I know the CG faithful will try and claim that two data points don't point to a trend, but I've theorized that all the CG infighting and posturing is ultimately deleterious to productivity. The ones that don't engage in that, and knuckle down at the work bench, are the ones shipping on time.
I wouldn't say so. Though a distorted picture may come across to people who mostly just follow this thread, where I forego the nothing that went on in the latest JACK show that had 800 people in favor for something much more interesting like the inaugural Lola Meatz stream (where Phil Zaid is wondering if Lola is a catfish) that had 12 live viewers, badly faked DMs of Nasser Rabadi that got 15 likes by WC on twitter, or for that matter Preston Poulter's cease and desist filed at Vikki's partner in CG drama-aggregation DA Talks,
Overall though, I'd say right now there's the least infighting within Comicsgate at large than there has been since the founding of the movement, as Frog has declared to a weary people his vision of Comicsgate society as a form of Darwinist, free-market pluralism. It's a move that has been generally welcomed as old figures like JDA and Nasser return and others that walked away like
Doug Ernst or
J. Ishiro Finney seem more likely to both extend and be extended invitations from CG people once again. Even Mike S Miller
made an appearance on the JACK show recently. There are exceptions to the acceptance of this new order, chiefly among fanatics like Sketch Therapy and Liam Gray as well as cliques that were formed during earlier times when the lines of division were much more distinct.
While Preston's actions get noticed, at the end of the day it's everything the "faction" can do to total past $10K in funding, placing "the Opposition" to the CG establishment somewhere around the
Wart the Wizard franchise in terms of demonstrative economic clout. Guys like Dan Fraga or Graham Nolan by contrast are nearly invisible here but in terms of success and backers outnumber anything that could be described as "Anti-CG" dozens of times over.
Yet despite all this, there's been no commensurate surge in productivity. My own theory is that it's more an inherent issue with the choice of media used to build a customer base to self-market their comics (Youtube); campaigns are temporary in nature, while the need to maintain one's painstakingly built youtube following with a steady supply of content is continuous and neverending. Though one wouldn't expect it, the average Comicsgate project time span between campaign launch and campaign fulfillment is a little over 6 months (191( days); it's just that the most heavily marketed projects run on significantly longer.