Plagued The Alt-Right

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Context: deathmetal.org is a music blog run by a right-leaning guy whose worldview is sort of weird jumble of anarcho-primivism and monarchism. He tried to market his site as metal's answer to Gamergate in the mid 10s, without much success. His articles get an average of about 5 comments.

Anyway, recently they posted this satirical news article about Metallica changing the title of "Master of Puppets" to "Manager of Equals" to make it more inclusive.
Reasonably funny, albeit not hilarious. Obviously satire.

Somehow this joke article got the site a surge in traffic, and now there are 100+ boomer comments taking it at face value and railing against Metallica for bowing to SJWs.

Choice comments:

"I will no longer listen to metallica..they went down hill when they released the black album,but this has gone too far"

"Good job following the deep call metallica!! Way to let them step all over the 1st ammendment!! I will no longer select their music to listen on line! Will not support them anymore!!"

"No longer a fan..been a fan my whole life. I am 40. Fuck them. Wtf would you do that for? The lyric isnt even relevant to what is happening….ashholes"

"Now things have went to fare if you keep bowing down to people that don’t have a live to be gained with and cry’s over any little thing they can what does that teach them nothing life is life deal with it and shut the hell up it’s not all rainbows and unicorns grow up Metallic I’ve loved you from the 80 been there from the start don’t let people make you do something because they got there feelings hurt this is the real world if they want to cry let them cry"

"I just may throw all my Metallica stuff out. For real they are changing the song. Are they removing the word “master” from the dictionary and all written forms of it?"
Yep. That's one of the more clever pranks the guys at deathmetal.org / ANUS have pulled. Also, those dopey boomers in the comments section are priceless.

Definitely. Most of the outright WN bands are in that genre, though the melodeath Arghoslent is a big exception. Blackmetalunderground would have made a lot more sense for an extreme right metal site.
That's an excellent troll, if accidental, but if you really wanted to be a politically incorrect genre of metal you'd pick black metal.
It's no accident the vast majority of explicitly far-right bands are Black Metal. Not only is there a long history of white ethnocentrism, racism, NS and Fascism in the subculture, Black Metal is music by heretics for heretics, and nothing blasphemes liberal democracy and egalitarianism quite like far-right Nationalism. In the context of cosmopolitan neoliberalism, Nazism quite possibly represents that furthest outer limit to most people. The Nazi is the “Satanist” of the above example. No matter how they put forth their arguments, they are clearly the enemy of all the values of the society they live in, and their positions come across as gibberish when they travel beyond certain bounds.

This is hardly unique to Black Metal. All cultures have an “outer limit,” beyond which it is simply not possible to go and still be able to communicate to others within that culture. In the context of a thoroughly theocratic culture, the concept of “agnosticism” is unthinkable gibberish – while the idea of an enemy of God in the form of a Satanist may be the only way to make sense of the idea. All that matters is the destruction of liberal democracy and the subsequent purging of all its worst facets. Black Metal is the heretics' collective call to purify a decadent, dying culture and from its ashes rebirth a lasting imperium.

In terms of broader Metal subculture, the musicians and their respective fanbases view the world through the lens of metapolitics and realism. They reject left and right just as they reject "good and evil" as moralistic binaries, if they conform to any form of morality at all. The common thread running among all bands, be they leftists or Fascists, is that civilization is in decline and we should adopt a heroic spirit in the face of adversity, by embracing the totality of existence and learning through mythological paradigms.

That said, the far-right has no dearth of bands outside Black Metal. In fact, it's well represented if you ask me.

essential_far_right_metal_NEWEST.png

Black Metal: Nachtgeblüt, Kristallnacht, Campo de Mayo, Grand Belial’s Key, Fanisk, Spear of Longinus, Der Stürmer, Absurd, Genocide, M8Л8TХ [M8L8TH], Veles, Pantheon, Sombre Chemin, Totenburg, Aryan Blood, Mjölnir, Goatmoon, Wolfnacht, Thunderbolt, Bannerwar, Kaevum, Xenophobia, Fatherland, Велимор [Velimor], Nordglanz, Benighted Leams, Eldrig, Sunwheel, Fullmoon, Warhead, Munruthel, Kataxu, Gontyna Kry, Drudkh, Ad Hominem, Bilskirnir, Aufschwung, Seigneur Voland, Forest, Black Magick SS, Einsatzgruppen, Dark Fury, Sunchariot, Apraxia, Xenophobic, Naastrand

Death Metal: Arghoslent, (later) Excalibur, West Wall, Territory, Plunder & Pillage, Россия [Rossija], Before God

Death’n’Roll: (later) Berserkr

Melodic Death Metal: Kreuzfeuer

Grindcore: Vaginal Jesus

Folk Metal: Dub-Buk, Темнозорь [Temnozor], Nokturnal Mortum, Молот [Molot]

Gothic Metal: RaHoWa

Groove Metal: Shutdown, Spirit of 88, (later) Сокира Перуна [Sokyra Peruna], (later) Spreegeschwader, Titkolt Ellenállás, Involved Patriots

