Star Wars Griefing Thread (SPOILERS) - Safety off

How long until they come for The Mandalorian you guys think?

season 2 opener written by ruin johnson, directed by jarjar abrams. baby yoda dies in the first 5 minutes by burning the crib with him in it alive. this will be revisited in flashbacks through the episode as payback that the fans didn't appreciate their artistic talent.
 
Her name is Megan. (autistics always obsess with the name Megan). Someone took a video of her working at the ride and uploaded it to /tv/. It became obvious that she was on the spectrum by her facial movements and speech. They're now all obsessing over her because they think she's an attainable gf. She had to delete all her social media because of the stalking. There's also now dozens of fan art about her on the board. https://youtu.be/B8Sk_riaISY

I'd fuck her tbqh fam.

And The Force is being used as a crutch to explain away inconsistencies and its beyond annoying. Literally any hole or inconsistency in this film can be explained with "The Force did it" and its ridiculous.

7d9 (1).jpg


I was going to wait until the movie finished but I can't wait I have to show you now.

DARTH REY JUMPSCARES HERSELF BY BARING HER TEETH AND SHE HAS CGI POINTY TEETH IT'S LIKE A SHITTY HORROR MOVIE

View attachment 1060846

The Cock/Plot Mongler.
 
season 2 opener written by ruin johnson, directed by jarjar abrams. baby yoda dies in the first 5 minutes by burning the crib with him in it alive. this will be revisited in flashbacks through the episode as payback that the fans didn't appreciate their artistic talent.
Joking aside, that show is safe. If it takes a dive it isn't Kennedy/story group meddling, it's Favreau losing steam as a show runner..

Horn/Iger will make sure nobody fucks with Favreau and co...

They don't really have a choice..

The question I have: do they do one more season and then flip it to features?
 
Watching the cuck stream earlier and Matt has got me agreeing with boogie
WTF J.J. out of all things you did you do this, Matt is sucking the dick with memberberries, guys arguing like he's Ben Shapiro or something
also how the hell did he get a press screening
"the Nazis are coming back" wtf is this argument
 
Her seemingly alien facial expressions and her tard force strength explained in a single image of the grandmother
View attachment 1060774
sheev thinks he is rey's grandfather, but while sheev was busy visiting opera houses with anakin, his mistress was meeting up with a certain senator from naboo.
now we finally know what george meant when he said "jar jar is the key to all of this"

>my name is rey!
>rey who?
>rey binks!
 
Joking aside, that show is safe. If it takes a dive it isn't Kennedy/story group meddling, it's Favreau losing steam as a show runner..

Horn/Iger will make sure nobody fucks with Favreau and co...

They don't really have a choice..

The question I have: do they do one more season and then flip it to features?

isn't filoni still involved? and iger's on it's way out, so anythings possible (one of reason I'll wait and see what happens).
 
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sheev thinks he is rey's grandfather, but while sheev was busy visiting opera houses with anakin, his mistress was meeting up with a certain senator from naboo.
now we finally know what george meant when he said "jar jar is the key to all of this"

>my name is rey!
>rey who?
>rey binks!

"Meesa down with O.P.P.!"
 
isn't filoni still involved? and iger's on it's way out, so anythings possible (one of reason I'll wait and see what happens).

Yeah, Filoni is producer/co-writer/director. Favreau is head writer and show runner/creator...

Buck stops with Favreau though, it's his baby. I think Filoni is fine in a supporting role; he is just really inexperienced as a live action director.

But, I would be willing to bet that Filoni came up with baby Yoda(despite what wikipidea saids). It just seems like something from his head....

Iger is in wierd limbo. Horn isn't it seems..
 
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Yeah, Filoni is producer/co-writer/director. Favreau is head writer and show runner/creator...

Buck stops with Favreau though, it's his baby. I think Filoni is fine in a supporting role; he is just really inexperienced as a live action director.

But, I would be willing to bet that Filoni came up with baby Yoda(despite what wikipidea saids). It just seems like something from his head....

Iger is in wierd limbo. Horn isn't it seems..
Filoni definitely has a strong presence in the episode's finer details. He wrote or directed the shrimp planet episode, and that has his fingerprints all over it (the loth-cat in a cage is a big one). Tonally it's a bit slower-paced to begin with than the first two, and has the kind of family themes that he tends to like to cover in the shows he does.

I also agree with you to an extent about Baby Yoda. The whole show is clearly an homage to Lone Wolf and Cub, which is a masterpiece that I think Filoni has a special love for. The fight between Obi Wan and Maul in Rebels is straight out of a Japanese genre-film so I know he watched those as a kid. But I also think Favreau signed on gladly, because in the episodes he wrote and directed I also saw strong shades of Kurosawa alongside the Wild West themes.
 
Filoni definitely has a strong presence in the episode's finer details. He wrote or directed the shrimp planet episode, and that has his fingerprints all over it (the loth-cat in a cage is a big one). Tonally it's a bit slower-paced to begin with than the first two, and has the kind of family themes that he tends to like to cover in the shows he does.

I also agree with you to an extent about Baby Yoda. The whole show is clearly an homage to Lone Wolf and Cub, which is a masterpiece that I think Filoni has a special love for. The fight between Obi Wan and Maul in Rebels is straight out of a Japanese genre-film so I know he watched those as a kid. But I also think Favreau signed on gladly, because in the episodes he wrote and directed I also saw strong shades of Kurosawa alongside the Wild West themes.
This right here is how you can tell the difference between something made with legit creative love for the craft... and whatever the fucking hell the soulless, corporate shit that came out of Lucas Films proper is.

