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Are trannies even capable of effectively writing horror?
It would be hard to keep true horror going for such a length of a time as 9 episodes without a singular plot going through them, but I get what you mean. This and to an extent Omori both fall into this trap of trying to wed cutesy art & characters with "secret" horror themes only to flub expectations for both. (Both have a really similar type of fandom also when you think about it). It's that meme of Muscle Man fighting those tellytubbies in his nightmares. It's a shame, and I think a good part of it is due to their respective creators being "eccentric", but it might just be that hard of a premise to pull off. TADC at least isn't entirely pretending to be serious.This is something I will never get. He clearly is capable of dark humor, and being edgy, he picked a dark premise with massive horror potential. And all he delivered is a show that‘s, unofficially, for kids.
Now to be fair I am enjoying TADC, and I would be lying if I didn’t say I got entertained by it, so I will stick till the end.
But I would also be lying if I didn’t say I wasn’t disappointed this wasn’t the horror show I was expecting. Even if they go full on SOMA theory for the finale won’t change the fact most of the show was mostly goofy fun, with some therapy sessions, and dark jokes here and there.
That fan made Kaufmo prequel really showcases how much the horror premise was wasted.
Gaslight is DOA because of a few different things. First of all, 90% of the viewers are only tuning in for Mel. It's good that she's the main character but the bigger problem is that she's the only marketable design out of the whole bunch. Which is just not sustainable. Secondly, the whole "Zombies/Hell vs Angels/Heaven" shtick is so played out already, you have Hazbin the thank for that. Finally, as you say it's just way too schizophrenic in tone. It's trying to be a comedy, a "badass" action show, and a lore heavy muh feelings cartoon all at once. Ask Steven Universe how that panned out








This and to an Omori both fall into this trap of trying to wed cutesy art & characters with "secret" horror themes only to flub expectations for both. (Both are really similar type also when you think about it).

Main issue is that Mel is the only character with a story. The other characters are either linked to her completely or filler that won't change. It doesn't help that most of the plot eas already revealed in the pilot so there's nothing to look for.Gaslight is DOA because of a few different things. First of all, 90% of the viewers are only tuning in for Mel. It's good that she's the main character but the bigger problem is that she's the only marketable design out of the whole bunch. Which is just not sustainable. Secondly, the whole "Zombies/Hell vs Angels/Heaven" shtick is so played out already, you have Hazbin the thank for that. Finally, as you say it's just way too schizophrenic in tone. It's trying to be a comedy, a "badass" action show, and a lore heavy muh feelings cartoon all at once. Ask Steven Universe how that panned out
It's such a juvenile overused trope by now.This and to an Omori both fall into this trap of trying to wed cutesy art & characters with "secret" horror themes only to flub expectations for both. (Both have a really similar type of fandom also when you think about it).
A bit of a shame really, The Gaslight District is probably the only GLITCH show I'm actually hyped about, it does a lot of things that I genuinely like: The "Tim Burton" Clay CGI artystyle is really breathtaking, the script actually feels like it's something written by a professional writer rather than having the "quirky chungus millennial humor" the other series have, I adore the visual gags (like Mel being caught because she got a nosebleed like an anime character), and I genuinely love the characters and their "ugly" designs.most people are more hyped about KoG than Gaslight. I'm not lying when I say that in the last 3 months I haven't seen anyone talk about Gaslight in as much detail as KoG. It seems people are more interested in the anti-corporate show than in the Heaven vs. Hell but CGI show. Poor Gaslight, I kinda feel a bit bad for it. By the time episode 2 is released, the hype for the show will be dead.
Please kill Ragatha, the amount of salt would be amazing.
that reminds me, me and the lads recently watched Tim Burton's Hansel and GretelThe "Tim Burton" Clay CGI
I'll miss when the predicted center basically looked like thisFull version dropped, featuring Caine doing the Kubrick Stare
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Kiwifarms mentioned.so this is a video by silverfox1232 about how indie shows (and vidya games) is becoming slop, most of the video is centered on glitch productions with the big ticket item being about tadc. figured i'd post about this video here too as well as the glitch thread
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