Artcow WogglebugLoveProductions / Cynthia Hanson / Cherie Anne Hapney - One Womanchild's Fruitless Quest to Make Her Cockroach Husbando a Household Name

What is the Wogglebug's sexual orientation?


  • Total voters
    435
You know, she would actually be happier if she just went 'fuck it' and came out of the closet as a bugfucker. Man, it's 2020, everyone has their own little weird fetish or something like that and she should admit for once and all that she has the hots for the bug, find a community that will accept her weirdness and just live it up.

Masking her fetish shit with a book for kids is, at the best, naïve and at the worst, vile.
She could be friends with Blowfly Girl? :thinking:
 
Off-topic: what's with dumpy white girls and wanting to fuck unattractive fictional characters that aren't even human or look human.
It’s like all those dumpy girls back in the day who wanted to fuck Homestuck characters and Undertale skeletons. Just flick it to Supernatural like the rest of your tumblr friends, girls.

But at least some of the above characters were written to be funny or likable, whereas this wogglebug cockroach thing was specifically written to be an annoying fuck.

ALSO I’m an illustrator with a love for horror and Junji Ito, so if anyone wants a horrifically scarring drawing of wogglebug doing something untoward, line up with suggestions.
 
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ALSO I’m an illustrator with a love for horror and Junji Ito, so if anyone wants a horrifically scarring drawing of wogglebug doing something untoward, line up with suggestions.
See:
I wonder if the Wogglebug reproduces like a bed bug. The females don't have genitals so the male just stabs them in the gut, piercing their body, and injects sperm into their bloodstream. The Wogglebug could go around stabbing kids to death with his penis. This is like the Junji Ito version.
 
ALSO I’m an illustrator with a love for horror and Junji Ito, so if anyone wants a horrifically scarring drawing of wogglebug doing something untoward, line up with suggestions.

Is it possible to draw the action scene that i wrote where wogglebug blows up the wicked witch's head off with four submachineguns down her mouth until it's nothing but a disgusting pasty mess of blood and brain?
 
ALSO I’m an illustrator with a love for horror and Junji Ito, so if anyone wants a horrifically scarring drawing of wogglebug doing something untoward, line up with suggestions.

Any chance you could illustrate a scene from THOTHunterAlice's Wogglebug story?

I got you.

Sweat trickled down Woggle's beady head. Adrenaline flowed through his veins.

It was now or never.

With a roar that would even turn the bravest of hell's generals turn to stone with fear, he busted through the Wicked Witch's of the West's fortress of despair. The flying monkeys didn't have enough time to react as they were torn to shreds by the bullets firing from Wogglebug's submachineguns made from pure testosterone.

One of the guards came crashing through one of the windows, a chainsaw made of motorcycles revving up as it swooped down to attack.

"Eat this!" Wogglebug screamed as he fired bullets into the monkey.

"Well done," a low, ominous, sultry contralto surrounded the gore-splattered room.

"You," Wogglebug spat.

The Wicked Witch appeared. Her shapely figure exaggerated by the low-cut velvet dress she wore. Her long legs peeking through the slits in the floor-length skirt.

"What did you do to Dorothy!?" Wogglebug demanded.

"She's alive- but not for long," the vile demoness cackled. Behind her was Dorothy, barely conscious.

Rage boiled through Woggle as he charged towards her, the witch summoned a dragon the size of China and made from the blood of fallen warriors. It let out a might roar, ready to rip into living flesh for once more.

Wogglebug jumped on top of the dragon and ripped out one of its teeth before impaling it through the dragon's eye. The dragon swung its claws towards the bug, but Woggle was too fast as he threw a grenade into the dragon's mouth- making it explode into a million pieces of gore, splattering everything in the room.

As the witch was about to summon another demon from hell, Wogglebug grabbed her tiddy and violently ripped it out. Titty tissue and blood spurted out as the witch screamed in pain.

Wogglebug dislocated her jaw and forced all four submachineguns into her mouth.

"This is where your story ends," he said as he fired, the witch's head now only a bloody, gooey mess of skull and brain.
 
