The (New) Twilight Zone - Surprise: Its shit

I don't understand how they think any of this shit is ever going to work. Fucking explain this to me from a business perspective

Every time they try this woke progressive shit they fail. Every time

Like Doctor Who. Like Problematic with that hipster faggot. Video games like Battlefield 5 and shitty failing comic books like any thing Marvel is putting out now

There all failing. I don't fucking understand. Why are they willingly losing money? The kids aren't fucking progressive and they hate you
 
Also, I love how they're saying that just because (they think) Rod Sterling was a socialist means he would've 100% been a fucking BLM supporter :story:

Based on what I've seen, I'm guessing he was either a centrist or center-left. Can't remember if this has already been said, but if he were still alive he'd probably be making commentary on this kind of hyper-SJW shit where everything's politicized and "punch a nazi" and shit
 
Also, I love how they're saying that just because (they think) Rod Sterling was a socialist means he would've 100% been a fucking BLM supporter :story:

Based on what I've seen, I'm guessing he was either a centrist or center-left. Can't remember if this has already been said, but if he were still alive he'd probably be making commentary on this kind of hyper-SJW shit where everything's politicized and "punch a nazi" and shit

Actually, I read Dimensions Behind The Twilight Zone a few months back. Or when I mean a few months, I mean during the summer, but IIRC:

Rod Serling's brother, Robert Serling stated in the book's interview that he leaned center-right and his brother leaned a bit left. In fact, they once had a fight in a restaurant in which they had to be broken up by their WIVES because of their disagreeable political beliefs.

So, he's an old-fashioned liberal. This means he probably wouldn't have been a socialist, he probably wouldn't have liked Trump or disliked him either (he'd think his exaggerations were interesting and saw it as a commentary on how people don't like classical-type politicians anymore; though albeit he would disagree on some of his policies), and he would probably really fucking HATE the modern left.
 
Surprisingly, that new episode was actually pretty good. I guess that's what having an experienced writer can do for your show.

The big thing that this episode got right was the general unease of the old Twilight Zone. You're not quite sure what is happening, what does this guy know, does he know things, let's find out. You're not really sure who he is, or why he's doing what he's doing. It's kind of great. Most of the episode takes place in one location, and a lot of that in a dark holding area, which makes it claustrophobic somewhat, adding to the unease.

Then you have the theme of the episode, paranoia and lies, specifically lies that you want to believe. Unlike say Rewind which has a political message, or The Comedian which has a confused message, this one actually picks something that is universally human and to me, that is the Twilight Zone and what made it so great. It would present wild flights of imagination that were incredibly grounded in human behaviour. That's what made some of the episodes brilliant, you could more or less believe that something like that would happen. This is perfectly captured in how the alien, spreads his lies, things based on actions people took, or their general behaviour to turn them against each other. I could swear that a similar concept was done in the Twilight Zone original, and if it wasn't, the writer keyed into something that feels like it was.

Now for the bad. First off, I think it being aliens was kind of a let down. I'd think it would be better if say A Traveler was just a con man or a secret agent or something, as that would lay more into the human element of the episode. Wouldn't say it makes the episode bad, but it feels like a missed opportunity.

Second off, the sheriff looked too much like Bill Shorten and that was distracting.
730716

Overall rating: 8/10 could use some polishing but overall really great
 
I don't understand how they think any of this shit is ever going to work. Fucking explain this to me from a business perspective

Every time they try this woke progressive shit they fail. Every time

Like Doctor Who. Like Problematic with that hipster faggot. Video games like Battlefield 5 and shitty failing comic books like any thing Marvel is putting out now

There all failing. I don't fucking understand. Why are they willingly losing money? The kids aren't fucking progressive and they hate you

One of my favorite ever internet comments was a poster on Niche Gamer on why people don't like politics in their media.

Because after a long hard day at the office most Americans want to go home and enjoy their movies, music, games, without being lectured about the emotional needs of neurotic homosexuals and blacks.
 
So I watched Shazam! on Tuesday and I'm in the process of watching this episode of The Twilight Zone an hour late on City TV via "Replay" (which I gotta finish watching before midnight when it times out) and I feel like it's almost Christmas instead of less than an hour before Good Friday.

I don't mind "out of season" Christmas episodes/movies, actually.
 
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Apparently the next episode is about a literal child running for president, so... Yep. Topical.

Oh my god, really? That's not even Twilight Zone-y unless the kid is like Anthony Freeman and has superpowers. They're only going to use this because they're gonna be like "YO, THIS IS JUST LIKE DRUMPF."

AVClub will say "It's a modern classic."
 
Because after a long hard day at the office most Americans want to go home and enjoy their movies, music, games, without being lectured about the emotional needs of neurotic homosexuals and blacks.
hey that's discriminatory
As a true American I don't give a shit about the emotional needs of all races, sexualites, and creeds.
 
so when's the episode subtly referencing the ghostbusters incident coming out?
 
I'm sure this newer woke version will feature scenes on a par with those powerful little moments that Serling's TZ had. Like Jack Klugman as a washed-up, alcoholic horn player in A Passage for Trumpet, where Klugman's character is confronted by a former employer as to why he's tossed a once promising career away, why he keeps getting liquored up even though it's what keeps him from being regularly employed and helps get him booed offstage.

klugman, my man.
 
I'm wondering if Peele has a deal sorted out with CBS where every odd episode is overtly political and every even isn't, because it's been a pretty consistent pattern so far.
 
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I think someone should make a new TV show that's not under the Twilight Zone name but the exact same concept; have it have actually good plots and not constantly deal with politics, but when it does, have it deal with it on a deeper, less Buzzfeed-like level. I'd fucking watch that shit
 
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