Sperg about comic books here

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As a kid the place near me smelled musty and had stuff on the shelves from the seventies from when it first opened up. I actually picked up an old Fourth World issue off the shelf. I was able to get some older, out of print TPBs from there, but at the time it was off putting because the guy running it seemed to be pissed off any time someone came in and there was this air that even though it was a store, you were going into someone's house. But it was the only option so I kept going back until it closed down almost a decade ago.

I always thought it was a weird way to run a business, but the more stories I hear, the more I realize Comic Book Guy was a more wide-spread thing than I thought.
Since I'm going to vent a bit here, I have some stories about bad comic shops. There were numerous dank little dungeons with posters for forgotten 18-book crossovers and T&A books plastered all over the walls, the sort of places where you'd see stuff like shelves with barely two feet between them and flickering bare 60-watt bulbs overheard, or a cardboard Wolverine stand-up in front of the easily visible adult comics section with a word balloon taped to its head that read, "Back off, bub! Ya gotta be 18 ta get past me!" While the sterile shopping experience is not for me, the dank slum stores, the hole-in-the-wall shops, the shops run by incompetent hobbyists who thought that because they liked reading comics meant that they'd be gangbusters at selling them didn't do much for comics. Places run by people who treated customers with everything from barely concealed disdain to dull hostility, who could not be bothered to tear themselves away from eating, playing Magic: the Gathering or having loud discussions on what the Fantastic Four were like before they gained their powers to ring up customers waiting at the counter. The sort of ratholes where the the owner forgot to order comics on your pull list half the time, or were run by angry, angry nerds who ruled their tiny shit kingdom with an iron fist to feel big.

Some of my experiences with bad comic shops were just from the one and only time I visited a place. I walked into a store once, I went over to ask the man behind the counter something and he looks at me real hostile and goes: "Yeah?! You want somethin'!?"

I just asked where the independent comics were. He looked at me like I was some loser and went: "I have a couple Dark Horse comics in the back."
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One of the first really bad comic shops I remember visiting was this place, during my teens, it had somehow been open for years, it was tiny, dingy, messy, inaccessible, and expensive. They had a massive selection of (overpriced) back issues, but you couldn't even get to a lot of the long boxes due to the clutter and disarray. I mean, there's the fun of browsing and finding an unexpected gem, then there's having to deal with piles of random nonsense gathered together with zero organization. a stack of random toys and other junk here and there etc. The closest I saw to organization there was a shelf of dusty Dr. Who and Star Trek fanzines put in alphanumeric order. The staff, lead by a fat grouchy guy and a perpetually frowning woman, were generally loud, surly, and unhelpful. A shop in the next town over I went to visit occasionally was no better, it was a real hole-in-the-wall. It was never air conditioned in the summer, never heated in the winter, and the owner chain smoked cigarettes and his only employee was an old man who'd throw your purchases down on the counter. Everything here was laying around in a cluttered mess (a disturbingly common detail of these craphole comic book stores). The place was littered with shitty collectible toys covered with a thick layer of dust. One summer the owner was trying to sell an above ground pool that you had to practically step over to when you walked in.

Since I did some moving around in my late teens and twenties, and was willing to drive around to find comic shops in other towns near whichever town I called home, I've seen good shops and some bad shops. One place that I remember I visited with a cousin while visiting family during a holiday. He wanted to check out a place, he hadn't visited in ages. We go in and the guy behind the counter is this hefty gentleman wearing this really awful "Empire Strikes Back" T-shirt, with holes in the sleeves. He looked kind of like an older version of Comic Book Guy. As I was walking past to check out the trades, trying to be friendly, my cuz mentioned something to this guy about how he hadn't visited the shop since he was in high school. He gets this accusatory tone and asks "Yeah, and why haven't you?" My cousin was taken aback and mentioned something about having been busy with college.

The longbox area was completely disorganized and boxes upon boxes were stacked up on top of each other; I don't know how you'd get to the stuff on the bottom, nor did I even know what was contained in each box. In fact, most of the place was cluttered like this. It's as if they had ordered a bunch of crap that he thought would be collectible but never sold, then didn't know how to get rid of it. Apparently their business model was mostly mail-order centric and they could barely be bothered to deal with customers from off the street.

We decided to leave at the point the guy stopped glaring at us from the counter and went into the back and he and some woman started complaining and then arguing loudly about how "those bastards" had shipped and billed them for too many copies of some Dr. Strange comic. They were actually in the back room, yelling angrily about this, which I could hear quite easily as I was walking around.

