- Joined
- May 21, 2023
Why do these people always feel off to watch?, And i'm not talking about this specific wendover aparition, Tom Scott also gives me an off feeling strong enough to not watch his videos
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You should see what's going on with In Praise of Shadows. He just made a video with a segment antagonising Wendigoon of all people, and he looks... exceptional to say the least.Why do these people always feel off to watch?, And i'm not talking about this specific wendover aparition, Tom Scott also gives me an off feeling strong enough to not watch his videos
View attachment 6022935
Just saw the comment secction of that video and yikes!, dude is being cooked alive and being pointed out for his bullshit so hard that even Wendigoon himself has put up a comment begging people not to harrass himYou should see what's going on with In Praise of Shadows. He just made a video with a segment antagonising Wendigoon of all people, and he looks... exceptional to say the least.
They better not stop until he flogs himself HAHJust saw the comment secction of that video and yikes!, dude is being cooked alive and being pointed out for his bullshit so hard that even Wendigoon himself has put up a comment begging people not to harrass him
Channel Name | Creator(s) | Nebula Original? | YT Subs | Patreon Subs (pd) | Podcast(s) | Troon? | Notes | TikTok | Discord | Twitch | ||
12tone | Cory Arnold | 723k | Private | Ghost Notes (defunct?) | Y | Mastodon, Bluesky. Podcast with Polyphonic. They/them. Also @razorborne on Twitter | 26.3k | Y | ||||
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Simon Clark | Simon Clark | 527k | 903; $3612+ /mo | How to Make A Science Video | Podcast w/Sophie Ward. Simonoxfphys.com | NA | 36.3k | Y? | NA | Y | ||
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Soph’s Notes | Sophie Ward | 29.1k | 48; $164+ /mo | How to Make A Science Video | ? | Podcast w/Simon Clark. Handmaiden lesbian w/bad man-face. | 2056 | 1363 | NA | NA | ||
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Spectacles | Harry, Philip | 146k | Private | spectacles.news. | NA | NA | NA | Y | ||||
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Strange Parts | Scotty Allen | 193M | Private | strangeparts.com. Mastodon. Brain injury. | 49.7k | 29.8k | 41k | Y | Y | |||
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Super Bunnyhop | George Weidman | 434k | 310; $892.30 /mo | Bunnyhop Book Club Dad & Sons | 30k | NA | NA | NA | Y | |||
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Tale Foundry | Benjamin Cook | 1M | 273; $932 /mo | thetalefoundry.com | 4219 | 6032 | NA | Y | ||||
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The Climate Denier’s Playbook | Climate Town (Rollie Williams) | NA | 469; $2345+ /mo | The Climate Denier’s Playbook | Podcast only, with Nicole Conlan. Climate Town has 566k YT subs, 4250 Patreons ($21250+/mo) but is NOT listed on Nebula | RW: 16.6k | NA | NA | NA | |||
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The Royal Ocean Film Society | Andrew M Saladino | 311k | 73; $151.60 /vid | andrewsaladino.work | 3655 | NA | NA | NA | ||||
The Science Asylum | Nick Lucid | 675k | 1110; $1110+ /mo | scienceasylum.com; cow tendencies | 5237 | 1798 | 29.2k | NA | ||||
The Thought Emporium | Justin Atkin | 1.77M | 558; $1722 /mo | thethoughtemporium.ca | 12.2k | 157k | 280.8k | NA | ||||
TheAMaazing | Maaz | 1.29M | 5; $10+ /mo | Pakistani-Australian medical doc and animator | 149.8k | 149k | Y | Y | ||||
Thomas Flight | Thomas Flight | 1M | 317; $951+ /mo | thomasflight.com; thomasflight.substack.com | 9475 | NA | NA | NA | ||||
Thomas Frank | Thomas Frank | 2.97M | NA | Cinema of Meaning* Odd Time The Inforium** | Nebula co-founder. Also Thomas Frank Explains, YT subs 238k. *Podcast Nebula original with Tom van der Linden **With Martin Boehme | 139.7k | 110k | NA | NA | |||
Tier Zoo | Patrick Lacey | 3.73M | 385; $385+ /mo | 125.5k | 12.8k | NA | NA | |||||
TLDR News (UK) | Jack Kelly, Zac Michaelis | 752k | Private | The Daily Briefing* The Editorial* TLDR News Podcast* | TLDR News EU has 810k YT subs. *Nebula original | NA | 37.2k | NA | NA | |||
Todd in the Shadows | Ken Munson | 582k | 3501; $7962 /video | Song vs Song | aka "Todd Nathanson". Podcast with Dany "Alina Morgan" Roth | 112k | 3828 | NA | NA | |||
