Careercow Robert Chipman / Bob / Moviebob / "Movieblob" - Middle-Aged Consoomer, CWC with a Thesaurus, Ardent Male Feminist and Superior Futurist, the Twice-Fired, the Mario-Worshipper, publicly dismantled by Hot Dog Girl, now a diabetic

How will Bob react to seeing the Mario film?


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He wants to rehabilitate SkyNet by having it programmed by a POC woman.

Bobby mistakes a shit-posting blog as the warning against SkyNet:
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(Archive of NYT article)

The Brothers got shot:
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Bobby thinks he will be invincible with the second shot:
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Chris is nuttier than Bobby about the Carano Case.
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"Everything is politics, except when it concerns a blatantly political issue like human rights". I wonder how dumbasses like Chris define "politics".



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Democrat Bad too! Told you these pissbabies cannot be pleased.
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Still, Bobby keeps his faith about Democrat "logic":
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Gotta hand this one to Bobby as well. Everything can be commodified, as "radical artists" since the 1960s have discovered to their chagrin.

MCU good because they are conservative.
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Someone called Ninja draw the attention of Anita:
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Anita Whatshername is scummy as fuck. Old news.
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Peter Coffin:
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Pot, kettle. Bobby gets an additional Medal of Cowardice by insisting on calling Coffin "they".

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You are not kidding anyone Bobby; you are fapping.

Bobby's Angels. Eddie rages over the white left's response to Gina Carano's firing.
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Carano = Trump.
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What are "Carano's politics"? So human rights are politics after all?

On a lighter vein, Luke is extra horny as Valentine's Day nears.
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Fake Tits's brain is nearly as big as her tits, and just as fake:
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Halcyon Ember is a furry troon who is an orbiter of Rhys McKinnon.

Bob Chipman is making me like Peter Coffin and I am filled with disasters.
 
"I'm not a wimp" says the guy who blocks people on Twitter to get the final word in, and backpedals like mad when someone asks for basic facts to Bobs story about how the Nazis killed someone he allegedly knew.

This is just pathetic. How can one be this much of a slave to a dead corporation? Were Chris's days at Blockbuster really his halcyon days because he could sit on his ass all day and have no responsibilities whatsoever?

Bobby has ideas for Gremlins 3:
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Oh boy I can't wait. What Pop Culture franchise will Bob mash together with Gremlins and how will he make the white working class the true villains of the film?

I have only the vaguest idea of what Scorsese said about Capeshit, only that he isn't very fond of it. All I know is there's a fat man in a Boston basement who is screaming at his phone and trying his darnedest to not go into a multi-Tweet rage at a famous Director because said director called out the corporate drivel Bob obsesses over.

This is your brain on Pop-Culture. You see cute animals and immediately think of meaningless references so your smoothbrain can consoom them.
 
My layman's opinion is that Generalplan Ost would never have taken place. This is because:
• the Einsatzgruppen had high levels of PTSD and far more Einsatzgruppen would be needed to kill Slavs than were used to kill Jews.
• there wasn't the virulent hatred of Slavs that there was towards Jews, and, as such, I don't think a Slavic genocide would have been realistic.
• many Slavs and Balts were Lutherans or Catholics. Both the Catholic and Lutheran churches had spoken out when their members were killed in Aktion T4 and it's hard to imagine that they'd stand idly by.

I could definitely see Slavs being treated like blacks under apartheid, but a genocide on the level of the Holocaust just seems unworkable. The only exception to that would be Serbs in Croatia, and that's only because the Ustashas were such vicious bastards that they made the SS tell them to dial their war crimes down a bit.
The Wanssee conference protocols had a sizable postscript devoted on what to do with Czechs, since they were Heydrich's responsibility at the time. It basically created four categories based on race and ideology.
Good race+good ideology: Will be Germanised.
Bad race+good idealogy: Will be allowed to resettle in the East.
Good race+bad ideology: Especially dangerous, eliminate as fast as possible.
Bad race+bad ideology: Work to death as slave labor.

So even for the group that was deemed to sit in the middle of rightfully German land, the plan wasn't a wholesale genocide Bob would like.
Synder's King Arthur flick:
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The post Bob replies to is somehow even more irritating and stupid than Bob which is just typical Bob stupidity.

No, the majority of sources for the King Arthur myth aren't French. There are continental sources, yes, Chrétien de Troyes and Eschenbach's Parzifal for one, but the origin of the myth is definitely in the British Isles: the oral stories that ended up compiled as the Mabinogion, the Irish Fenian cycle was an influence and Geoffrey of Monmouth who was one of de Troyes' sources. There is a reason why these stories form 'The Matter of Britain' as opposed to the 'The Matter of France' which deals with Charlemagne and his knights.