I have more accurately been at this for just two years. Not six. I had to start all over again after hitting bottom when Richard quit in 2017. And I only found Patrick in June of 2018. And I've also had to rewrite my one completed screenplay completely to avoid using any of Richard's writing. And it seems I have finally got the new version as it should be and how I want it also. Here are the comments from the reader who gave it a recommend:

Sylvie and the Wogglebug by Cynthia Hanson is a sweet and compelling family animation
about a 7-year-old imaginative, nature-loving girl who finds herself in an enchanted forest
and meets Wogglebug. The premise of the movie is well-executed with the amazing worldbuilding
and the lovely character Mr. Wogglebug. The main character is well-developed as
she has a great personality and voice. There might be too much exposition in some of the
scenes that might cause confusion; however, the writer successfully makes it natural. The
tone and the style of the film matches the genre. There are minor grammar and screenwriting
errors that don't affect the flow that much but should be corrected before production.
The premise of the movie is well-executed. It focuses on Sylvie's character, who's getting
bullied in the orphanage because she loves nature and bugs. The opening image with the
butterfly and Sylvie's pure interest in the beautiful creature is heart-melting. From the first
moment, the audience will be connected to Sylvie and would want to see her succeed. With
each scene, the story moves forward as the audience will be wondering what’s going on. The
story provokes curiosity and excitement.

The structure of the script is well-planned. The inciting incident is early in the script when
Sylvia finds herself in the middle of the enchanted forest. Act breaks are on point. For
example, the lowest point (act three break) is when Sylvie turns stiff. Other than the main
plot points, there are a lot of twists and turns in the movie. The audience won't get bored at
all because of the conflicts, character dynamics, world, changing environment, and constant
twists that lead the characters into different scenes.

The main character is a very interesting girl that the audience of animation/family type of
movies would be very fond of her. Her voice is similar to Joy from Inside Out, but Sylvie loves
nature and bugs, which makes her much more lovable. The audience needs a character like
Sylvie, who supports the "nature" theme of this movie. She’s a very brave and mature girl
that is very well-written and fits the story.

The side characters are as powerful as the main character. The Wogglebug is a great
companion for Sylvie, and their dynamic is remarkable. For example, when Sylvie declares
that they can bring all the guardians of the forest and people to look at her, she becomes shy.
The Wogglebug sees this and rises to take the spotlight from his shy friend. This is a very
cute moment, and the kids and the families will be very happy watching this movie that will
make their hearts melt. The dynamic between Cristeph and Theodora is very well-written.
Moreover, Antibo, the antagonist, is also very well-developed as he's a great fit for this world
who hates the forest and wants to make things his way. He’s mean and funny, which is great
for children.

The pacing is terrific and supported by tone, comedy, style, and some lovely moments in the
script. The style supports animation/family screenplays, and the tone is similar to The Good
Dinasour and Zootopia. The visual elements are very powerful such as the moment when the
light takes over the room, and moments later, the light goes out, and Sylvie has vanished from
the room. Also, the forest, elves, pixies, and many other story elements have great visuals by
nature.

The only problem with the storyline is that the audience might sometimes feel like the movie
has too much exposition. Even though the writer successfully covers the exposition with
awesome conflicts, great character dynamics, and well-written dialogues, some expositions
might make the audience think, "Why do I know this?" For example, the scene where it's
revealed that Mr. Frank is actually Knowitall is an expected scene since the beginning of the
movie, so the revelation with Knowitall and Elysia might feel too much for the audience.
Some of them might prefer to see Mr. Frank in the end who would just smile at Sylvie from
far away. And at that moment, Sylvie's eyes can shine, realizing that Mr. Frank is Knowitall,
and he wanted her to help Wogglebug. But again, this solely depends on the audience and
the writer’s choice.

This movie is for families and kids who love animation, nature, and the theme of friendship.
Wogglebug is a great character that would shake any kid's world and make them happy
instantly. There are powerful scenes in the movie that would make the audience's heart melt.
There are also comedic scenes that make the movie fun and enjoyable. There will be a major
kid audience who would watch this movie again and again and might demand another film.
The idea is original, the world has The Wizard of Oz vibes, and the characters are
extraordinary. The budget might be different for different qualities since it’s an animation
film, but it’s medium to high budget.