Tom Nicholas | Tom Nicholas | 525k | 416; $832+ /mo | Induction | 21.2k | NA | NA | Y | ||||
Trace Dominguez | Trace Dominguez | 88.2k | 24; $48+ /mo | That’s Absurd Please Elaborate | Video producer and writer. PBS (Lindsay?). Tracedominguez.com | 17.7k | 8216 | NA | Y | |||
Up & Atom | Jade Tan-Holmes | 728k | 319; $638+ /mo | NA | 14k | NA | NA | |||||
Volksgeist | Philip Damico | 406k | NA | Nebula Cofounder (insecure) | 5000 | 6544 | NA | Y | ||||
Welcome to Macintosh | Mark Bramhill | NA | NA | Welcome to Macintosh (defunct 201 | Podcast only; https://www.macintosh.fm/ on Apple & Spotify | NA | NA | NA | NA | |||
Wendover Productions | Sam Denby | 4.52M | Private | Extremities (defunct) Showmakers* | Nebula Chief Content Officer *Podcast with Brian McManus from Real Engineering; Nebula original | 84.1k | 30.2k | NA | NA | |||
WonderWhy | ? | 860k | Private | 4187 | NA | NA | Y | |||||
Zach Highley | Zach Highley-Gergel | 482k | NA | The Zach Highley Show | zhighley.com, Skillshare | 2225 | 15.8k | NA | NA |
Indeed, he is a lolcow.
Not Just Bikes Jason Slaughter1.22M Private The Urbanist Agenda Insufferable. Mastodon. Canadian living in NL, likely cow
I am not at liberty to access my pc atm, but when I do, would you be alright if I added this to the OP with credit?Here's some concentrated autism in the form of a table/spreadsheet of every creator listed on Nebula
Sure.I am not at liberty to access my pc atm, but when I do, would you be alright if I added this to the OP with credit?
Elaborate on this one, probably a petty reason?Jill Bearup (fired for basedness)
Yes. People smeared her as a "transphobe."Elaborate on this one, probably a petty reason?
Literally earlier the same day:
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View attachment 2834378View attachment 2834380View attachment 2834381Jill Bearup fight scene video « Tom Scott
www.tomscott.com
She resigned from Standard and her videos are no longer on Nebula due to the controversy of her being a sane human. Both she and Tom Scott were signed to Standard and that was part of why the collaboration came about, but the trannies freaked out. Scott has 4.82M subs on YouTube and Jill Bearup has 355K; I'd never heard of the guy but him having that many subs explains why Lindsay got smacked down for trying to get him in woke-trouble. I'd never heard of Jill Bearup before either but her videos are great, much recommended for fighting and swords and things.
Maaan, is so sad to see someone wholesome like Tom Scott being a massive pushover when it comes to leftists politics, maybe he just is the "what makes me look right at this time in history" type , maybe he is the devil in disguise or just simply a person that is blindly trying to to be good, either way is plain disheartening how contemporary issues makes people do these thingsYes. People smeared her as a "transphobe."
With the rise of bundles, more looming strikes, and a crawling production schedule, the future of the working class in Hollywood looks grim.
While many of us are glancing at our crystal balls and Deadline articles for advice on what happens after the current contraction, a select few are trying to build a better future. And that future looks like Nebula.
What is Nebula? It’s a streaming platform whose tagline is “Creator-built and creator-owned.” For just $5/month (or $50 a year), subscribers get access to hundreds of creators who post regularly on the site, with a focus on high-budget exclusive pieces.
Nebula then gives 50% of the platform’s profits to those creators, divvied up based on view time. Nebula also sponsors the creators to advertise Nebula on YouTube. It functions a lot like Patreon, but at Nebula the laborers themselves get a piece of the action and are incentivized to grow Nebula.
The more subscribers Nebula has, the more money it can pay creators to advertise. The more creators push new consumers to Nebula, the more profits they get from the company’s growth. This cycle is central to the platform’s survival and promise of “Creator-built and creator-owned.” And it’s working.
There are other platforms that are trying to find creative ways to stay out of the streamer wars. Odysee, a blockchain-based streamer, pays creators with their own cryptocurrency. Floatplane allows creators to set their own subscription prices. Each platform, including Nebula, requires advertising on other platforms, such as YouTube, to bring viewers into the ecosystem.
