DC Comics Multimedia General - A crisis of infinite fuck ups

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Episode just made me think of this tweet:
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Except instead of cats Rick Flag is feeding ARGUS agents to other dimensions.
 
Wtf is up with media sucking lately?

South Park sucks now, Alien Earth was garbage, Lots of cartoons getting terrible reboots or simply refusing to die. Movies are no longer talking points among people cause most of them are so unremarkable or unrecognizable to the general public.

James Gunn humor and writing is general faggy and retarded, but peacemaker was way more coherent back then. What happened bruh?
 
Wtf is up with media sucking lately?

South Park sucks now, Alien Earth was garbage, Lots of cartoons getting terrible reboots or simply refusing to die. Movies are no longer talking points among people cause most of them are so unremarkable or unrecognizable to the general public.

James Gunn humor and writing is general faggy and retarded, but peacemaker was way more coherent back then. What happened bruh?
I remember watching a video essay about how comedy as a movie genre died, and it basically boiled down to talented people now using the internet to make videos and podcasts by themselves rather than working within the industry. I would assume something similar is happening currently to other parts of Western media. Thanks to the internet, we have countless people making comics, cartoons, music, etc. by themselves without being part of any major company. This decentralization means most stuff produced tends to have a niche appeal, and their creators generally build a specific audience around that. There's an enormous amount of media that will never hit mainstream popularity, and their creators are content with that.

Major media giants trying to play things safe doesn't help either. All the talented people are now outside the industry, and they enjoy the fact that they can do whatever they want and no one can say no to them, which means they are not willing to sanitize themselves for the sake of mass appeal. For example, streaming services are now desperate enough to reach out to people who make indie cartoons, and most of them either say no or demand complete obedience with their terms. These major companies are basically left with mediocre people with mediocre interests and older figures who are past their prime and have grown slowly out of touch with modern culture.

Another consequence of this is that talented people are no longer concentrated at a single spot, and they have access to way fewer resources. While the thing they make can be considered good, sometimes great even, this weakness limits their success to a major degree. Another few reasons why major companies still can outcompete them is because more people know about them and they have more funds. Reboots are done for the same reason, because people knew about them before.
 
Was that seriously the finale? What the fuck even happened this season? It felt like they were still putting pieces on the board but the game’s already over???
 
I'm half way through the final episode and it and like I've missed an episode or something. It has very little to do with the overarching storyline
 
Wtf is up with media sucking lately?

South Park sucks now, Alien Earth was garbage, Lots of cartoons getting terrible reboots or simply refusing to die. Movies are no longer talking points among people cause most of them are so unremarkable or unrecognizable to the general public.

James Gunn humor and writing is general faggy and retarded, but peacemaker was way more coherent back then. What happened bruh?
Large mix of factors, though I will be repeating and building off of @The Wise Shaman

The writers strike back in 07 basically killed entertainment. Tons of legendary writers were dismissed and let go as companies brought in new Millennial talent for cheaper. Consider this a good starting point, though many issues begin way earlier.

Cliques are a large part of the entertainment landscape, both in the past and especially now. Entire sectors have a central group overseeing it that act as a wall blocking any new talent from coming in. A good example of this is animation. Cartoon Network and Disney have been hiring from the same pool of Tumblr friends since FlapJack in 09. By hiring the same pool, you get similar results, and if the original sucked, that means all that comes after sucks. Since companies now rarely scout new talent, they get stuck in a cycle of friend-of-a-friend that keeps the slop coming.
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Furthering the above, you have the company takeovers. Using my animation background again, Pixar went to shit because the young animators made allegations to purge the old then filled the ranks with yes men. You can never save current Pixar as everything was designed top-to-bottom to prop up the unskilled lords and keep them in charge.

Going even more into how the above happens, you have the DEI initiatives and nepo-babies. Tons of entertainment employees got into the industry for anything but skill, yet were shot to the top because the company needs a black ceo or the person is well connected. Once these types bullshit their way to victory, that is how you get the cliques and back stabbing of above.

To top off all of this and circle it back around is management. Far too many CEOs are treating companies like replace-able assets, hardly giving a fuck what goes down on the ground level. Many are in it to make quick cash in a 2-3 year time span then gtfo. Disasters like Joss-tice League exist because Warner was going through a merger and all the big wigs wanted a quick payout before fucking off, so they shit out that abomination before it was ready hoping for that big yearly bonus. So many of the problems stem from the current state of absent CEOs. Of course DEI takes over, it’s just quick money (Gov and Black Rock) for a Warner Ceo to grab before leaving the company as it bursts into flames.

Past this, holy fuck there are so many issues, where does one even begin?
  • Woke culture - basically kills everything by trying to make it inoffensive and in-line with current liberal values.
  • Globalism - Gotta have products appeal to all cultures, we need that China money! Really, if it wasn’t woke culture, comedy died when we decided everything needs to appeal to China-man across the globe with no frame of reference as to why an American comedy is funny.
  • High Budgeting, yet Massive Cost Cutting - We are in a weird anomaly where companies are spending more than ever, yet also being as cheap as possible. When you look at projects like the MCU or Invincible, it is pretty clear the budget is going more towards celebrities and likely money-laundering than any meaningful aspect of production.
  • No More TV/Movie Distinction - As TV became more Hollywood like with Breaking Bad and Game of Thrones, the need for films to be a spectacle became higher, pushing old film types out. You can’t do a Scorsese film as it isn’t impressive anymore now that TV does it.
  • Over-Reliance on IP - Following the previous two, with higher costs comes more risk, so established IP becomes the norm. Adding is that new creators suck, so established IP sucker in the gullible.
  • Assembly-Line Production - Adding to everything is the fact that films are being made without any actual creator yet selected. Marvel mainstreamed shitting out films where the premise comes first, vision second. Now creatives are basically contractors just there to fine tune the details of Thor Ragnacock since Marvel already announced new Thor. With Marvel & Star Wars, Disney has been egregious about announcing films with no actual script yet just to keep the content mill going.
TLDR - Hollywood is a death by a million cuts. I probably only scratched the surface of the plethora of dipshits, money-laundering, child grooming and other shit weighing the industry down. @The Wise Shaman is correct about the internet, but even without, this industry is not going to get talented people. The rot is so deep at this point that it seems like creatives were more-so forced to YouTube than just went for more freedom.
 
