Wendigoon Thread

Cave diving is well covered, but I mean that pipeline disaster where workers were alive for a disturbing amount of time after, or the diver who got stuck in the underwater intake of a dam. Underwater horror + the real enemy is government/a corporation, faceless and not even evil as such, but hungry for money and uncaring of humanity.
Late as fuck replying, but there's that one pond/lake in Florida I just learned about where a handful of divers over the years have drowned in. Underwater horror is definitely at the top imo. Just an environment we're entirely helpless and alien in.
 
there's that one pond/lake in Florida I just learned about where a handful of divers over the years have drowned in.
That's so many ponds/lakes/caves, tbh. The dangerous ones are more tempting, to people with the cave diving bug.

I don't think any natural features should be sealed up, dry or wet. Even Nutty Putty guy knew what he was getting into. Stick a sign out front that says "fuck up, or even don't fuck up, and you can die" and spaces ready for memorial photos like one of those yearly "employee of the month" signs.

However, if you have kids with a cave diver, you gotta have discussions and you gotta have life insurance on them. It shouldn't be illegal, but there's no escaping that it's a selfishly dangerous hobby if you leave dependents behind.

Like I said upthread, there are tons of diving horror stories. They're low-hanging fruit for "true horror" channels because they follow a similar pattern, there are tons of tertiary sources you can crib from, and you could probably pad them with same stock images every time. Switch the stock photos from underwater formations to stark white mountains and you can branch into climbing disasters.

What was unusual was Wendi's taking a story we've all heard and highlighting the corporate malfeasance aspect, when people normally fixate on the body horror of the fwwwwp. This take feels more like his brand, and it makes me think Wendi could have the best of both worlds if he occasionally took the well-treaded path to the well of Classic True Horror and pulled out an accident where you can pin the blame on the corporation hiring the victim and their safety practices. The accident segment is easy to research, and then he'd just need a little time to see what smoking guns were discovered when the company got its slap on the wrist in court.

Industrial diving, chemical plants, those poor dudes on the bread oven conveyor belt who got the mini-Ouchi. It's the same audience as people who like to hear about what the CIA was up to 60 years ago, but the comments aren't going to be full of jokes about the Harvestime Bakery sending a goon squad.
 
About 2000 minutes for me.
Ok, I added up every proper episode of CreepCast (no CreepTV, no 'hanging with the boys' episodes) and if you've listened to every episode that's 4376 minutes, or a hair under 73 hours, probably actually a hair over since I chopped off the seconds of every episode. Including CreepTV that's an extra 702 minutes, or over 5000 minutes/84 hours

I've listened to every episode aside from the very most recent ones and Tommy Taffy at least twice each and some more than that so I'm definitely over 10,000 minutes listened

I wonder if maybe it isn't keeping track of episodes I have downloaded in the YouTube app and only what I watch on my PC or stream on my phone
 
I really don't understand the Tommy Taffy episode. Tommy is a superhumanly strong, inexplicable paranormal entity that can only be temporarily dispatched by complete immolation and the two are like "yeah just shoot him, bro. Just flamethrower his ass."

But, if you go back and watch Penpal, the entire time they're like "this is so fucking scary bro." Despite the fact that the antagonist in that one is a normal human that you actually could just shoot. It makes zero sense.
 
I really don't understand the Tommy Taffy episode. Tommy is a superhumanly strong, inexplicable paranormal entity that can only be temporarily dispatched by complete immolation and the two are like "yeah just shoot him, bro. Just flamethrower his ass."

But, if you go back and watch Penpal, the entire time they're like "this is so fucking scary bro." Despite the fact that the antagonist in that one is a normal human that you actually could just shoot. It makes zero sense.
The Penpal antagonist isn't a real character in the story per say, more of an ever-present force that lurks just out of sight of the main character's worldview. Moments where he actually appears are quite subtle, using small details to let you yourself piece together the implication of what is actually going on (which I argue, and Tommy Taffy makes this abundantly clear, that it can lead to far more horror than simply outright showing you the scary thing all at once). You're more involved with the story this way.

With Tommy Taffy, there is no subtlety at all. Apart from that one ballerina scene--easily the most powerful in the entire series purely because of that implication--the rest of the story is pure, graphic child abuse, and you the reader are just left to watch it unfold. Seems like the author just hoped that the mere thought of child abuse would make readers utterly horrifed and totally skimped out on actually coming up with a real story for it. In practice it just got awkward real quickly, especially once it becomes clear that's all the author has up his sleeve. I think that's why Hunter and Isaiah acted the way they did--the story leaves no room for...anything else besides the core premise. A little bit of character work, a little bit of worldbuilding (regarding Tommy Taffy), but not enough to talk about in any real detail and certainly not enough to fill and hour-long podcast episode with. So all they could do was say "child abuse bad" and repeat the same comedic beat over and over again until it became annoying.

TL:DR: Tommy Taffy beats you over the head with its premise that there's no room left for you to be involved with it in any way, and the story is so barebones you can't get invested in thr characters or world or anything else, so all they could do is agree with the author's central thesis of "child abuse bad."
 
