Careercow Robert Chipman / Bob / Moviebob / "Movieblob" - Middle-Aged Consoomer, CWC with a Thesaurus, Ardent Male Feminist and Superior Futurist, the Twice-Fired, the Mario-Worshipper, publicly dismantled by Hot Dog Girl, now a diabetic

[Arthur Morgan]

Lol "girls sex and drugs induced headaches" . If he means headaches in getting his hands on any, yes, I do believe him

Maybe he got headaches from taking too many painkillers for his aching ankles that were carrying too much weight.

 

[UserAccess]

It enthralled me and, however briefly, re-solidified my commitment to the series’ “mythos.” I hadn’t “outgrown” Mario; he was growing with me—following my lead, but still there for me...

God dammit. This passage pisses me off like nobody's business.

The first sentence reads like a compound sentence, but it's not. It's a simple sentence with a compound predicate masquerading as compound because this idiot doesn't know why he tossed in a conjunctive adverb. You'd have to make a compelling argument to use the possessive form of series. It's just a modifier of mythos and that's enough to distinguish it without assigning possession. Why the hell is mythos in quotations? How is it not a series?

The second sentence is a disaster. The first piece is a structurally correct compound sentence with two independent clauses joined by only a semicolon because there's no coordination or conjunction, but the continuation with the dash makes no sense. Granted, I'm only seeing the excerpt so perhaps the full section explains his goal, but my God. Again, why is outgrown in quotation marks? What's so nebulous about this word that it needs them? If it is that nebulous, use the correct fucking word instead. Bob! If you can not write, hire someone to help you! Your diction and syntax are so poor that it takes three passes to understand what the fuck you mean!

Someone that doesn't know anything about electricity calls an electrician to replace an outlet. An electrician does it himself. A person with just enough knowledge to be dangerous tries to replace it and shocks himself while setting the carpet on fire.

 

[Godzilla@1989]

It's pretty naive to think that Obama's campaign wasn't the "Democrats" best option. Hillary is overwhelmingly unlikable. In fact i'd say that the democrats are all unlikable, and that Bernie Sanders is what "average democrats" (tik tok leftists) want. The "upper class" left is still attached to the dog and pony show of Clinton, Kerry, and Biden. The urbanite utopian dream of enlightened self destruction.

Obama was the "young, nonwhite activist who rolled up his sleeves and spoke like MLK" he's the lebron james of political hackery. A perfect image. Hillary is not. People thought it was vengeance day when he was elected.

South Park - Celebrate Good Obama

The Obama celebration turns into an all-out street party. (Season 12 episode 12)

www.youtube.com

Idiots genuinely believed that Obama was some kind of savior that was going to unite the country and bring in that "european style" utopia that the liberal types think is possible if they just pay enough taxes.
If you want to act like theres a "Black Swan" event, its Trump beating Hillary in 2016. Unless of course, Trump is controlled opposition. Obama was a shoe-in. No surprise at all he beat the old white lady.

The only thing Hillary killed after 2016 was Katy Perry’s career.

 

[Positron]

Do we have any evidence that Bob is a part of the Patreon circle jerk where they rotate around pledges to make their numbers look bigger?

Given how much he reposts ebegging trans girls on Twitter I would think so, but I have no proof.

I checked a few months ago and neither Bobby nor Chris engaged in this trick, although they donate to some very interesting persons.

The only thing Hillary killed after 2016 was Katy Perry’s career.

Who?

 

[Pokemonquistador2]

View attachment 2138351
Getting minor celebs to do things for you is not a "game". Grow the fuck up and spend money.

Pro-tip: Onlyfans is your friend.

Patton Oswalt might guest-interview for Chris. He's a raging Leftie fedoratipper who likes to work with amateur web producers. I'm surprised AIDS Moby hasn't also been contacted since he worked with Bob awhile back.