Overall, Sylvie and the Wogglebug is a great adventure similar to the feeling of The Good
Dinasour and Zootopia. It has Inside Out and Coco vibes as well. That’s why this movie will be
successful in the box office or on streaming services.
 
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I have more accurately been at this for just two years. Not six. I had to start all over again after hitting bottom when Richard quit in 2017. And I only found Patrick in June of 2018. And I've also had to rewrite my one completed screenplay completely to avoid using any of Richard's writing. And it seems I have finally got the new version as it should be and how I want it also. Here are the comments from the reader who gave it a recommend:

Sylvie and the Wogglebug by Cynthia Hanson is a sweet and compelling family animation
about a 7-year-old imaginative, nature-loving girl who finds herself in an enchanted forest
and meets Wogglebug. The premise of the movie is well-executed with the amazing worldbuilding
and the lovely character Mr. Wogglebug. The main character is well-developed as
she has a great personality and voice. There might be too much exposition in some of the
scenes that might cause confusion; however, the writer successfully makes it natural. The
tone and the style of the film matches the genre. There are minor grammar and screenwriting
errors that don't affect the flow that much but should be corrected before production.
The premise of the movie is well-executed. It focuses on Sylvie's character, who's getting
bullied in the orphanage because she loves nature and bugs. The opening image with the
butterfly and Sylvie's pure interest in the beautiful creature is heart-melting. From the first
moment, the audience will be connected to Sylvie and would want to see her succeed. With
each scene, the story moves forward as the audience will be wondering what’s going on. The
story provokes curiosity and excitement.
The structure of the script is well-planned. The inciting incident is early in the script when
Sylvia finds herself in the middle of the enchanted forest. Act breaks are on point. For
example, the lowest point (act three break) is when Sylvie turns stiff. Other than the main
plot points, there are a lot of twists and turns in the movie. The audience won't get bored at
all because of the conflicts, character dynamics, world, changing environment, and constant
twists that lead the characters into different scenes.
The main character is a very interesting girl that the audience of animation/family type of
movies would be very fond of her. Her voice is similar to Joy from Inside Out, but Sylvie loves
nature and bugs, which makes her much more lovable. The audience needs a character like
Sylvie, who supports the "nature" theme of this movie. She’s a very brave and mature girl
that is very well-written and fits the story.
The side characters are as powerful as the main character. The Wogglebug is a great
companion for Sylvie, and their dynamic is remarkable. For example, when Sylvie declares
that they can bring all the guardians of the forest and people to look at her, she becomes shy.
The Wogglebug sees this and rises to take the spotlight from his shy friend. This is a very
cute moment, and the kids and the families will be very happy watching this movie that will
make their hearts melt. The dynamic between Cristeph and Theodora is very well-written.
Moreover, Antibo, the antagonist, is also very well-developed as he's a great fit for this world
who hates the forest and wants to make things his way. He’s mean and funny, which is great
for children.
The pacing is terrific and supported by tone, comedy, style, and some lovely moments in the
script. The style supports animation/family screenplays, and the tone is similar to The Good
Dinasour and Zootopia. The visual elements are very powerful such as the moment when the
light takes over the room, and moments later, the light goes out, and Sylvie has vanished from
the room. Also, the forest, elves, pixies, and many other story elements have great visuals by
nature.
The only problem with the storyline is that the audience might sometimes feel like the movie
has too much exposition. Even though the writer successfully covers the exposition with
awesome conflicts, great character dynamics, and well-written dialogues, some expositions
might make the audience think, "Why do I know this?" For example, the scene where it's
revealed that Mr. Frank is actually Knowitall is an expected scene since the beginning of the
movie, so the revelation with Knowitall and Elysia might feel too much for the audience.
Some of them might prefer to see Mr. Frank in the end who would just smile at Sylvie from
far away. And at that moment, Sylvie's eyes can shine, realizing that Mr. Frank is Knowitall,
and he wanted her to help Wogglebug. But again, this solely depends on the audience and
the writer’s choice.
This movie is for families and kids who love animation, nature, and the theme of friendship.
Wogglebug is a great character that would shake any kid's world and make them happy
instantly. There are powerful scenes in the movie that would make the audience's heart melt.
There are also comedic scenes that make the movie fun and enjoyable. There will be a major
kid audience who would watch this movie again and again and might demand another film.
The idea is original, the world has The Wizard of Oz vibes, and the characters are
extraordinary. The budget might be different for different qualities since it’s an animation
film, but it’s medium to high budget.
Overall, Sylvie and the Wogglebug is a great adventure similar to the feeling of The Good
Dinasour and Zootopia. It has Inside Out and Coco vibes as well. That’s why this movie will be
successful in the box office or on streaming services.

