Cash Grab is 242 days late which, added to its launch date on January 21st, 2020, means that two days ago the especially credulous lent their easily parted money on launch date have entered their
600th day of waiting for delivery of the 64 page "graphic novel". That said, nobody still around in that circle of Comicsgate seems to care when or if they'll get the book or not.
As noted in the "Opened" column, all but one of Comicsgate's top 12 campaigns since 2020 were launched in 2020, the only exception being Frog's action figures. Unless you don't count that since it's not a comic book, then a total of zero CG 2021 crowdfunds have cracked the top 12 of Comicsgate 2020 (although Jon Malin's
Godlike will eventually get there). Also notable about the top 10 of 2020 is that of the 9 who's delivery date has come and gone, only 3 have fulfilled. Of those 3 that fulfilled, two were reprinted material (
Warts and All and
Unfrogettable Tales).
Comicsgate isn't about comics. Its about e-celebrity and youtube shows. People buy the comics to support the shows & personalities just like people make donations to National Public Radio and get coffee mugs. The fans don't care about the comics anymore than the people making the comics care about them. They are not paying $100 or $200 & buying endless multiple copies of the same books because they love the stories.
Crowdfunding independent comics for a non-living wage has always been possible for anyone that wants to do it. The alternative in this case though is trying to eke out a career while permanently blacklisted in a dying niche of an industry, so my stance is that beggars can't be choosers. Delivery of comics I'd argue does seem to matter somewhat, given that Graham Nolan, Art Thibert, TUG (as well as Tim Lim and Doug Ernst) and now Shane Davis', having fulfilled what they promised on time, are on an upward sales trend and raising more with their current campaigns, contrasted against Richard Meyer's non-fulfillment reducing his business to a fraction of what it was (Dan Fraga just passed
Jawbreakers: Grand Bizarre this month, something that would have been an absurd suggestion in 2019 CG). To say nothing between the health of 2020 and 2021 overall. Getting people's attention by being an e-celeb and then selling them a comic is one set of skills, retaining them by delivering what was promised is another.
Frog's sustained success (
Bloodhoney was extremely late yet
Rekt Planet undeniably outformed it) flies in the face of this and I concede supports your stance of e-celeb over delivery primacy, but it remains to be seen if Frog is retaining customers or possibly operating on a
net surplus between the churn of new people being brought in through his youtube channel vs people leaving due to wait time. He does well now; maybe if his output was more reliable that surplus would be higher and he'd be doing better.