It's amusing watching Bob blow his top over the lack of Mario Continuity. Wasn't he a fan of regular comic books and anime? Those things have all kinds of Alternate Universes and continuity issues. What was so special about the Mario Universe that Nintendo had to guard its' lore like the Dead Sea Scrolls? It was just another kid's franchise. What disturbed me most about Bob's rambling was how he credited Mario to saving his life, for providing him with purpose and a reason for living. This makes me feel that Bob's family didn't spend a lot of time with him. You don't build a religion around a thing you CONSOOMED as a child unless you're utterly isolated and completely hate the humanity that surrounds you.

 

[MirrorNoir]

And no one is getting mad at the new Flintstones series because nobody gives a damn about the Flintstones. they didn't give a damn about it back when it got that awful 90s movie. The Flintstones was basically "What if we set the Honeymooners back in the Stone Age and did a lot of gags about modern appliances being made out of rocks and twigs?"

Actually they are upset for a ton of reasons:

1. Elizabeth Banks is a talentless cunt who is super fucking woke and screams "MISYGONY!" whenever she fucks up, produces a huge steaming flop, or called out on being a cunt of the highest order to people who are fair game for abuse by members of the church of the anti-life. She's basically desperate for a franchise of her own to make her big bucks and famous too, but has repeatedly failed miserably due to her woke shit and her general cunt nature.

2. Seth McFarlane TRIED to reboot the franchise but ultimately ran screaming into the night because Fox wanted mean spirited Family Guy 2.0, which Seth EXPLICITLY refused to do to the point that he sat on the rights until they expired (and were scooped up by Banks) rather than rape the franchise, as Seth explicitly wanted to make a reboot of the franchise that fit the G-Rated tone of the original.

3. The only other major Flintstones project of the last ten years was a comic reboot written by an edgy anti-God atheist who got fired from DC for wanting to write a story about God disowning Jesus for an edgy Superman expy and who's entire career has been filled writing smarmy SJW "all establishments and institutions are corrupt because of those evil old white men!" bullshit.

The run was a hot mess to put it mildly: Fred was raised by a random gay couple who lived in a compound of strangers who had orgies all the time and that Fred didn't know which of the sex cult members was his real mom and dad and that Wilma/Fred themselves are living in sin and refuse to get married because his gay adopted parents couldn't. Both Fred and Barney are war veterans and have killed people, with Bam-Bam being a war orphan Barney adopted after murdering the kids family. The town's mayor was a Trump stand-in who the town boarded up into his office building so they could ignore him and his authority (and the mayor being too dumb to realize what happened to him), and God/Christianity a literal scam several "intellectuals" came up with to try and control the town with Peebles repeatedly mocking the concept of God via atheist talking points about the 'absurdity" of religion relating to whether or not God existed.

The only redeeming thing is a tearjerker story about the animal appliances and one of their deaths that only had power due to the artist drawing them in a kawaii fashion; but the bulk of the twelve issue mini-series was smug liberal bullshit that mocking small town America and society while offering no real solutions except being smug "too cool for school" liberal cynics.

I'm going to assume you are a zoomer who was born right around 1999/2000 and as such, never grew up with the Flintstones (who were fucking EVERYWHERE in the 1980s and 1990s, until they got shipped off to Cartoon Network around 1995-1996). But for those of us who DID grow up with them on TBS and WGN, watching them religiously as kids, it is a big fucking deal that a cancerous cunt like Ms Banks is going to rape the franchise.

It's incredibly disturbing to read that passage and illustrates how psychotic Bob truly is by trying to frame The Wizard as some cultural watershed moment. The film itself grossed nearly $15 million dollars, which made it a moderate success and more of a cult film for Nintendo fanboys. Compare that to the $250 million dollar North American gross of Batman--a film that has more claim to being a watershed moment than The Wizard. I was five going on six at the time and remember Batmania, Part II with some clarity while I never learned The Wizard's existence until I saw it at my neighborhood video rental years after its release. While I have little doubt that the film raised awareness of Super Mario Bros. 3, magazines like Electronic Gaming Monthly and GamePro (to say nothing about Nintendo Power) were around to cover the game because it was released in Japan in 1988.