But Nebula keeps gaining momentum. 2023 was a banner year for the platform. It had almost 700,000 paying subscribers by the end of last year. Bucking current market trends, Nebula unbundled from its biggest investor, and offered more expensive subscription tiers to bridge the gap, which customers signed up for in droves. The platform is currently evaluated at over $150 million.
What would it look like if Nebula became independent from its YouTube marketing push? A great example would be Dropout. Most of their advertising comes from free social media clips and word of mouth, which helps keep production costs down and creates a community culture where the creators and viewers feel like they’re building this together. Last year, Dropout shared profits with every person who worked on a show throughout the year — and even every actor who auditioned.
Dropout may be a single indie studio, while Nebula’s platform hosts creators from all over the world. But success at Dropout has shown the industry that creator-first businesses can thrive culturally and economically without outside help. Nebula may soon have the chance to be the largest labor-owned marketplace on the web that stands on its own merits.
Which brings us to the dangers in the future. Nebula can easily be picked up by Amazon and become another tile just like any other streaming platform. The creators would have to sign off on the sale, and they would split 50% of the profits from it, but there is no knowing how their new overlords will treat this creator-first mentality.
Of course, there are countless stories of startups and disruptors that replace pre-existing business structures only to replicate them; Netflix is just one of the latest examples. Should Nebula become self-sufficient and no longer need to advertise on YouTube to survive, it could absorb channels in a bid to grow its content offering and become over-bloated.
Nebula currently has a growth strategy and is throwing money at its creators, but at some point, the business might switch to a profit strategy as all successful startups focused on growth do. If that moment comes, Nebula will have some questions to answer about where, and on whom, its money is best spent. The founders of Nebula, when forced to choose, could place the creators in a tier-based revenue system that more lavishly rewards those at the top, or do away with revenue sharing for good.
It’s entirely possible for services like Nebula to go sideways. Nebula can be a safe harbor for niche artists who can’t bring in the astronomical and sometimes mysterious numbers that larger networks and streamers are looking for, or it can turn into the next Netflix. That’s why creators have to fight for it.
Large businesses don’t protect their workers; not even Scarlett Johansson is safe. With shows being taken off streaming services left and right, and AI here to stay, the rights and wages of artists, even those won in the strikes, may already be in danger.
Banded together, creators and viewers can keep services like Nebula alive. Revenue sharing lets audiences directly support the artists they love; supported artists make more content for the platforms; and a growing platform brings in more audience. This intertwining of the audience, artists, and platform may be the best way to keep working-class artists afloat.
Nebula may look like any other streaming service, but this creator-first system could be the future of economically sustainable art. A future in which the art pays the artists, and not just the people who own the servers. And that future is now.
Think you can grow a $100,000 minimum viable product into a $150 million business? Nebula did it – without any venture capital funding.
In just 4 years, the innovative video-streaming platform grew from around 4000 subscribers to over 600,000 paying subscribers. While on the surface, it may look like any other streaming platform with exclusive content, an ad-free watching experience, and a huge catalog of shows, Nebula’s inner workings are what sets it apart from the rest.
So how exactly is Nebula different than the video-on-demand streaming platform giants we use? Sam Denby from Wendover Productions revealed in a video how he, and several other creators, launched Nebula.
Nebula is a video-on-demand streaming platform that former YouTube freelance sponsorship agent Dave Wiskus and many famous YouTubers founded. The platform hosts informational and entertaining mini-documentaries, classes, and podcasts on various topics ranging from geopolitics to movie analyses.
Some of the famous YouTubers who founded the platform include Wendover Productions, CGP Grey, Real Engineering, and Real Life Lore. Today, the group of creators on the platform includes some of the most popular YouTube channels like LegalEagle, Johnny Harris, Extra History, and over 100 other creators.
In an interview with The Verge, Nebula CEO Dave Wiskus compared the platform to being an “expansion pack to YouTube” instead of being a direct YouTube competitor. Why?
Nebula subscribers have access to additional exclusive content made by the YouTube creators they already watch and subscribe to on YouTube. Branded as “Nebula Originals,” these documentary-style videos give YouTubers a chance to create videos on topics they want to cover – topics that may not do as well on YouTube.
Additionally, subscribers can also get advance access to some videos before they’re uploaded to YouTube. One popular TV show that Nebula subscribers get early access to is Jet Lag: The Game – an Amazing Race-style travel competition that sees YouTubers Sam Denby, Ben Doyle, and Adam Chase race each other all across the world accomplishing certain tasks.
Now, all of these make Nebula seem like just like any other on-demand streaming platform. Netflix and Amazon have their own exclusive original shows, just like Nebula. Audiences can just wait for the YouTube release of videos instead of subscribing to the new streaming platform.
