I wonder why this particular association should exist though. All these elements are part of human existence already now. Is it maybe a kind of coping mechanism to imagine this oppression and suffering in a futuristic setting in an attempt to convince oneself that it is still okay now when it isn't? These stories sound to me like stories from today, except with cybershit.
I can replace 90% of my body to the point I'm a walking brain in an artificial body, looking and being whoever I want? I can upload my consciousness onto the web, literally converting myself into a digital version? or put it differently, how would you ask "what makes me
me, or human to begin with" in a contemporary setting?
it's fiction, and depending on the point you want to make with your story your use certain settings and themes, that's why you don't see a lot of cyberpunk romantic comedies, or have the story set on some ranch in bumfuck montana.
Because many cyberpunk creations have an over the top "corporations control everything" message. You saw it in Neuromancer, you see it in Blade Runner, you see it in every cyberpunk game, movie, and tv show. It's always only a surface level basic bitch socialist style critique of "the system", and it always skips or ignores the parts where it goes from $Current_Year to $Future_Year with maybe an apocalyptic event to handwave a lot of worldbuilding.
it's not a message, it's just a backdrop. it doesn't make much sense trying to say MUH CORPS when
everyone and
everything is fucking shit. it's a dystopia for a reason, no one fucking cares how bad something is when everything sucks and you suck too (the protagonist, not anyone specifically).
Cyberpunk is absolutely a grim setting. It's why raining and perpetual blackness of night are the favored themes.
Also, I've noticed there are similarities between cyberpunk and good kvlt black metal. As catchy as it is, this EDM shit doesn't really fit. It's not supposed to be a "gather friends together and go to the club all happy" atmosphere.
No it's a cold, dark, isolating existence, the grittier the better like kvlt. Also leather, face painting. I just think a lot of people have gotten the music and atmosphere wrong.
Okay I'll take my much-deserved puzzle pieces now.
well, it makes sense when you see where cyberpunk comes from. most authors probably consumed quite a bit noir and hardboiled fiction growing up, then they just put a transhumanist philosophical spin on it. you certainly can make it work with sunshine and daylight (most people are prolly gonna suck at it), but it's much easier to go with bleak and high contrast during nighttime (which brings it's own assumptions/expectations with it). one of the reasons people gave cdpr shit for the "it doesn't have to be at night" marketing.
as for the music, it plays in the future and the future is more digital and electronic, is it not? and blade runner had a vangelis soundtrack, so there's that.
but seriously, from the top of my head they mostly have both, the "clean" corps on one side and the dirty underbelly of society on the other, so "clean" programmed, electronic impersonal music, contrary to the crassest loudest "free" shit you could imagine. heck even cp2077's own material follows that with the rockerboys etc, even if you don't see that much of it in the end.
not much self-expression when you're a corporate drone basically.