Careercow Robert Chipman / Bob / Moviebob / "Movieblob" - Middle-Aged Consoomer, CWC with a Thesaurus, Ardent Male Feminist and Superior Futurist, the Twice-Fired, the Mario-Worshipper, publicly dismantled by Hot Dog Girl, now a diabetic

How will Bob react to seeing the Mario film?


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I almost lost my shit over Bob's deliberate misreading of Lovecraft, then I realized, oh, wait, it's just yet another genre he's too fucking stupid to understand.

Bob does not read, especially not books older than he is.

Chimpman is a being of pure pop culture, he only responds to shit in bright primary colors where the themes are spelled out in explicit terms with extremely simplistic narratives.

He paints himself as a connoisseur of film but cannot understand any movie with a plot more nuanced than "The Power Rangers beat up Hitler over Micro-aggressions directed at an angel"
 
I almost lost my shit over Bob's deliberate misreading of Lovecraft, then I realized, oh, wait, it's just yet another genre he's too fucking stupid to understand.

Lovecraft was very racist, even for his time. Dude really didn’t like PoCs.
But I can’t even say Bob fails to understand his work, so much as he’s never read his work or the work that’s been built off of it.
 
Lovecraft was very racist, even for his time. Dude really didn’t like PoCs.
But I can’t even say Bob fails to understand his work, so much as he’s never read his work or the work that’s been built off of it.
Not just PoCs. He hated German immigrants and Irish Catholics (granted, a lot of people hated the Irish). Interestingly, he praised Hispanics and Jews. So he was racist, but he wasn't anti-semetic.

The thing about Lovecraft is that even though his racism bleeds into his work, like the Louisiana cult in Call of Cthulhu or the anti-miscegenation themes in Shadow Over Innsmouth, his stories and their themes are still scary because they emphasize the fear of the unknown and the limits of human comprehension. He doesn't rely on his racism to tell his tales, even if it's somewhat there.

It's not really surprising to me that people like Bob turn their nose at him because they are completely unable to separate the art from the artist. While Lovecraft's beliefs were extreme even for his time, his stories shouldn't be discredited; he did create the modern horror story after all so the stuff he made is still worth examination.
 
Lovecraft was very racist, even for his time. Dude really didn’t like PoCs.
But I can’t even say Bob fails to understand his work, so much as he’s never read his work or the work that’s been built off of it.

I'm well aware of Lovecraft's racism. The man freaked out upon finding out he was part Welsh, and of course there's that amazing final line of "Medusa's Coil." (Basically, it's "Gasp! She was a NEGRESS!") The descriptions (not to mention the very name) of Buck Robinson aka "The Harlem Smoke" in "Herbert West -- Re-Animator" beggar belief. HPL was so racist it actually becomes kind of funny.

My problem with Bob is he reduces every element of Lovecraft's cosmic horror, which is more about mankind being left at the mercy of titanic forces too massive and blind to our very existence to care very much about how much horrible injury they inflict on us than it is about "eek! a Negro!" But of course he does, because the fat fuck has to squish everything in the world into the three or four pigeonholes his diabetes-addled brain can actually grasp, however dimly.
 
Way to make it about people you hate, jackass.
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I really, really don't wanna know what "miliking a walrus" means.
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Not just PoCs. He hated German immigrants and Irish Catholics (granted, a lot of people hated the Irish). Interestingly, he praised Hispanics and Jews. So he was racist, but he wasn't anti-semetic.

The thing about Lovecraft is that even though his racism bleeds into his work, like the Louisiana cult in Call of Cthulhu or the anti-miscegenation themes in Shadow Over Innsmouth, his stories and their themes are still scary because they emphasize the fear of the unknown and the limits of human comprehension. He doesn't rely on his racism to tell his tales, even if it's somewhat there.

It's not really surprising to me that people like Bob turn their nose at him because they are completely unable to separate the art from the artist. While Lovecraft's beliefs were extreme even for his time, his stories shouldn't be discredited; he did create the modern horror story after all so the stuff he made is still worth examination.

Hell Bob even pulls that shit with Clint Eastwood, and that man doesn't really have insane viewpoints at all. I wonder if Bob has even seen Gran Torino and even gotten the message of it at all?
 
He seems to like the "awesome individualists hold this shit show together" message and the low key distaste for the common man while rejecting Rands distaste for centalized goverment. In a way he's a randroid inverted, he see's left wing politics instead of right as the way to build her stupid fantasy.

Which is funny since I've seen objectivism described before as "inverted Stalinism". Bob's a borderline tankie anyway.
 
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Hell Bob even pulls that shit with Clint Eastwood, and that man doesn't really have insane viewpoints at all. I wonder if Bob has even seen Gran Torino and even gotten the message of it at all?
Now I want to see what happens if you put Clint Eastwood and Chob Bipman in a room together.
 
Hell Bob even pulls that shit with Clint Eastwood, and that man doesn't really have insane viewpoints at all. I wonder if Bob has even seen Gran Torino and even gotten the message of it at all?

The Left hates Clint Eastwood in general. They think he's some kind of crazy jingoist. Before I even saw American Sniper I knew the people sneering at it as war propaganda were full of shit.
 
The thing about Lovecraft is that even though his racism bleeds into his work, like the Louisiana cult in Call of Cthulhu or the anti-miscegenation themes in Shadow Over Innsmouth, his stories and their themes are still scary because they emphasize the fear of the unknown and the limits of human comprehension. He doesn't rely on his racism to tell his tales, even if it's somewhat there.
This is Bobby's "everything is political" thinking at work. If you seek to understand an author's work only through his politics, you miss out bigger, universal, humanistic themes.

People think they are being universal by claiming "everything is political"; in fact it is exactly the opposite: they close off themselves.

I want to psychologically break him.
I thought Trump did that already.
 
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