And the last (and I'd say definitive) medieval retelling of those stories was Thomas Malory's Morte d'Arthur (which I assume that commenter thinks was written in French because of the title). The continental influences were big: Lancelot was added by de Troyes as the French knight who is better at everything than the British knights and the Holy Grail idea came from the continent. (Though de Troyes worked at the time of Angevin Empire and his patroness was Marie de France, daughter of Eleanor of Aquitaine, the Queen of England.) However, by the time of Malory the continental influences were fully absorbed and developed by him. (The whole part about Lancelot's affair of Guenevere? Malory wrote the Morte while imprisoned for 'raping' his neighbor's wife. Raping is in quotes because it happened multiple times over a period of years and likely with the woman's full consent and the accusation was most likely the husband's attempt to save face.)

So while Bob's reply is just the usual Bob stupidity and kneejerk hatred of everything Snyder while trying to sound smart, the original is just smug 'Teehee, these silly people who think their national mythology is something that's theirs.' and is wrong on almost every level. And highlighting the times Bob is somehow the smarter part of the conversation should happen, just because it's so rare.
 
It's one thing I never really got about the pro-war crowd. I blame schools, since in History class they only talk about casualties but not the ridiculous cost of rebuilding after the war, not to mention the manpower and equipment before and during is an amount of money so large we don't really believe it exists. Obviously, you can't just let other countries attack you but I never saw much of a point in other types of war past 1910.

Because WWII also fundamentally made that kind of war obsolete. You'll never see a total mobilization of whole continents against each other that will rack up a bigger price tag in both capital expended and destroyed short of WWIII nuclear anihiliation.

So, with the days of huge standing armies slugging it out for campaigns that last months and wars that last years, consuming so much that the home front is rationing meat and rubber over, the idea that war is a freebie, a luxury if you will, that the superpowers may dish out as they see fit, was an easy one to set in the minds of anyone who wasn't of draft age in 1945..... an ever-dwindling section of the population. Wars that actually bankrupt your nation like the constant campaigns of the English monarchy against France? (The Magna Carta and the War of the Roses arguably were both fallout of successive reigning monarchs continually hitting the "tax" button so they could go to war for glory until even the subservient peasantry itself stood up and said "no") , or war that is pushed past any measure of reason for the sake of national pride consuming an entire generation? And I mean literally consuming, leaving women with no men to marry and families with no adult male heirs? As in post WWI France and to a lesser extent, the UK? Who decided losing half a MILLION men in a day was worth it to move the front line in another country five feet? Those are something for the history books Bob - types claim to love, but don't' actually THINK about.

Modern armchair warriors don't know the costs of war because they've never been involved in one, even by proxy, that affected them. Sure, they're dimly aware that lives are lost and money spent, but, like the head of a global multicorp, that's just a line-item in the budget. They know the Eastern European office exists and it's costing them more money than it makes, but, overall the company is solvent, so why not keep it going to benefit a few franchisees in the region you know? It certainly doesn't affect you when you go home to your mansion in a gated community one way or the other.
 
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I have only the vaguest idea of what Scorsese said about Capeshit, only that he isn't very fond of it. All I know is there's a fat man in a Boston basement who is screaming at his phone and trying his darnedest to not go into a multi-Tweet rage at a famous Director because said director called out the corporate drivel Bob obsesses over.
Scorsese compared them to theme park rides, and said he didn't consider them "cinema." Which is a fair consideration, I think, when you think about the levels of film making. This was discussed way back on a thread at Ace of Spades HQ:
The word cinema means something to film geeks. It's not just a synonym for movies. Back in the day, I read Ain’t It Cool News all the time. I never really liked the opinions of Harry Knowles, the owner and editor (his fulsome praise of the American Godzilla was literally bought by the studio), but he did say something that’s stuck with me. He said that, in his mind, there were four different levels of movies. The flick, the movie, the film, and cinema.

The classifications were all about ambition. The flick just wanted to entertain you on the lowest common denominator. The movie wanted to tell a story. The film wanted to take advantage of the art form in every way it could. Cinema wanted to advance the art form.
So in Scorsese's mind, the Marvel movies and most other comic book movies are basically on the level of flick or movie. Now there are some in my opinion that do aim to reach above that level though - Captain America: Winter Soldier and Civil War are in my view movies that try to reach the level of film, and on the DC side of things, The Dark Knight Trilogy and Joker are films that try to reach the level of cinema. But overall, I agree with Scorsese's assessment - at the end of the day these are popcorn movies. That doesn't make them bad movies, nor does it make it wrong for you to really enjoy them or try to analyze them. But you need keep perspective on them with regards to other films and film-making as an art form. Which means that, no, Black Panther does not deserve to be considered Best Picture material.