Another shop I visited not only had the whole "random piles of stuff" style of product display, among the mounds of unsold Image comics, Star Trek model spacecraft on peg boards, a gaggle of Toy Biz Green Goblin action figures from 1992, superhero statuettes and busts, and so on were items like sex dolls, pornographic videos and crumpled old Playboys, which was kind of skeevy, a bit, maybe. The surly and rude clerks didn't help. This was one of those shops that had supposedly been in business for over two decades and you couldn't see how, really. I heard they went out of business later, and it was replaced by a shop calling itself "Justice Comics - In A League Of Their Own!" that's stock was mostly someone's private collection and apparently folded a few months after.

Even "nice" comic shops can have vipers in their midst. One store I really liked shopping at had this one assclown clerk who really got my goat by telling me while I was looking over some back issues of Stray Bullets "Don't read them, buy them." Here I was, a clean-cut adult male, dressed neatly, and I could see there was a gaggle of snot-nosed kids who were pawing through comics a few feet away from me who this fellow was ignoring. I put the issues back on the shelf and told the clerk that I was actually going to buy those books and a few others, but not from that place now and left.
 
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X-Men Final issue: Xavier is captured for his crimes, Wolverine tries to kill him but Mags stops him. They have a talk, and of course Xavier says that Mags' current position of defending the oppressed regardless of if they're humans or mutants is essentially him admiting "Xavier Was Right". The White Hot Room Krakoa and its mutants reappear in the present, 15 years older, and having resurrected all the millions of dead Genoshan mutants (FUCK UP THO: these mutants were supposedly already resurrected in the far past, becoming the Threshold civilization from that god awful Marauders book), but while some chose to stay in the present, most will return with Krakoa to the WHR. This causes a fight, Apocalypse wants to lead them but they reject him, so he fights a bunch of the X-Men but ultimately accepts his time is over, and leaves. Krakoa and the millions of faceless non-X-Men mutants fuck off to the WHR (and presumably die on the way to their home planet). Xavier ends up imprisoned but still has some ways to use his powers and covertly protect random mutants from bigots sometimes I guess. And the rest of the issue is setup for From The Ashes which I don't care about.
I picked up X-Men #700 on a whim. The writing was terrible. It was page after page of Character A philosophizing to Character B and Character B telling Character A that they're right. The only interesting part was when Apocalypse showed up, called them all fags and started beating the shit out of everyone for fun. Sadly, Marvel has maybe one good artist on staff, so even the only interesting part of the book was drawn in the most undynamic and boring way possible.

Maybe I'll go embrace the sweet release of death and read Jason Aaron's TMNT.
 
I had 2 places. One was a dollar store that sold bundled 90's comics. I think it was $3-5 for 3 random issues of Ultraverse, Image and mc2. So I had random issues of bloodshot, A-next and Prototype.
The other was a thrift store that had a cardboard box near the front of the store, and I remember the comics there were dirt cheap, less than 50 cents and because the owner was friends with my mom she would just give me some. From there I got machine man, spiderman and various war comics.

Eventually i'd get a library card and both my towns library and my highschool library would be my main source of comics and manga. I'd read the classics like watchmen, weapon x, JMS's Spider-man, etc... I'd get a real cheap laptop to read comics on during my homework and free period.

Now, I primarily read on a tablet. Years ago I started 2000ad from the begining, skipping stories that I had no interest in, and caught up. I read all of marvel's G.I joe because of Ya Boi Zack, and marvel's transformers cuz a friend reccomended it. Right now I'm reading supreme power, a random assortment of DC war comics like sgt.rock and I'll probably re-read Ennis punisher again. Even with the state that the industry is in, there are so many older comics, I think i'm legit set for life on things I want to read.
 
I picked up X-Men #700 on a whim. The writing was terrible. It was page after page of Character A philosophizing to Character B and Character B telling Character A that they're right. The only interesting part was when Apocalypse showed up, called them all fags and started beating the shit out of everyone for fun. Sadly, Marvel has maybe one good artist on staff,
I'll disagree with this. They got a lot of good artists for this one, but it feels like they managed to book around half the pages and then...
so even the only interesting part of the book was drawn in the most undynamic and boring way possible.
...fucking Noto. They gave him every other page. Stiff, boring, samefaced art every time. And I'm sure he's better in traditional art, but he's FUCKING WEAK on digital.
I don't know why he gets work, he's one of the worst in the industry.
 
Noto is one of those artists whose work, well, I saw enough people praising his sequential artwork to drive me to a couple of "I FEEL LIKE I'M TAKING CRAZY PILLS" moments. As an illustrator, I think he's fine but in drawing actual pages of events that are supposed to be happening in sequence, he's real static. I suppose he's perfect if you want to write one of those comics books that's described by the writer as something like bringing the "feel of a great movie or TV show to our medium" that will end up consisting of a lot of static widescreen panels.
 
