I still think breakable objects in metroidvanias was done best by the Ori games, where it's not a breakable wall, it's actually just a wall that's not on the same layer of the scene as you. So instead of bombing and shooting random little corners you investigate the layering of the wall to see if it looks correct, also less tedious.
That's like mistaking a little girl for a grown woman
why the pal version?
this is Sony we are talking about. That tweet would have made him a shoe in.
Cuphead is a Run and Gun and not a metroidvania.
Resident Evil 4 can also be blamed.
It doesn't nesscierily need it, but it's probably the only argument of his that has any merit because other games of the same genre made their breakable walls and stuff more visible than what's in Dread.
I know they give you an ability, but it's kind of redundant for a metroidvania since exploding walls is a core gameplay mechanic, so they should have just made them that visible from the start so you don't need an ability.
The PAL version of TM:Black was heavily censored and it felt like a shell of the former games.
That's what happens when you're the "hero" in a Greek tragedy. Everything that befalls you is your own doing. "I'm edgy and bitter and have nobody to blame but myself and I really want everything back that I took away from myself" is already as far from your typical modern-day edgelord as you can get. Kratos didn't hate the world for what it did to him. He hated himself for what he did to him. Big difference.
Kojima's cult of personality is closer to an actual cult.
