From here, I am retyping the interesting parts since the original post is an unwieldy screenshot of said text:
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When playing Ellie, you are forced to:
1) kill dogs
2) murder screaming wailing people, whose loved ones mourn and cry in terror
3) murder a pregnant woman
When playing Abbie, you are forced to:
1) play and have fun with dogs
2) defend yourself against evil scary transphobic jungle people
3) save kids
In Ellie's darkest moments, she:
1) attacks a woman who, aside from being involved in her father's death, also further titillates and aggravates Ellie by saying Joel died like a little bitch. Reacting with rage and impetus, she beats the woman up with a metal pipe. However, Ellie is visibly traumatized and shaken by the event, she comes back and is clearly distressed and troubled.
2) kills a woman who she later finds out is pregnant. When finding out, Ellie's hearing fades (just like when witnessing Joel's death, n.d.Mammamia), she collapses and starts hyperventilating, clearly disturbed, remorseful and regretful.
In Abby's darkest moments, she:
1) shots an old man in the knee, who just previously saved her life and was completely friendly and warm to her. She proceeds to take VISCERAL PLEASURE in beating him with a golf club, torturing him for so long that she eventually grows exhausted and needs to remove her jumper. She delivers the killing blow right in front of a screaming girl who begs for his life.
2) smashes a girl's face and, upon finding out that said girl is pregnant, Abby takes immense PLEASURE AND SATISFACTION at the prospect of slitting her throat.
Both girl enact their darkest moments under the impetus of revenge, but it is clear which character takes pleasure in the idea of inflicting pain. Once you understand this, any meaning the story holds completely withers away.
One guy in the comments also adds:
"Additionally, Abby betrays her fellow companion Mel (who was pregnant at the time) by fucking her man and shows zero remorse.
Ellie, on the other hand, shows guilt when Jesse asks about her kissing Dina (even though the two had broken up by then)."
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I mean... the game being a vanity project for Druckmann I get it, and that explains the systematic humiliation and destruction of the former characters. BUT the game also completely and OBJECTIVELY fails to present a believable and alternative 'new' protagonist, and to portray Abby in any sympathetic light. I am talking about basic tricks that an author should use to elicit some empathy and moral understanding in the reader/viewer/gamer, truly the basic foundation of immersive writing, shit that students have been learning in university for more than 20 years.
And this 'director' wants to use
this as his ticket to be noticed by Hollywood industry? This abortion of story that he himself, in his blind hatred for the franchise, torpedoed beyond all recognition? He really thought this would actually work?
I mean, yeah, D&D fucked up GoT in a mix of incompetence and hubris, eager to move to Disney and Netflix, just to be rejected by the former and kept in limbo by the latter, and Druckmann made Abby read
City of Thieves by his fellow David Benioff, so he truly must have learned from the best...