What was really notable about Scorsese's comments were that they drew a lot of criticism from Disney and Marvel Studios - with Bob Iger wanting to hold some kind of conference with Scorsese as if he was some fucking head of state trying to sway the opinion of a foreign dignitary, and a number of the directors, producers, and actors criticizing Scorsese. The only two people on the Disney/Marvel side that actually acted like adults were Robert Downey Jr. and Scarlett Johansson, probably because they started their careers working in more artistic films of the likes that Scorsese produces.
 
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I've noticed that critics and the like absolutely hate media that takes itself seriously, even if it's over the top grimderp. And to some degree I understand it since grimdark stuff attracts some terrible fans, but their hate goes beyond that, to where they seem to think that the existence of serious media is a crime. I'd be interested in knowing their justifications for thinking like this, but if I had to guess I'd say they prefer campy humor and marvel tier snark and on some level this makes them feel inferior to people who like "serious" media, and they hate it because of that.
I come at it from a similar angle myself.

Where I differ is that I'd go a step further. I'd say that on some level, they feel embarrassed to enjoy nerd/geek-oriented media, and the only way they can truly enjoy it is if it is constantly taking the piss out of itself with self-effacing displays of camp that signal to them "You're not a geek! You're not a geek! You're not a geek!". In other words, they feel uncomfortable with this type of media displaying any kind of gravitas or sincerity because it makes them feel self-conscious about their own nerdiness.
 
The Wanssee conference protocols had a sizable postscript devoted on what to do with Czechs, since they were Heydrich's responsibility at the time. It basically created four categories based on race and ideology.
Good race+good ideology: Will be Germanised.
Bad race+good idealogy: Will be allowed to resettle in the East.
Good race+bad ideology: Especially dangerous, eliminate as fast as possible.
Bad race+bad ideology: Work to death as slave labor.

So even for the group that was deemed to sit in the middle of rightfully German land, the plan wasn't a wholesale genocide Bob would like.

The post Bob replies to is somehow even more irritating and stupid than Bob which is just typical Bob stupidity.

No, the majority of sources for the King Arthur myth aren't French. There are continental sources, yes, Chrétien de Troyes and Eschenbach's Parzifal for one, but the origin of the myth is definitely in the British Isles: the oral stories that ended up compiled as the Mabinogion, the Irish Fenian cycle was an influence and Geoffrey of Monmouth who was one of de Troyes' sources. There is a reason why these stories form 'The Matter of Britain' as opposed to the 'The Matter of France' which deals with Charlemagne and his knights.

And the last (and I'd say definitive) medieval retelling of those stories was Thomas Malory's Morte d'Arthur (which I assume that commenter thinks was written in French because of the title). The continental influences were big: Lancelot was added by de Troyes as the French knight who is better at everything than the British knights and the Holy Grail idea came from the continent. (Though de Troyes worked at the time of Angevin Empire and his patroness was Marie de France, daughter of Eleanor of Aquitaine, the Queen of England.) However, by the time of Malory the continental influences were fully absorbed and developed by him. (The whole part about Lancelot's affair of Guenevere? Malory wrote the Morte while imprisoned for 'raping' his neighbor's wife. Raping is in quotes because it happened multiple times over a period of years and likely with the woman's full consent and the accusation was most likely the husband's attempt to save face.)

So while Bob's reply is just the usual Bob stupidity and kneejerk hatred of everything Snyder while trying to sound smart, the original is just smug 'Teehee, these silly people who think their national mythology is something that's theirs.' and is wrong on almost every level. And highlighting the times Bob is somehow the smarter part of the conversation should happen, just because it's so rare.

Did not know about Lancelot was a latter addition to the Myth, since he was always such a important and pivotal character, I assumed he was just part of the Geoffrey of Monmouth's records.

I love the Arthurian legends, but I've only really read the Thomas Malory's books, and the T. H. White books, which is probably where most people now take the modern image of the Arthurian legends (the first book was also made into the classic Disney Animation).

But now looking back, yeah, I guess it makes sense for Lancelot being the most badass and most everything of the knights, fuck, even Arthur was kind of a cuck for Lancelot, not so much in the Malory books, where Arthur just resigned to the fate the crimes of both Lancelot and Guinevere led, but in the T.H White books, Arthur wanted to for Lancelot to rescue his wife and take her away. Might make a good read for the NRT degenerates out there.

Still, fuck Lancelot, never liked him anyway, sir Gawain for life!

Anyway, gonna repost this:

arthur.png


What the fuck does being faithful to "mythic neoclassicalism" even mean? I know Neoclassical art is all about being the esplendor and being larger than life, which you could say that Snyder translates that as "look at how awesome this shot is!!!", and that is fine for what it is, I don't hate Snyder or anything like that. But is that it? Mythic Neoclassicalism is just "cool shit"? Because Zack Snyder did a movie with just "cool shit", it was named Sucker Punch, and it sucked.