Paragraphs mother fucker have you heard of it? This wall of text nearly made me blind- besides the rape-face wogglebug that looks as if he's on speed.
 
I have more accurately been at this for just two years. Not six. I had to start all over again after hitting bottom when Richard quit in 2017. And I only found Patrick in June of 2018. And I've also had to rewrite my one completed screenplay completely to avoid using any of Richard's writing. And it seems I have finally got the new version as it should be and how I want it also. Here are the comments from the reader who gave it a recommend:

*A WHOLE CRAPTON OF TEXT*

Why did you insist upon posting the entirety of a reader's longpost recommend here? I ask because I am genuinely curious as to what you think that accomplishes.
 
...as the audience will be wondering what’s going on.
Truer words have never been spoken.

Why did you insist upon posting the entirety of a reader's longpost recommend here? I ask because I am genuinely curious as to what you think that accomplishes.
My guess: To make us see
1) That this review is legit and Cynthia isn't a fool that fell, again!, for a scam artist.
2) That her story is amazing and we just lack understanding.
3) That this story has a lot of appeal and we are just a bunch of naysayers.

I'll give the review this though: It is way longer than I expected and srt of mentions stuff that actually happens.

I was expecting more of a lazy madlib thing:
The plot of _____________________________ is very nice and appropriate to the target demographic of ____________________________.
I found it highly enjoyable and related greatly to the main character ___________________ and his/her struggles. I especially liked the ending and everything that happened before that.
Please send my payment to 555-not-a-scam@paypal.com
 
#1. She can't seem to be able to spell 'dinosaur'.

#2. "The idea is original, the world has The Wizard of Oz vibes, and the characters are extraordinary."

So you're not telling people you're using Baum's intellectual property then, eh?

Yes, I am actually. I put "Based on a character by L. Frank Baum" on the title page. However my latest script consultant told me she thinks this isn't really necessary. In her own words she said "Because if it's just that, then I don't think you need to credit him because 1. it's more of an homage than directly taking his idea because it's no longer novel/many people have been inspired by him and 2. best leave it up to whatever studio picks this up to engage with LFB's estate. The lawyers can be the ones to hammer it out." Which makes sense to me.
 
Yes, I am actually. I put "Based on a character by L. Frank Baum" on the title page. However my latest script consultant told me she thinks this isn't really necessary. In her own words she said "Because if it's just that, then I don't think you need to credit him because 1. it's more of an homage than directly taking his idea because it's no longer novel/many people have been inspired by him and 2. best leave it up to whatever studio picks this up to engage with LFB's estate. The lawyers can be the ones to hammer it out." Which makes sense to me.

This is not an 'inspiration', you are directly using a character out of Baum's IP, even if Woggie is a very minor one. It's not "The Beezlebug in the Land of POZ" which you could get away with calling it an homage. It would very much behoove you to leave that statement in for legal ass-covering, otherwise you open yourself up to a lawsuit from whomever currently holds the rights to L. Frank Baum's IP, and I know it's not public domain as it's been monetized for ages now.

Your script consultant is an absolute fucking braindead idiot to say that, and the fact that he/she gave you such bad advice is just one more reason why you are a sap to give them any money. I suggest you cut your ties ASAP before they wangle your bank account number out of you so as to be able to 'process your billing faster' or some such scamage.
 
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