In one, you talk of inspirations, unique creative stylings, trying to dissect it to see who made what. In the other, you focus only on the director in question, with occasional nods at corporate interference.
 
With the shit Disney has pulled lately, chances are we're going to see a comic or book, where it turns out that Orange Yoda told Leia not to hand out a medal to Chewie, cause she knew Han would sell them for drinking money, so she kept Chewie's medal instead and gave it to him now. We'll learn that Orange Yoda knew about Luke's fuckup as a Jedi in the future, and about Han being a TOXIC WHITE MALE SHITLORD, so she allowed the medals to be handed out to them, cause they needed the participation award as long as they still hadn't fucked up.

Mark my words, this will be in the novelization.
I think that is exactly what happened. Also it gets all the more stupider since Disney made a novel adaptation where Leia gives Chewbacca his medal at the same time as Han and Luke, effectively confirming that Disney's trilogy takes place in a different continuity altogether. Much like how Disney's ROTJ retelling has 3PO talking about Ahsoka and Aladdin to Ewoks and Nik Sant is actually Rex and even clearly has his clone armor gauntlets visible despite that not being the case in the movies, not even in the most recent special edition.

So. The finishing movie of nu wars is not even a bad Star Wars movie, but a bad movie in general.
Now that's podracing!

Also nice that they basically knocked off Dark Empire (in a way) for the last movie. Imagine if they pulled a Marvel capeshit movie and basically made a good synthesis of the already existing expanded universe material.



Also for them, they don't have the back story with the previous 6 movies. For them it's just a rando popcorn flick and they suck at being rando popcorn flicks...
It just seems that Disney does not want us to have what we want or even nice things. They just want us to have what they think we should want. Galaxy's Edge and these movies are proof of that. They want to remake the franchise, fanbase and audience in their own sanitized image.
 
This right here is how you can tell the difference between something made with legit creative love for the craft... and whatever the fucking hell the soulless, corporate shit that came out of Lucas Films proper is.

In one, you talk of inspirations, unique creative stylings, trying to dissect it to see who made what. In the other, you focus only on the director in question, with occasional nods at corporate interference.
It's so hard to explain this to rabid TLJ and RoS fans, and it really breaks my heart because it's so simple and completely outside of their comprehension. They talk about "themes" and bend over backwards to justify weird little elements of lore, but wouldn't know a good genre film if it punched them in the face.

In the OT you can FEEL Lucas's love for Kurosawa and the samurai movies he watched in his childhood. In the prequels you can at least tell he loves his characters and wants to tell a story he's had in his head for years. The Sequel Trilogy doesn't love anything at all. It doesn't even love Star Wars.
 
Ditch the Space Janitor crap and have him be a genuine child soldier and indoctrinated killer. Maybe he's set off by ... something or other and ends up in the hands of the Resistance, who try to rehabilitate him so they can get any inside information about the First Order that they can. His nemesis ends up being Captain Phasma, who was his commanding officer and lost a number of troops in the conflict where he changed sides, so she blames him for the loss of her men. Conflicting loyalties. Learning to be human and to trust. Trying to rehabilitate a guy who's been trained since childhood to be an emotionless murder-slave
Just ditch the child soldier stuff and have FO Stormtroopers be enlisted men from world's outside of the New Republic territories. Finn is just some guy who grew up in the slums of Nar-Shada and joined up so he can have a roof over his head and a hot meal since the New Republic don't care about bla..uhh scum and villainy people.
 
It's so hard to explain this to rabid TLJ and RoS fans, and it really breaks my heart because it's so simple and completely outside of their comprehension. They talk about "themes" and bend over backwards to justify weird little elements of lore, but wouldn't know a good genre film if it punched them in the face.

In the OT you can FEEL Lucas's love for Kurosawa and the samurai movies he watched in his childhood. In the prequels you can at least tell he loves his characters and wants to tell a story he's had in his head for years. The Sequel Trilogy doesn't love anything at all. It doesn't even love Star Wars.
Good media is inspired by other media, sometimes to the point of ripping of plots, ideas, and themes wholesale. It is an iterative process, taking what you love in other media and giving it your own take, your own spin, to try to make something better than the sum of its parts.

I feel this is something completely lost on the modern schlock, they mistake INSPIRED by X to instead be "If we just add scenes from X, people will like it!". People aren't idiots, as a general class, and can tell the difference between the two when they see it even if they can't put into words what they are seeing.
 
As presented, Finn had no chance of being interesting. But there was potential in the idea of an ex-Stormtrooper overcoming brainwashing and trying to figure out how to live outside of the regimented world that twisted him when he was a child.

Ditch the Space Janitor crap and have him be a genuine child soldier and indoctrinated killer. Maybe he's set off by ... something or other and ends up in the hands of the Resistance, who try to rehabilitate him so they can get any inside information about the First Order that they can. His nemesis ends up being Captain Phasma, who was his commanding officer and lost a number of troops in the conflict where he changed sides, so she blames him for the loss of her men. Conflicting loyalties. Learning to be human and to trust. Trying to rehabilitate a guy who's been trained since childhood to be an emotionless murder-slave.

I think there was potential in this new trilogy. It didn't have to suck quite so hard.

...Again. That sounds like material suitable for only one maybe even two movies. That and I still don't see how you connect that with the overall plot, i.e., the Sith 2.0 coming back. That's the problem. Why should I and the rest of the audience give a crap for one tragic Stormtrooper plight versus the Sith coming back and wiping out planets left and right? Or for that matter why should we care about him instead of wondering why are we back in this situation in the first place,i.e., where was Luke, Han, Leia, and Lando this whole time? Finn's story doesn't freaking matter in the grand scheme of things.
 
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