So is that Robert wants for a King Arthur movie? Some cool shots made in a green screen of Arthur pulling Excalibur? And then some animu fights of Arthur cleaving mountains in half with his magic sword in between slow mo shots? Fuck, if that is the case, just have Zack Snyder adapat that crappy Seven Deadly Sins anime and leave King Arthur alone.

Also, John Boorman Excalibur is kinda shit. But i do like Merlin in that movie.
 
Which is more embarrassing - Bob's Mario fetish, or Chris's Blockbuster fetish?
Chris's by a landslide. Mario has been innovative for its entire existence. Like it or not, that series has advanced gaming ahead numerous times, especially during the awkward early years of 3D gaming. It will still be relevant as long as gaming is a popular medium.

Blockbuster...it was fun for its era, but it bit the dust because it couldn't keep up with the times. Put it this way, the next generation will know who Mario is. They'll look at Chris's Blockbuster collection and say "the fuck is that?"
 
Which is why I just laugh at Swill-well saying he'd nuke anyone who didn't turn over their guns.... he's not even remotely aware that even if he COULD do it, he'd be spending the rest of his life writing apology letters that say something like "Sorry about your Grandma being flash-fried, but, it was her choice to live next door to a person who wouldn't obey a lawful order to turn in their .22" since there isn't anywhere on the map you can drop a nuke and hit only 100% members of ONE political faction.... that used to be known as the STRENGTH of our nation, that it couldn't be balkanized with petty gripes for the gain of regional warlords, but we've lost that as large chunks of the populace, one by one, have been declared "not real Americans" by the establishment, which thinks non-citizens are closer to the mark than Tennesseans these days.....
I really don't know what the fuck Swallow-well was thinking when he said that, but he was either autistically writing checks his body can't cash, or he thinks there's actually a way to nuke noncompliant gun owners without severe damage to the surrounding area that would make it uninhabitable for CENTURIES, or he's blustering to scare the gun owners because he thinks they're stupid enough to believe he'd actually do it?

I mean, is Bob even that exceptional?
 
Did not know about Lancelot was a latter addition to the Myth, since he was always such a important and pivotal character, I assumed he was just part of the Geoffrey of Monmouth's records.

I love the Arthurian legends, but I've only really read the Thomas Malory's books, and the T. H. White books, which is probably where most people now take the modern image of the Arthurian legends (the first book was also made into the classic Disney Animation).

But now looking back, yeah, I guess it makes sense for Lancelot being the most badass and most everything of the knights, fuck, even Arthur was kind of a cuck for Lancelot, not so much in the Malory books, where Arthur just resigned to the fate the crimes of both Lancelot and Guinevere led, but in the T.H White books, Arthur wanted to for Lancelot to rescue his wife and take her away. Might make a good read for the NRT degenerates out there.

Still, fuck Lancelot, never liked him anyway, sir Gawain for life!

Anyway, gonna repost this:

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What the fuck does being faithful to "mythic neoclassicalism" even mean? I know Neoclassical art is all about being the esplendor and being larger than life, which you could say that Snyder translates that as "look at how awesome this shot is!!!", and that is fine for what it is, I don't hate Snyder or anything like that. But is that it? Mythic Neoclassicalism is just "cool shit"? Because Zack Snyder did a movie with just "cool shit", it was named Sucker Punch, and it sucked.

So is that Robert wants for a King Arthur movie? Some cool shots made in a green screen of Arthur pulling Excalibur? And then some animu fights of Arthur cleaving mountains in half with his magic sword in between slow mo shots? Fuck, if that is the case, just have Zack Snyder adapat that crappy Seven Deadly Sins anime and leave King Arthur alone.

Also, John Boorman Excalibur is kinda shit. But i do like Merlin in that movie.
Ugh. Not another attempt to make a King Arthur movie. King Arthur is a bit like Superman in that modern moviemakers have no idea what to do with the character since he represents a paragon of humanity whose major conflict is that his power and goodness can't solve every problem he comes across. But filmmakers today are so into things like deconstruction and subversion, that they can't have a main character without giving him 12 layers of angst and making the setting all dark and broody. I'll give Boorman's Excalibur one thing: it knew when to be dark and when to be brilliant and shiny. It was earnest in its storytelling, portrayed humans as passionate creatures filled with lust and regret, and the setting had a mystical and wistful feel to it, as if an era of magic and paganism was ending and an era of Christianity and lawfulness was being ushered in. I don't have much faith that Snyder will create a film that functions on that level thematically, beyond Arthur posing with Excalibur and being revered by the rest of the cast. And in this era of #MeTooism, all of the earthiness and non-PC passion that made Boorman's movie memorable will be stripped out and the cast will act and think just like 21st Century Progressives.
 
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