I think you might also misapprehend what isekai is. The whole point is "fish out of water." A Japanese high school girl sent back to the time of the Crusades fits squarely within the genre. There's no crossover with Buscema here. Buscema's characters were of their own time/universe. Conan himself is a product of the Hyborian Age.
Yeah, that's what I'm trying to say (poorly) - the target demo that would be interested in a 1970s DC Comics sword and sorcery/John Buscema tribute like
Deus Vult are usually in their late 40s/early 50s, or are niche collectors like Jon, while isekai manga starring high school girls is a very current genre popular among teens. There is no real crossover (as far as I can see) of people into
Deus Vult that isekai would really appeal to, so it begs the question of why tie the two comics together in the first place.
I'm late I know but why does Quartering care what EVS thinks? Frosk would be a big draw for his channel yet he decided to drop her so he could have a gay beef with a comic book artist?
An outsider like Frosk attacking the anti-sjw base as self-hating coomers is great for Jeremy; it allows him to rally said base around the shared victimhood and place himself as their champion (and vice versa as far as Frosk goes). An insider like Frog appealing to the people that make up Quartering's audience by arguing that there are more meaningful and effective ways of resisting woke culture beyond consuming it and getting mad strikes me as less great for Jeremy and something he'd like to keep away from his followers as much as possible.
While at first both sides found common ground and built an audience by voicing their dissatisfaction with the state of mainstream pop culture, they differed in approaches; Quartering (and others), by building their platforms by loudly complaining about whatever the algorithm directs to them until their channels reach such a size that their voices become unignorable (or they just retire with their wealth), whereas Comicsgate (after criticism & boycott of Marvel & DC failed to produce measurable change) works towards providing an alternative (in theory).
In time however it became clear these goals were mutually exclusive: if people actually stop watching Disney/WB slop and move on to alternative media for their entertainment, guys like Quartering and Nerdrotic are out of a job. Unsurprisingly, the pretexts for these guys to stop supporting alternatives became increasingly thin. Likewise, if people just continue to angrily anti-consoom whatever slop Disney is putting out this week and express their displeasure of CW's Batwoman in the form of superchats to Quartering/FNT/G+G while they jerk each other off playing Mariokart or whatever, then there is no customer base for the creation of any alternative culture, venue for blacklisted creators and, ultimately, no impetus for change or challenging of the status quo beyond impotent, performative and easily ignored complaints from powerless zeroes. When Frog starts pointing things like this out, the response is generally along the lines of this:
Mainstream comics industry update: Whole lot of
New 52 hardcovers filling up the local dollar stores lately; presumably the major bookstore chains have to throw out as many of these unsellable things as possible to make more room for manga and it's cheaper than sending them off to the landfill. Even at $3 a unit though they seem to be clogging up the shelves. I'm not sure if the dollar store has decisively defeated Comicsgate yet; while the prices are far more competitive there's still around the same number of crackheads milling about.