Comicstorian passed away.


Two days ago, on June 8th, my husband, Ben Potter, passed away in an unfortunate accident.

To many of you, he was Comicstorian, voicing stories from across multiple different mediums. To his loved ones, he was one of the best and most supportive individuals anyone could ask for. As a husband, a son, a brother, a friend, or even just a stranger, Ben was loving and genuine. He was someone who would listen and make time for his loved ones. He would do his best to make everyone laugh and make sure they were okay. He was our rock and he'd reassure his loved ones whenever they needed it.

He was my world and I need time to be with friends and family. I have so many things I need to figure out but firstly, I need to grieve. I ask that you respect my privacy as well as everyone else's. Right now my priority is preserving everything he's built and I don't have any plans beyond that.

His channel was one of his greatest accomplishments, and while we all need our time to mourn him, I know he wouldn't want it to end like this. Ben spent over 10 years spreading his love and appreciation for his hobbies. It was through his love of exciting stories and well written characters that got him started on YouTube.

The team and I want to keep that going. To honor him by continuing to tell great stories by great people, as well as to keep the memory of our very own superhero alive.

We supported each other on everything we wanted to do and I'm not about to stop now. - Nathalie Potter
 
Comicshistorian was a channel I subscribed too but can't for the life of me member why...oh well rip Ben you seemed like a chill guy glad to see your wife and coworkers are planning on carrying on your legacy after they've grieved
 
A story arc would be broken up by a random issue of Spawn acting as a shadowy judge for a group of criminal teenagers or some shit
Can anyone tell me which issue this is? I've been meaning to reread it, i love the "That is why i take him upstairs" ending. I remember the child abuse issue with the grim ending being one of my favourite issue, too, and how it deeply unsettled young me. I think Spawn has its moments but it's far from being one of my favourite books, it never stays consistently good, rather there's a point where it starts becoming unreadably bad, around the time when Al gets reborn and loses the power meter, i think Todd never really knew where to take the thing with the limited amount of power.
I do love most of the Curse of the Spawn and Sam & Twitch: Udaku though, plus i will always like Capullo's art.

Fun fact: We had two different publications of Spawn running concurrently, the news stand edition (5,- DM floppy) and the so-called Prestige, comic book store edition (10,- DM, hard spine). The news stand version was censored in more than a couple issues:
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Peak 90's Germany media cucking, pixelation in a comic book ruining the art, not to mention they even changed the text, from "Go to hell" (lit. Go to the devil) to "To kill you". The german editor also put his own name (Marius) in the annotation blurbs where Todd put his in in the original. There were other comics that got censored, not always via pixelation:
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From the Resident Evil comics. Ridiculous. We don't do that shit anymore but it was hype in the 90's. Some manga even omitted whole pages and the situation with video games is known and ridiculed in the whole world (changing humans to robots, red blood to green).
I hate to drag the attention away from Spurging about shit movies, but what comic series does everyone want to have to have a movie spinoff. I'm personally rooting for SAGA or seconds to be adapted at some point, but what does everyone else think?
Well, i already got my wish. Sort of. They made a four episode mini series of DMZ that no one ever talked about and which i still haven't watched after learning it's some fanfic tier alternative viewpoint shit instead of, you know, just adapting the story. Probably will never watch it, it doesn't even include the protagonist of the comic.
because the guy running it seemed to be pissed off any time someone came
Every comic book store owner ever in the 90's in my experience. Same for how you describe the smell. The last time i stepped into a comic book store a couple of years ago it looked like an Ikea showroom, with blinding white light, 95% of product was manga. Even had a pretty young thing working the till. Very weird experience.
 
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Read Ultimate Hulk Annual, this Hulk has always been…… questionable but I gotta admit, this got a laugh out of me.
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He’s such a chud
 
Never watched it, how bad was it?

Speaking of horror comics, just got into The Sixth Gun by Cullen Bunn and Brian Hurtt. It's a western with supernatural elements about six revolvers that, when united, can give the villain the ability to destroy the world. Halfway through and it's solid. Wish I'd given it a shot when it came out a decade ago, always like supporting the indies.
 
Speaking of horror comics, just got into The Sixth Gun by Cullen Bunn and Brian Hurtt. It's a western with supernatural elements about six revolvers that, when united, can give the villain the ability to destroy the world. Halfway through and it's solid. Wish I'd given it a shot when it came out a decade ago, always like supporting the indies.
It's a legit great comic. I enjoyed it tremendously. There's just something about Westerns and the Supernatural that blend so well together in comics.
 