Progressive Metal: Josh Dalviken

Thrash Metal: Коррозия Металла [Korrozia Metalla], In Tyrannos, (later) Squadron, Bound For Glory, Frakass, Centaurus, Mudoven, Durandal, Iron Youth, The Raunchous Brothers, Deaths Head, Ultimatum, Кpэк [Crack], Quadriga, Коловрат [Kolovrat], Edelweiss, Вандал [Vandal], Death Warrant

Power Metal: Finist, (later) Estirpe Imperial, Цирюльня (Tsyrulnia)

Viking Metal: Graveland, Honor

Heavy Metal: Buldok, Warlord, (early) Berserkr, (early) Excalibur, Battlecry, (early) Estirpe Imperial, Bomber, Fortress, Whites Load, (early/mid) Сокира Перуна [Sokyra Peruna], Heiliger Krieg, Aryan Rebels, Kontingent 88, Endless Pride
 
deathmetal.org once held a writing contest for gay sex Pantera fanfiction

Oh yeah and the point of it being called deathmetalunderground rather than blackmetalunderground isn't because of any politics but because most reviews featured on the site are of death metal. There was a time where the site was known as American Nihilist Underground Society or ANUS (funny, I know).

Shit, I remember that place. This is that guy?
 
Shit, I remember that place. This is that guy?
Yes, deathmetalunderground grew out of ANUS. It happened more than a decade ago at this point. Admittedly my memory is hazy as to how and why exactly there was a split which created deathmetalunderground and made ANUS itself less relevant because it was basically just philosophy without the metal part at that point, the resources on metal was the thing which was what most people even visited ANUS for. Eventually ANUS became so irrelevant that Brett just started making a new blog for his schizo screeds called Amerika under his real na- oh sorry until Spinoza Ray Prozak totally suddenly left on a spiritual journey, yup. Totally not Brett's alter ego, nope.

ANUS was by far the best resource for discovering underground metal at the time, say what you want about Brett's reviews which are obvious schizo ramblings of a guy who's clearly stoned out of his fucking mind trying to write music reviews, but if you just cut through the bullshit and looked at the lists they would put out of albums you should check out, 9/10 of them were really good. I found out about a lot of interesting bands that way.
 
Yes, deathmetalunderground grew out of ANUS. It happened more than a decade ago at this point. Admittedly my memory is hazy as to how and why exactly there was a split which created deathmetalunderground and made ANUS itself less relevant because it was basically just philosophy without the metal part at that point, the resources on metal was the thing which was what most people even visited ANUS for. Eventually ANUS became so irrelevant that Brett just started making a new blog for his schizo screeds called Amerika under his real na- oh sorry until Spinoza Ray Prozak totally suddenly left on a spiritual journey, yup. Totally not Brett's alter ego, nope.

ANUS was by far the best resource for discovering underground metal at the time, say what you want about Brett's reviews which are obvious schizo ramblings of a guy who's clearly stoned out of his fucking mind trying to write music reviews, but if you just cut through the bullshit and looked at the lists they would put out of albums you should check out, 9/10 of them were really good. I found out about a lot of interesting bands that way.

Lots of fledgling metalheads first got into music by way of American Nihilist Underground Society (ANUS), myself included.

Perhaps the single most controversial thesis from the writers at deathmetal.org and ANUS is that Heavy Metal is the natural continuation of Classical music applied to Rock'n'Roll's arrangements.

My own feelings are somewhat ambivalent. On one hand, the shift away from Rock and Blues that Extreme Metal (especially chromatically-based Thrash, Black and Death Metal) represents is self-evident and inarguable, and at least for my own tastes remains one of those genres' most attractive elements even though I consider plain ol' Heavy Metal to be God-tier.

On the other hand, the idea that there is some Classical or Neoclassical influence in Death Metal or Black Metal is pure bollocks. I think this particular pillar of the ANUS catechism---that Extreme Metal is a natural extension of Classical---derives from confused and muddled thinking, along with their well-documented desire (perhaps emotional need?) to over-intellectualize the creative processes of young musically-inclined degenerates.

If you've read that site long enough, it becomes painfully obvious the typical ANUSite embraces social and political atavism. They have emotionally and intellectually primed themselves to fetishize the past, so imagining that Metal's recent heritage lies in Mozart and Beethoven stems in part from that habit.

To me, Extreme Metal's move away from Blues and Rock didn't represent a move back towards Classical or a re-imagining of Classical music for the modern world; it represented something entirely novel.

That being said, there is plenty of Metal influenced by classical music, hence performers and bands like Symphony X, Royal Hunt, Jason Becker, Vinnie Moore, Tony MacAlpine, Marty Friedman, Yngwie Malmsteen, or (most controversially) The Great Kat.
 
Lots of fledgling metalheads first got into music by way of American Nihilist Underground Society (ANUS), myself included.

Perhaps the single most controversial thesis from the writers at deathmetal.org and ANUS is that Heavy Metal is the natural continuation of Classical music applied to Rock'n'Roll's arrangements.

