposed "subversion of a formal style" as the history of jazz is not my thing; I suspect Bobby is pulling it out of his ass), but jazz was not popular with the (((Frankfurt School))) either -- and their reason was completely different. Likewise whenever someone say "I don't like Hillary", to Bobby it has to be due to sexism. Any downvote on The Last Jedi has to be a manifestation of racism of an obsolete fan base.
 
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