Frog, running out of ways to subtly goad Comicsgaters to make watchable content and not just broadcasted group video calls, if only so their own crowdfunds don't fail, has directly thrown the gauntlet down and called upon them to up their game. At least one has heard this and taken up the challenge.
04/29/2021 - LOLA MEATZ - LOLA AFTER MIDNIGHT
With
a modest 200 Comicsgate and Comicsgate-affiliated channels out there according to the owner of the content aggregating site Comicsgate.org, Robert Romano, what better tiime to launch a stream described by Ashley Lewis aka "Lola Meatz" aka "FUG" aka TUG's wife as "a place where people can get together and chill" and, equally ambitiously, "a place for people to go"? The demand for such "content" never being higher than right now allegedly. Once familiar enough with streamyards, Ashley leads with some selected filler content as she waits for responses to the invitations she sent out with a topic very close to her:
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However this discussion of the latest medical research relating to Lola's quest for her (unnamed) husband to actually give her an orgasm is cut short as the hapless guests she has roped in for this show start to join.
Jason Bascom: An obscure Comicsgate creator of the
Absolute series, which looks to be a standard indie B&W 90s comic pastiche about guys with swords fighting post-apocalyptic tyrants.
Philip Diaz, writer of
Magic Cop 2, and aspiring Comicsgate "personality"
Leroi.
"Leroi" is, by far, the most interesting and active character - his backstory, not unlike
@9th legion centurion 002 's, was of being an anonymous CG viewer until being stirred to action with the great Thot Crusades in April 2020 where Warcampaign revolted "on behalf of the Comicsgate peasant". In what appears to be reaction to this claim, Leroi made his own interminable series of "chillstreams" stocked with a circle gathered from various nobodies from the youtube chats of the larger programs titled simply, "
The Chat", a rather overt claim on who the
actual fans are. As the conversation unfolds it's clear that Leroi is very proud of his growing role as backstage clout peddler and infomonger, habitually namedropping people he's in DMs with big names like the endlessly-in-need-of-tardwranging Shane Davis (who he advises) and Sensei Michael Bancroft (who he in turn is mentored by).
Leroi has no idea who Lola is and, in not so many words, is only here as a favor to his personal friend Comicsgate
creator Jason Bascom - but he's always welcome when "someone new decides to join the community" so why doesn't Lola introduce herself to him and the viewers who presumably have also never heard of her. Lola obliges, describing herself as a "fighter in the culture war" who had to step back from vague and unspecified contributions to said culture war and go into hiding, but now seems like a good time to return to the community. For those unfamiliar, Lola wants to re-establish her reputation, which isn't that of a catfishing cuckoldress and gayopper, but instead as the female Richard C Meyer and spearhead of how SJWs' ruining of popular culture negatively effects
women specifically. Leroi cuts Lola off and commands her to open twitter and follow his friends "
AmandaB" and "
BBWKitty" (the latter provoking laughter from Zaid and Bascom) - they will be crucial in helping her chillstream channel to reach heights of dozens of subscribers. Lola, declining to mention she's been a panelist in an all-female CG show for a year, instead volunteers her secret twitter account "
CG Snowballer" (shh). Following this, Lola puts forward that she apparantly also has a writer's credit for the ashcan for
Another Case for the Littlest Umbrella, which jars Jason and Leroi's memory:
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Now that TUG is brought up, they remember Lola's name in the chat back when they used to watch, before TUG's Johnny Depp exclusive content made his show unwatchable. Lola says she thinks
everyone was ready to move on from Johnny Depp at this point. Jason Bascom clarifies that he's not hating on TUG - he is clearly making an admirable amount of bank from his Amber Heard grifting and, God willing, he and Leroi will be able to zero in on a similar niche, ride the youtube algorithm and build their own audience of paypigs. Innocently, Lola asks but what about the
meaning behind TUG's videos - isn't it saying something about cancel culture and its hold over the mainstream that even someone with Johnny Depp's wealth and status can be cancelled by Amber Heard? Leroi answers succinctly: No - it means you shouldn't dump your family to fuck crazy people.
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After this speedbump, things start going closer to how Lola would prefer them - an unbroken string of puerile and graphic sexual humor shared with a group of men when, out of nowhere, Philip Zaid interjects with something that's been on his mind. Apparently, Philip Zaid's girlfriend had warned the writing half of the Zaid Brothers that Lola is a catfish, her behavior no doubt setting off all sorts of red flags. Lola reacts to this by laughing nervously. And yet Zaid appeared anyway. Fellow kiwi
@Unverified has gone on record describing
Magic Cop as the product of an inferior mind; this exchange has confirmed that analysis more than any review of his work ever could.
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Another rocky moment was when Leroi made the unfortunate mistake of referring to mailboxes when making a joke about late books, not knowing that "mailbox" is a trigger word for Lola.
But other than that it was a fairly congenial discussion of the virtues of sex with pregnant women, looking at semi-pornographic covers, discussing how the problem with Comicsgate streams is all the "drama" and how out of it they are. But in the end, there were many plot threads created with this debut episode of Lola's program, mainly:
- Will Lola get a hold of Philip Zaid's dick pic?
- Will any of the guests eventually realize who Lola is?
- Will Lola initiate sexual relations with one if not all of her show regulars?
- Will TUG make an appearance on this show if it fails to take off
Only time will tell
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