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- Apr 20, 2025
Everything they love is derivative of and lesser than Super Sentai, Dragon Ball, Lodoss War, Fist of the North Star, and Urusei Yatsura
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Everything they love is derivative of and lesser than Super Sentai, Dragon Ball, Lodoss War, Fist of the North Star, and Urusei Yatsura
You are too retarded to understand that a twenty year old movie has no relevance to the state of American or Japanese animation today. Your opinion is trash because you are too stupid to understand the topic at hand to begin with.Cars is a great example FAGGOT.
Welp, guess this Chinese animated movie from 2015 was correct.View attachment 8934223
View attachment 8934224
Ok I get the rebellion part but what does China have against high school romances?


Showing schools without suicide nets is against regulation.Ok I get the rebellion part but what does China have against high school romances?
Edit them in with CGI? Or AI if possible.Showing schools without suicide nets is against regulation.
Nothing produced before the mid 10's is even a good example, as the US animation industry was gutted from top to bottom by progressive advocacy groups (think Women In Animation) during that decade. Producers and execs might be starting to kick and scream over it (see Elio's executive meddling, I think a similar movie out of Pixar was axed entirely too), but the labor pool is near-exclusively progtards now, and has been for some time.Cars is a great example FAGGOT.
That was my exact point that he clearly is not willing to engage with. The last twenty years have seen the precipitous drop in quality in Western entertainment, and that is a fact. That's why Nameless One referenced a twenty year old movie, rather than a recent movie, and he knows it. He strikes me as the kind of guy who very much does not want to admit that progressives have absolutely annihilated the American entertainment industry, including our animation, and are very obviously trying to make Japan follow suit. You're already seeing that start to pay dividends; look at Kojima recently announcing that his company openly embraces globalism and DEI. It's still a sign of the degradation that annihilated American entertainment making serious inroads into ruining Japanese entertainment in turn.Nothing produced before the mid 10's is even a good example, as the US animation industry was gutted from top to bottom by progressive advocacy groups (think Women In Animation) during that decade. Producers and execs might be starting to kick and scream over it (see Elio's executive meddling, I think a similar movie out of Pixar was axed entirely too), but the labor pool is near-exclusively progtards now, and has been for some time.
Thread Tax:
Watched Last Exile (steampunk/sci-fi dogfighting show) recently. It was pretty good overall, but something that stuck out to me was that the show's middle third seemed rushed. Gave the impression that the story was written w/ more than 26 episodes in mind, and when that didn't pan out the studio had condense a lot of the plot to make room for the last act.


I don't know what's up with this one. In myanimelist, it lists veterans that have been with madhouse for decades, including the director that directed One Outs, authors other manga. Either they are wrongfully credited and outsourced everything to koreans, or they didn't have time. In any case, they dropped the ball on what could've been classic anime.Liar Game: I can’t believe how awful this adaptation is, did Madhouse’s Z team work on it? Everyone looks so derpy! I’ve always heard good things about the manga but never got around to reading it, guess now’s a good time to start. Does the male mc have hypothyroidism? Cuz holy shit…
Cosmic horror doesn't work in film because it relies on the reader to fill in the blanks with their own fear of the unknown. Good example is Colour out of Space which you can't actually depict The Colour for shit because the entire point is that you can't ascribe a description to it which makes it unfilmable because the second someone can just look in a movie theater it it's just a normal color. A lot of Lovecraft's work just becomes "Oh god it's the fish-hill-billies" or a sequence where a guy reads a book but it drives him mad when you film it.I still don't understand how film directors can't adapt his work faithfully
Just dumping because I have these on hand and it's funny how the inverse works.Cosmic horror doesn't work in film because it relies on the reader to fill in the blanks with their own fear of the unknown.

I read that one twice over, years apart and completely forgot about it both times until the trailers. Think I got lured by the cover art.Petals of Reincarnation: Boring chuuni trash. The titular reincarnation refers to reincarnating historical figures’ “talents” to use as your own after killing yourself. Seems like ripping off Fate is en vouge this season.
In The Mouth of Madness does cosmic horror very well, but that's really the only example I can think of off the top of my head.Cosmic horror doesn't work in film because it relies on the reader to fill in the blanks with their own fear of the unknown.
Lovecraft's writing is not particularly visual and relies heavily upon purple prose and internal mindsets of characters, which doesn't translate particularly well to a visual medium like TV or cinema. If you attempted to faithfully adapt Lovecraft's writing style to moving picture shows it would result in a plodding, meandering, mess of a film that was four hours long and nothing really happens.I still don't understand how film directors can't adapt his work faithfully
Event Horizon was a pretty good cosmic horror movie, I've heard.Cosmic horror doesn't work in film
Event Horizon is definitely decent but it's one of those films that was butchered in editing due to content and so there's like four different versions of it that are all slightly different. So finding the best version is a matter of taste.Event Horizon was a pretty good cosmic horror movie, I've heard.
Very nice effort post