But Nebula innovated three key aspects of the regular streaming platform business model to set itself apart from YouTube and other platforms.
Over the past few years, numerous paid streaming platforms have failed.
CNN+ shut down in April 2022, just one month after Warner Bros. Discovery launched the paid streaming platform. Shortform streaming platform Quibi closed in 2020, just under a year after it launched.
But Nebula managed to stay afloat despite these failures. It has rapidly grown since it started in 2019. Here are three ways it innovated the streaming platform business model:
1. Creators Are Partners Not Service Providers
One of the main problems for creators earning solely through YouTube is that earnings from views are not enough. This is why creators commonly supplement their YouTube income with sponsorships or ad placements on their videos.
Thus, Nebula’s creators wanted to fix this. How?
Nebula proportionally distributes 50% of its profits to the content creators on the platform. Furthermore, the content creators are entitled to half of what the company sells for in the event its owners decide to sell Nebula.
“We developed a system where 50% of Nebula profits were distributed to creators including, crucially, if the platform were to be sold. That means if one day the platform were to sell for, let’s say a billion dollars, the creators would get half of that,” said Denby.
Effectively, Nebula doesn’t treat each creator as just a service provider. The platform sees each creator as a partner in their continued success and growth in the future.
Logically, this makes sense – the platform is nothing without the hard work of its hundreds of creators. Thus, giving each creator a stake in the company’s success is only fair – giving each creator a direct role to play to ensure the future success of Nebula while, at the same time, fairly compensating them for their work.
2. Allows Creators To Earn From Videos That Wouldn’t Perform Well On YouTube
On YouTube, the revenue-generation potential of a certain video is fully in the hands of advertisers and the platform itself. Whether a creator’s hard work translates into revenue is more or less out of their control.
In the past, YouTube demonetized many creators for swearing within the first few seconds of a video and for a variety of other issues – including covering topics on a list that the platform deems as not “advertiser-friendly.”
Videos that cover the topics on this list have a high chance of having limited or no ads – severely limiting the revenue-generation potential of that content, in turn, discouraging creators from creating content on these topics. Thus, videos that touch on or contain violence, inappropriate language, controversial issues, sensitive events, and more will most likely not perform well on YouTube.
But many audiences on YouTube still want to watch content on these topics – leaving a gap in the market. Nebula’s unique profit-sharing model allows creators to continue producing content on these topics – satisfying their audiences while still ensuring that their hard work would result in monetary compensation.
“We have control of how it all runs, and we can produce content that wouldn’t necessarily work on YouTube, like full-on original productions or exclusives, with more of a premium vibe,” said Wiskus in an interview with The Verge.
3. Carved Its Own Niche In The Sea Of Streaming Platforms
Instead of directly competing with other streaming platforms like YouTube, Netflix, and Amazon Prime, Nebula found its spot in the market.
Its value proposition doesn’t lie in the ad-free watching experience or the early access to videos – that’s just YouTube Premium. It lies in the higher-budget content that content creators exclusively release on Nebula.
While that sounds like any other streaming platform like Netflix with its multi-million dollar TV shows and movies, Nebula puts a spin on it. The content on Nebula is mostly educational and informative – with an emphasis on short 20-minute long documentaries to multi-episode long analyses on current issues.
Nebula also has another ace up its sleeve – the millions of followers and subscribers that its content creators already have outside the platform. Unlike Netflix, Amazon Prime, Hulu, and many other streaming platforms that mostly rely on a movie’s or TV show’s name recognition, plenty of Nebula’s creators already had pre-existing audiences.
Of course, a fraction of these subscribers would be willing to pay a few dollars a month to gain access to more content from the creators they love.
A $150 Million Success Story
All of these have created a multi-million dollar success story in a space where dozens of platforms and companies have failed.
Denby shared in a video in 2023 that Nebula has a conservative valuation of around $150 million – an astonishing feat considering that Nebula’s minimum viable product only cost around $100,000 to get up and running in 2019.
From 2019 to the present, a variety of factors led to the booming growth of Nebula.
For starters, early in its growth, it found great synergy with what seemed to be a competing platform. Just a few months after its launch, Nebula started offering a bundle deal with Curiosity Stream – a streaming platform that Discovery Channel founder John Hendriks created.
Denby described Curiosity Stream as a similar platform that also offers non-fiction content but appeals to a “different, complementary market.” The bundle deal, where audiences could get free access to Nebula by subscribing to Curiosity Stream, rocketed Nebula’s subscriber counts.