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I’ve been on a nostalgia TF kick, the Marvel Compendium 1 is up for preorder btw, Into the Smelting Pool is still a peak TF story, gritty war drama, Terminator homage, horrific violence and the hero going apeshit and killing a ton of bad guys with the means that they killed his Bumblebee-equivalent.

I hope the compendiums go far enough to catalogue G2 and Regen, both are controversial but I consider both valid and fitting continuations for the world. Even if Regeneration One is more of Furman’s way of delivering some of his intended ideas for IDW1 (Omega vs Monstructor, the Dark Matrix creature being more like the Dead Universe, Jhiaxus being an ancient seperatist rather than a descendant, Bludgeon being a bit more crazy, Galvatron being puppeted by a lovecraftian monster, Scorponok being a Bond villian who has a rivalry with Grimlock, the Dinobots being on bad terms with Grimlock) all of those are firmly IDW1.
 
Never watched it, how bad was it?

Speaking of horror comics, just got into The Sixth Gun by Cullen Bunn and Brian Hurtt. It's a western with supernatural elements about six revolvers that, when united, can give the villain the ability to destroy the world. Halfway through and it's solid. Wish I'd given it a shot when it came out a decade ago, always like supporting the indies.
The only real reason to watch Morbuis is just for Matt Smith because he actually comes off as having fun making it. Everybody else is in this dreary drama film but Matt Smith is just chewing the scenery. I legit think that if Matt Smith was the lead and not the villain, the film would have been 100 times better.
 
The G.I. Joe kickstarter ends in 3 days. I've been waffling because I have had minimal exposure to Joe comics growing up (I probably had a few issues in the low 100s). Do these comics hold up at all? Does it fall off after a certain point? I get that its like 200 issues, but $300 is a lot to drop on what is essentially the same reprints we have now but shoved into four giant phone books.
 
The G.I. Joe kickstarter ends in 3 days. I've been waffling because I have had minimal exposure to Joe comics growing up (I probably had a few issues in the low 100s). Do these comics hold up at all? Does it fall off after a certain point? I get that its like 200 issues, but $300 is a lot to drop on what is essentially the same reprints we have now but shoved into four giant phone books.
Not to mentine 50 more dollars for shipping if you are in the States. I'm also debating buying it but I've never really been into GI JOE. But 4800 pages for 350 isnt' the worst deal but I don't think I'm the right audience for it
 
The G.I. Joe kickstarter ends in 3 days. I've been waffling because I have had minimal exposure to Joe comics growing up (I probably had a few issues in the low 100s). Do these comics hold up at all? Does it fall off after a certain point? I get that its like 200 issues, but $300 is a lot to drop on what is essentially the same reprints we have now but shoved into four giant phone books.
Marvel GI Joe starts out super rough. Gets decent around #11 when Destro shows up and there is a lengthy arc with Hama killing off two of his OC villains he created once Hasbro started creating actual named Cobra members culminating in #19, which has Baroness get blown up and presumed dead and culminates in a lengthy arc that results in us learning CC has a kid. #21 is Silent Interlude (the famous "silent issue" that introduces Storm Shadow and the ninja lore relating to Snake Eyes) and #26-27 is Snake Eyes origin.

#34 is the famous air battle between Ace/Lady Jaye and Wild Weasel/Baroness and #40-50 has a lengthy arc where CC's son and Ripcord's girlfriend are killed by Cobra and Ripcord goes on a roaring rampage of revenge interjected with a super shitty condensed version of the origin of Serpentor with Storm Shadow replacing Sgt Slaughter as the live guy DNA for Serpentor. And a decent one-off story that introduces Dr Mindbender and a ton of 1985 series GI Joes that hadn't appeared just yet (#44). This culminates in #50, which sees the fall of the first Springfield, with #51-54 being an epilogue of sorts with Storm Shadow going good, CC and Destro being separated from Cobra, and Mindbender, Zarana, and Serpentor consolidating power.

#55-61 famously adapts elements from Skeletons In the Closet (mainly Lady Jaye being a distant relative of Destro, who teams up with the Joes to fight a usurper at his family castle) and the introduction of Fred and Raptor, a crimson guardsman and Cobra Accountant who desperately wants to be a Cobra field agent.