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Double post, but some news..

Apparently Gunn wanted Ryan Reynolds’s as Deadpool to cameo in Peace Maker


DC new crossover comics incoming with The Boys, Mortal Kombat, Beneath The Trees Where Nobody Sees, The Conjuring, Red Sonja and Vamperella.
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That’s a lineup I suppose….

WTF is with the Bear, I have only heard of her through some YouTuber explaining the story. Never would have guessed it would be this popular.
 
Was that seriously the finale? What the fuck even happened this season? It felt like they were still putting pieces on the board but the game’s already over???

I'm half way through the final episode and it and like I've missed an episode or something. It has very little to do with the overarching storyline
I had assumed after last week that there were three episodes left, it pretty much felt like that point in the arc. That ep 8 would have a vengeful Keith come to earth, do something really bad and threaten worse. Then a two part finale. I was surprised that 8 was the finale as it didn't seem like enough time to build a threat and wrap it up. About 15 minutes in, I was wondering why the fuck I was watching a tiny lollipop land gremlin hump a man's helmet instead of any story happening.

Even the story it did give lip service to wasn't a story. Bordeux and Harcourt go to Adebayo to figure out what to do about the alt-universe prison. They find Peacemaker, using a chip in his head that Argus could have found him with at any time - negating the whole plot earlier in the season about Harcourt having to betray him for Argus to find him. Then they set up a new office and slow mo walk out of it, their whole plan to deal with Salvation being to just ignore it. Then Peacemaker gets banished into it, the end.

Except you guys, do you see what Gunn did there? Peacemaker got jumped by agents and deported!!!!! Just like ICE does to the poor sweet doofus illegals.
 
WTF is with the Bear, I have only heard of her through some YouTuber explaining the story. Never would have guessed it would be this popular.
I didn't know it was that popular, but to be fair, it's quite a good read. The first series deals about the bear and how she kills people, until a copycat emerges. She's a no-nonsense villain protagonist with no redeeming traits, which is refreshing in today's woke media. You'll wish she ends badly, and maybe she does in the currently ongoing sequel. I dunno how she fits in the DC multiverse since she's still a regular woman, using tactics to win against her foes. Oh, and she's a bear indeed, but she ain't a furry: Even though every character is an anthro animal, they behave like regular people. This may or may not be a way to show how the she-bear sees people.
 
I didn't know it was that popular, but to be fair, it's quite a good read. The first series deals about the bear and how she kills people, until a copycat emerges. She's a no-nonsense villain protagonist with no redeeming traits, which is refreshing in today's woke media. You'll wish she ends badly, and maybe she does in the currently ongoing sequel. I dunno how she fits in the DC multiverse since she's still a regular woman, using tactics to win against her foes. Oh, and she's a bear indeed, but she ain't a furry: Even though every character is an anthro animal, they behave like regular people. This may or may not be a way to show how the she-bear sees people.
I thought the cutesy anthro art was supposed to be a gotcha.
 
If Gunn can get the Green Lantern/Huckleberry Hound or Flash/Speed Buggy or even Aquaman/Jabberjaw crossovers made (and stick to the comic book stories), I'd probably spend the time to pirate them.
 
If Gunn can get the Green Lantern/Huckleberry Hound or Flash/Speed Buggy or even Aquaman/Jabberjaw crossovers made (and stick to the comic book stories), I'd probably spend the time to pirate them.
If we are adding crossovers, I need my DC/Cartoon Network crossovers as well. Given Warner owns both, I'm shocked they never thought to do a full series of this. The two already collide frequently outside of comics.
 
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, Beneath The Trees Where Nobody Sees
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Admittedly, it is quite humorous that Sam Strong ultimately appeared as a guest fighter in Mortal Kombat before the fan-favorite suggestion of Dexter Morgan. This development seems to confirm certain expectations.
James Gunn humor and writing is general faggy and retarded, but peacemaker was way more coherent back then. What happened bruh?
Regarding that matter, Doomcuck, Midnight's Edge, and Yellow Flash appear to have produced similar responses regarding James Gunn's initiatives, ostensibly framing the DC Universe as based, red pilled and not woke, despite the overt references to the Palestine and Israel conflicts.
 
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Admittedly, it is quite humorous that Sam Strong ultimately appeared as a guest fighter in Mortal Kombat before the fan-favorite suggestion of Dexter Morgan. This development seems to confirm certain expectations.

https://youtube.com/watch?v=zVXihqbDbKchttps://youtube.com/watch?v=peeastGnOlARegarding that matter, Doomcuck, Midnight's Edge, and Yellow Flash appear to have produced similar responses regarding James Gunn's initiatives, ostensibly framing the DC Universe as based, red pilled and not woke, despite the overt references to the Palestine and Israel conflicts.
I like Midnight's Edge generally, but they're just plain wrong when it comes to James Gunn and Zaslov.
 
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