Wasn't bubble bass just some fat guy who was a bit of food snob In the early days? Look i know things have changed a LOT since 1999 but what about bubble bass said he needed to be a parody of Doug walker and internet "critics." As a whole. AND a weeb with a waifu pillow?
I think it's a desperate attempt to try and get hate watches from cartoon community autists, kind of like what TTGO does
Bro, they really love those ass gags with bubble bass, I don’t know what’s up with them.
Disney TVA aren't sending their best folks. We ought to deport them back to production hell and make them pay for it.
You know, for a being a group of people that at least on average love to winch about how earlier generations sold the future I can say with full confidence that the wave of animators that came from AT and GF truly buried the prospects of people that just graduated or are still in art school. Maybe the suits put us on a hole but we sure kept digging. I've said this before, if you want to animate for real work in advertisement and if you have a pilot idea make it into a comic, self publish and build a following online because you have a better shot at being picked that grinding your best years for daddy's little DaVinci making a cartoon that is a just a supplement to going to therapy. The only way I would respect the animation and voice acting industries even less would be if they funneled cartel money.
I've noticed the fetishes for a while, especially all the scenes involving adults in diapers...
Da faq? I thought degenerates who can't keep their fetishes out of their work were being kicked out of these industries. Or at the very least getting told to tone it down after things like quiet on set make a lot of these jokes in older eps/shows a lot harder to stomach in hindsight.
Maybe if the Animation Guild spent more time fighting to stop shipping jobs overseas and less on forcing DIE into shows while raising union fees this wouldn't have happened!
It's funny these "animation workers" (an irritating term) are moaning about outsourcing jobs when it was apparently decided years ago outsourcing actual animation production to Korea, etc. was OK while domestic production infrastructure collapsed and shrank, to the point where American "animation workers" often have scenes in their shows making "jokes" about how their shows are mostly animated overseas in sweatshop studios, because they've accepted it as a fact of the business. If you have the nerve to ask why it has to be like that, why is outsourcing is necessary and why can't domestic production be rebuilt, certain people in the industry will act like you're a racist who just started reading out loud from a KKK tract.
Habibi, half the people in the West that do know how to animate have a portfolio built on Rule 34.
With a profile picture like that, our boy would know.
I noticed that from what little I've seen, they've been giving more focus on side characters that were basically one-offs from the earlier seasons to say "Hey, remember this?" to an audience that doesn't.
I can't exactly describe why, but the show just doesn't feel like "SpongeBob" anymore. Even at its previous lowest, during seasons 6-8, the show still felt decidedly like it was still "SpongeBob" in spite of the gross-out/shock humor. Some of what I've noticed contributes to it is a much more ADHD animation style, where it feels like there has to be something bouncing around, or flashing colors, and loud noises, all the time (like Teen Titans Go).
He was also the voice for the Tattletale Strangler.
I had this theory that Vincent Waller might be the one inserting these type of weird jokes in, since he's the current showrunner alongside Marc Ceccarelli
Yeah, he's voiced a bunch of minor characters in the show. He was in the first movie too. Hell, David Bowie was a major character in Atlantis SquarePantis, and you wouldn't even know it. Adam West & Burt Ward voiced a young Mermaid Man & Barnacle Boy alongside Ernest Borgnine & Tim Conway's elderly ones in an episode, and it fit pretty well.
I've heard that even as far back as the golden age, animators and cartoonists were putting some hint as to what tickles them pink in their work. Difference is they knew how to do it with tact, and make it actually funny BEFORE it got you thinking about the hidden depths.