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Make no mistake, I think Penpal is written infinitely better than Tommy Taffy. The contrast between Hunter and Isaiah’s chest-thumping when it came to TT compared to how unnerved they got reading Penpal was just funny to me.

I honestly think it’d be a lot better if Isaiah pre-read all of the stories they decided to do. I know a lot of people find the blind reactions fun, but you easily end up with a TT situation where there just isn’t a lot to chew on and it devolves into “Kill Tommy Taffy. Behead Tommy Taffy. Roundhouse kick the third parent into the concrete…”

And I know for a damn fact that there’s infinitely worse slop out there than anything they’ve covered so far.
 
Noped out of the episode when they said the last story was by the Borrasca hoe, and then started picking people from the audience to read. Maybe it was a good story, maybe the paypigs did a good job. I'll let someone else bite that bullet and take their word for it.
Also I'm convinced the only reason Wendi rides this chicks dick so hard is because she's talked to him. He turns into a superfan of anyone's work if they give him attention.

If they actually have more audience interaction, I could maybe see the point of these, but based on the 75% of what I saw? Yeah it's pointless. Nothing more than a glorified laughtrack and retarded WOOOOOO's every now and then like Ric Flair just strutted in. When they actually made noise, that is. They were mostly dead silent and I'd forget there was a crowd until they'd randomly woo or laugh. Seems like a very dull, awkward environment.

That said, it was nice revisiting Goatman. Still gives me the willies at certain points. The other stories were just boring to me.
 
Noped out of the episode when they said the last story was by the Borrasca hoe, and then started picking people from the audience to read. Maybe it was a good story, maybe the paypigs did a good job. I'll let someone else bite that bullet and take their word for it.
Also I'm convinced the only reason Wendi rides this chicks dick so hard is because she's talked to him. He turns into a superfan of anyone's work if they give him attention
It's started off really bad, it ended ok.
There was some funny riffing from everyone but it was cringe at times.
 
Live episode was fun. Probably Rebecca Klingel's best story if only because it didn't have time to completely fall apart. Not amazing and had kind of the opposite problem of her usual stories where it started off dull and ended stronger (not strong but fine). Wildly improbable to the point that there's no suspension of disbelief but the idea of a serial killer who runs a themepark where the rides occasionally turn into borderline parodies of Saw-style traps is fun.

Goatman, the riffing on the homoeroticism (real or imagined) was fun, Tall Dog was ???, I'm really struggling to pull anything out of it.

Sonic.exe was great, classic trash that didn't last too long. I liked it more than Eyeless Jack but that was good too

No opinion on the live format. I was worried the audio was going to be garbage but it was pretty solid (at least through my bone conduction headphones). I'd probably enjoy it if I got a free ticket but not something I'd pay for
 
Goat Man: Didn't pay too much attention to this one so I can't really speak about this. /x/ stories kind of have a tendency of being really stupid to me for some reason—like this one ridiculously LARPy /k/ airsoft story imaginable like yeah bro the green berets totally asked you to help them train and search for a missing woman 🙄. I don't think 4chan, especially /x/, is the place for these kinds of long anecdotal stories anyway. I don't know why, but they all feel wrong in some way I can't readily explain.

Laughing Jack: Fun bad like Jeff the Killer. Would have preferred they'd done this as a regular episode where they could actually go on ridiculously long tangents and shit on the story proper but oh well.

The Tall Dog: Elias Withrow's worst story so far (besides Tommy Taffy, obviously). This is what I was talking about before. Any editor would only have taken a single look at the opening narration before telling him to tone it the fuck down, nevermind how the dad is not only and asshole and a narcissist, but also a complete buffoon. Seriously, this guy1) hears his daughter explicitly mention the tall dog to him, 2) reads forum post outright telling him what's going on (probably because the author couldn't fit it in the exposition otherwise), 3) finds out she is biting other students and eating dog food—and yet he does nothing until it's too late. Somehow, this is supposed to be about trauma leaving shells of ourselves, but it could just as easily be interpret that she was turning into a furry and had to be put down.

Sonic.exe: Fun and dumb. It's so over the top it kind of reads like an intentional shitpost, but deep in my heart I know it was some kid, possibly very autistic, who tried to make his own shitty rip-off of Ben Drowned.

Mayhem Mountain: Story seems a little mediocre compared to the authors other works, made all the worse by the terrible "performance" from the readers. Pretty much a death ride you'd build in Rollecoaster Tycoon but from the perspective of the passengers, as people have said online. Never been on a roller coaster, so I can't relate to that fear, and the story doesn't really offer anything else. There's the weird billionaire Jigsaw shit, but is a one-shot so that goes nowhere. This should have gotten extra sequels, not Deepwood.

God that last story was cringe-inducing, I hope they never do that again. Koji was trying WAY too hard to be involved in the conversation, and while the first guy had good acting, he just needed to learn to shut the fuck up sometimes. Legit had to take off my headphones at points it was so bad.
 
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