Needless to say, the 2020 lockdowns further boosted Nebula’s subscriber counts with the rise of demand for video-on-demand platforms. However, there were some failures along the way that helped the platform get to where it is today and show why iteration is important in any innovation and new product-building process.
In early 2022, Nebula began offering paywalled classes that users had to pay extra to access, on top of their regular Nebula subscription fees. But, they offered these classes a little too late as the world was reopening again and the demand for online classes was falling.
Thus, its experiment didn’t perform too well. “The problem was, the concept just wasn’t resonating with customers,” said Denby. So, content creators refocused on creating more Nebula Originals videos and the platform started offering classes at no extra fee for subscribers.
Nebula is also testing new approaches to its marketing campaigns on YouTube. The platform started running ad blocks on content creator videos that have driven even more signups – with plenty of new subscribers opting to pay for their annual subscription on day 1.
The platform doesn’t show any signs of slowing down and it is interesting to see how its innovative business model will revolutionize the video-on-demand streaming space. “We have learned so much so now, we understand what people want and have a company configured to offer that,” concluded Denby.
Streaming giant Spotify and creator-focused Nebula are teaming up on a video content initiative.
The partnership will bring videos from Nebula to Spotify’s 615 million-plus global users. Terms of the agreement were not disclosed.
Creators who are part of the initial Nebula slate include CinemaWins, Charles Cornell, Hello Future Me, Captain Midnight, Tale Foundry, Game Makers ToolKit, Todd in the Shadows, Adam Neely, The Closer Look, FD Signifier, and Kat Blaque.
While Spotify has previously explored original video, only to later back away from the space amid a cluster of new competition and a need to streamline and refine its focus, the new partnership fits its current strategy of embracing the creator economy. Across its other businesses, the company has shifted toward creators after a number of talent deals with more conventional names yielded mixed results.
“Creators are at the core of everything we do at Spotify, so we are eager to partner with Nebula, a creator-built and creator-operated platform, to bring this content to our users across the globe,” said Jordan Newman, Head of Content Partnerships. “Video greatly deepens our creators’ engagement, growth and retention with their fans—so we are thrilled to introduce such an innovative and diverse slate of video content to our audience.”
Nebula’s content will be hosted on Spotify for Podcasters, Spotify’s all-in-one hub that provides podcast and video creators with tools for community building and fan engagement. With more than 2.5M video episodes already on Spotify, the partnership is a natural extension of Spotify’s emphasis on video podcasting,” a press release said.
“Nebula is home to so many talented and thoughtful creators. It’s important for us to build partnerships that highlight the amazing work our creators are doing,” said Nebula CEO Dave Wiskus. “Spotify gives us an opportunity to expand our reach, not just in numbers but with the exact kind of audience who would most enjoy what we do.”
This collaboration follows Nebula’s launch of studio arm Nebula Motion Pictures and the company’s 2024 originals slate announcement.
Well that's a move. I have to wonder if Todd isn't one of the creators Nebula is banking on to make the site lucrative.The content used for this collab are an uh interesting selection using Todd in the Shadows as an example. He has not, to my knowledge, promoted these audio feeds on his Twitter, in his latest videos or anywhere else, so maybe the goal is to see how much organic interest they can garner on Spotify from a non-invested audience. Todd also has an actual podcast but that isn't being promoted, just the audio files of his YouTube videos.
Isn't this the guy that thinks that every black person that isn't liberal is a house negro?I found somebody in the Nebula stable.
Looks like they are raising their prices now (crosspost from Not Just Bikes thread, lolcow creator on Nebula):Interesting: I posted back in April about Nebula having a couple venture capital deals in progress, including this screenshot from Pitchbook
View attachment 6231348
As of today July 24th, 2024, those "in progress" deals are shown as cancelled.
View attachment 6231354
Whether this is from Nebula deciding they didn't need the money (press X to doubt) or the potential investors bailing is unclear.
I checked in on the Spotify Q2 investors report and while they are posting record numbers, there was no mention of the Nebula deal anywhere; it's not even a footnote in their Ad-Supported content section.
Nothing else new, really. Imperial joined Nebula, they've been promoting the fuck out of The Getaway to all 400 fans that seem excited about it, an in-house Dracula movie starring britbong troon Olly Thorn will be out soon after his starmaking turn in the Acolyte.
Yeah. He thinks all black conservatives are secret white supremacists and refers to them as "race traitors" (or in Candace Owen's case, a c00n. No, seriously - he calls her that).Isn't this the guy that thinks that every black person that isn't liberal is a house negro?