My own feelings are somewhat ambivalent. On one hand, the shift away from Rock and Blues that Extreme Metal (especially chromatically-based Thrash, Black and Death Metal) represents is self-evident and inarguable, and at least for my own tastes remains one of those genres' most attractive elements even though I consider plain ol' Heavy Metal to be God-tier.

On the other hand, the idea that there is some Classical or Neoclassical influence in Death Metal or Black Metal is pure bollocks. I think this particular pillar of the ANUS catechism---that Extreme Metal is a natural extension of Classical---derives from confused and muddled thinking, along with their well-documented desire (perhaps emotional need?) to over-intellectualize the creative processes of young musically-inclined degenerates.

If you've read that site long enough, it becomes painfully obvious the typical ANUSite embraces social and political atavism. They have emotionally and intellectually primed themselves to fetishize the past, so imagining that Metal's recent heritage lies in Mozart and Beethoven stems in part from that habit.

To me, Extreme Metal's move away from Blues and Rock didn't represent a move back towards Classical or a re-imagining of Classical music for the modern world; it represented something entirely novel.

That being said, there is plenty of Metal influenced by classical music, hence performers and bands like Symphony X, Royal Hunt, Jason Becker, Vinnie Moore, Tony MacAlpine, Marty Friedman, Yngwie Malmsteen, or (most controversially) The Great Kat.
Yeah, I always thought that insisting that extreme metal is a continuation of Western art music was a disservice of both. Death and black metal took influence from many different musical styles and genres to create the unique beasts that we know them as today. Of course Western art music was one of the ingredients put in the blender, but it wasn't the main one, just one of several.
 
Yeah, I always thought that insisting that extreme metal is a continuation of Western art music was a disservice of both. Death and black metal took influence from many different musical styles and genres to create the unique beasts that we know them as today. Of course Western art music was one of the ingredients put in the blender, but it wasn't the main one, just one of several.

It doesn't make any sense anyway since extreme metal essentially started as a more aggressive form of 1980s thrash metal, which was a faster version of 1970s heavy metal. Early black/thrash like Bathory's early albums exemplifies this, since it's obviously derived from thrash but just a bit more extreme. Classical music influences certainly featured to some extent (Emperor, for example), but it's an influence rather than the primary origin, which is essentially just making rock harder and faster to the maximum.

The obsession with connecting metal to centuries old classical music obviously comes from the ultra conservative romanticism of the authors, but it doesn't really have much basis in fact, much like a lot of their other beliefs.
 
Since we're talking about the ANUSphere, anyone remember bitterman? It was either Brett himself or just some ANUSite giving 0% reviews to any album he reviewed on metal archives and caused astronomical levels of butthurt on MA's pussy forums. Bitterman even went through the effort of submitting a band, their members, their discography, all the autistic shit you had to do to have a band documented on the site... only to shit on the only album they ever released in a review. Granted, him trying to shoehorn "this album sounds like AC/DC doing extreme metal" into every review got tiring, but some of his reviews were hilarious reads from start to finish.
 
That all being said, there is some Black Metal that's very much influenced by Classical music, but again, they are the exception rather than the norm. The previously mentioned Nachtgeblüt comes to mind:
 

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Isn't that just... how regular people behave? If you go to a venue with your girlfriend or wife, and they want to leave, then you leave with them. Have these people ever had a friend or relationship in their lives? I can't comprehend how dysfunctional you'd have to be for this to shock you. Like, this is probably indicative of actual autism on the commenter's part.

Alt-shites are autistic nerds rebelling against their socialization.
 



Isn't that just... how regular people behave? If you go to a venue with your girlfriend or wife, and they want to leave, then you leave with them. Have these people ever had a friend or relationship in their lives? I can't comprehend how dysfunctional you'd have to be for this to shock you. Like, this is probably indicative of actual autism on the commenter's part.

Alt-shites are autistic nerds rebelling against their socialization.

Most alt-righters are about as attractive to women as Chris Chan is, which is why they turn to the alt-right
 
Yeah but Brett, the founder, isn't NatSoc, he thinks white nationalism is dumb. He's just an older millennial old weirdo-right metalhead from the usenet days who worships Ted Kaczynski.

He's sort of a minor lolcow in his own right in the online metal world. His autistic word salad beat poetry writing from the late 90s verges on so-bad-it's-good:
He was /pol/ before /pol/ (or even 4chan), whatever label he prefers. It has been up to all sorts of wacky things in his time, to include trolling Chuck Schuldiner's mother after he died of cancer. iirc he was also pen pals with the first American to join Al-Qaeda and got an MSM interview out of it. And who knows what else. It is interesting that KF has taken more of an interest in e.g. Morrigan from metal-archives/ResetEra... he is a uniquely entertaining character.

Lots of fledgling metalheads first got into music by way of American Nihilist Underground Society (ANUS), myself included.

Perhaps the single most controversial thesis from the writers at deathmetal.org and ANUS is that Heavy Metal is the natural continuation of Classical music applied to Rock'n'Roll's arrangements.
He and a few of his underlings took his theories to classical music discussion forums and got cyberbullied pretty bad... they weren't having it at all.
 
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