This leads to a bit of a dividing point. Hama and Hasbro started to fall out over Cobra La and Hasbro wanting CC killed off and yet, also promoted in the comics because he had a new figure out (the infamous Battle Armor). The real CC wears the battle armor for a couple of issues as he reunites with his son Billy and decides to renounce evil.... only to be shot by Fred, who steals the armor and becomes the new CC, with Zaranna as his GF and Baroness forced to use the fact that she's the only member of Cobra who's actually SEEN CC's face, to vouch for Fred. Cobra La never appears as Hama threatens to quit the title if forced to incorporate the GI Joe movie retcons relating to CC and Cobra La being the real power behind Cobra into the comic.

62-68 roughly cover an arc Hasbro let Hama do in exchange for killing the original CC off where several Joes who's figures had been removed from circulation got an arc where they are taken prisoner in Eastern Europe and have to be rescued.

#69 introduces the Iron Grenadiers (Destro's new faction) and #70-79 is basically the Cobra Civil War (which was published biweekly as part of Marvel's first major summer biweekly stunt to boost sales) and ends with Zartan killing Serpentor and Fred taking over Cobra, with Mindbender now working for him.

#80-88 are one off stories for the most part; this includes a story where Zartan quits Cobra and the Dreadnocks and reveals how he killed Storm Shadow's uncle and framed him for the crime and Billy reuniting with his long lost mother and a major lore drop happens: Zartan was supposed to kills Snake Eyes and CC has had a hate boner for Snake Eyes because his beloved older brother died in a drunk driving accident that killed Snake Eye's parents and twin sister, which CC blames SE's family for. And how said brother's death led CC down the path of evil. There is also a second silent issue, a cool issue with the O13 Joes and Cover Girl train the 1988 class of GI Joes as we see what induction training for the group is like, Joe Colton (the original GI Joe doll character) being introduced into canon, and the introduction of Python Patrol, which features a nice subplot where Flint/Lady Jaye and Scarlet/SE go on an undercover double date and act like obnoxious asshole American tourists, being rude as fuck to everyone.

#90-99 features a super dark round of issues: Clutch and Rock and Roll get captured, tortured, and mindwiped/memories replaced with them being always loyal Cobra spies inside of GI Joe. We find out that SE may or may not have killed Baroness's brother, causing her to become evil and leads to SE getting his face fixed, Scarlet getting shot in the back of her head and nearly dying, and OG Cobra Commander coming back and killing a score of Cobra guys, including his son and Zartan and Dr Mindbender and Fred and Firefly.

#100 has CC take over and mindrape an entire town into being Cobra slaves and as GI Joe manages to revese the mind rape of Clutch and Rock and Roll. But dark shit was coming back as #107-115 is a lengthy GulkfWar themed storyline where over a dozen named GI Joe characters are killed, several by a monstrously evil Saw Viper. #116-120 brings back Destro for a bit as CC tries to kill him when he won't return to Cobra.

The Destro return trilogy is the last good storyline as Hama started tripling down on good guy Storm Shadow, Snake Eyes, and the ninjas, though there are a couple of decent one offs that capture the tone of the then airing DIC GI Joe cartoon. However, Hasbro then started doing sub-teams, meaning arcs featuring those sub teams start hijacking the comic and characters that Hama killed off had to be brought back to life (Zartan, Firefly, Mindbender) because they had new toys. This also leads to Hama retconning who killed Storm Shadow's uncle to make Firefly be the real killer (which Hama has long defended, by claiming Firefly was always supposed to be the killer but he had to make Zartan the killer because Hasbro considered Firefly a d-list character while Zartan was an a-lister and more deserving of the plotline). Zartan and Firefly were just brought back via saying they faked their deaths (along with Billy, also brought back) and Mindbender was brought back in a four part stealth pilot for Transformers Generation 2 where Mndbender turned out to have a clone that was made just before he died.

But then Hasbro announced they wanted Storm Shadow, Zartan, and Destro (the former being turned into a good guy, the later two into anti-hero allies of GI Joe) evil again and #144-150 had CC brainwash them, plus Baroness and Billy evil. Then basically bailed from the comic because he was pissy his expie Storm Shadow (who's Mary Sue status had grown to Rey Palpatine level) was now evil again.

There were a couple of fill in issues before Marvel put out an inventory story Hama had written a couple of years back where Snake Eye writes a letter about being a soldier and what it means to him to a former fellow soldier's son who is about to enlist, that ends with a tact on final page where we see the GI Joe headquarters has been abandoned and is now empty, as the final issue (#155).

There are a lot of highs and lots of lows. The series was notorious for how it ended with no ending and a lot of storylines unresolved (most notably Destro, Baroness, Billy, Zartan, and Storm Shadow being brainwashed never got resolved) creating problems when Devil's Due resumed the series with their GI Joe comic.

That being said, I've got the first five IDW volumes of the Marvel series and can wait for the softcover compendiums to come out.
 
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