Bob has to be a narcissist of epic proportions to believe the game that warped his personality had the same impact every kid of his generation. I can only speak for myself, but I was more interested in LEGO at the time and only played SMB3 whenever I went to a friend's house. Hell, I would argue that Sonic the Hedgehog and its sequel had more of an impact on me because I asked Santa (AKA my parents) for a Game Gear when I was nine whereas I never bothered to ask for an NES before then. Maybe I was deprived because my parents never took me and my siblings to The Wizard in December 1989. Oh, woe is me.

Not to defend Bob, but your ignorance is showing HARD.

The major video game magazines of the time of 1989 was mainly in their super infancy (Nintendo Power formally launched in 1988, EGM very late 88, and Game Pro in 1989. NONE Of THEM gave a fuck about Japan, or had any sort of section put aside to cover Japan's gaming scene and in the case of Nintendo Power, the magazine was 100% subscription only save for a brief 6 month period (where two issues and the four strategy guide issues dedicated solely to Mario 3, Ninja Gaiden 2, Final Fantasy, and the four player game add on were released for individual sale in electronics departments in late 1990) and EGM didn't even have wide distribution until around 1990.

Nintendo heavily leverage the promise of footage of SMB3 to get asses to see The Wizard and even put out a mini-magazine about the game for select theaters to sell to push the hype.

The hype was done in this manner in part, due to the fact that Nintendo of America opted to turn Doki Doki Panic into US Super Mario 2 and largely embargoed coverage of SMB3's release in Japan to avoid hurting SMB2's sales. They were willing to play the waiting game, because they knew SMB3 was going to be a big game and milk a super slow reveal for the game to maximize fan anticipation to the point of incorporating it into "The Wizard" while making sure that they got every penny they could ring out of SMB2.

But that said, The Wizard and it's standing in pop culture applies largely for capturing the zeitgeist for Nintendo in that moment of time. The Wizard is a pretty crappy movie and even the writers saw through the shameless Nintendo shilling (besides SMB3 it shilled HARD the Power Glove, which by the time of the film's release was a MASSIVE flop for Nintendo), which is why they inserted the last act twist towards the final 20 minute mark where the autistic kid KEEPS running and we find out that he was never trying to get to the video game championship tournament; the who point was to get to the park where he and his dead sister once played at so he could bury a time capsule of photos of him and his sister/keepsakes of her as part of an attempt to get closure on her death. That last 20 minutes is the only redeeming part of the film IMHO, but even then the whole thing is one big circle jerk for Nintendo that it only works as a curiosity of that moment in time in pop culture and even then, not even a good one as far as not holding up upon viewing save for the last twenty minutes.

 

[make_it_so]

As our good acquaintance/mad man @Adamska has documented, Bobert has this bizarre desire for everything he likes to be accepted as the most popular thing in the world. Everyone has to like Mario, everyone has to like the MCU, etc.

It's to the point where what he likes must be the only things allowed to exist. He's made it known that he fantasized about Sonic characters getting violently murdered and he hates the fact that Sonic had a successful movie. He opined that it would be great if capeshit took over the entire movie industry and pushed everything else out.

It really does go deep into everything about his worldview: if it isn't like Bob or he doesn't like it, its mere existence is an affront to him and must be eliminated.

He's literally a child trapped in an adult's body. And as we've seen, that attitude he has towards his favorite products translates over to politics, thus the midwest genocide fantasy.

And this is what makes MovieBlob such an amazing cow - an immature child's attitude about childish things transplanted onto every single aspect of life, spewed by someone who's in their 40's and looks like they're one fairly small amount of McDonald's for the average person away from exploding like that guy from the opening scene of Monty Python's The Meaning of Life.

 

[Jetpack Himmler]

Not to defend Bob, but your ignorance is showing HARD.

The major video game magazines of the time of 1989 was mainly in their super infancy (Nintendo Power formally launched in 1988, EGM very late 88, and Game Pro in 1989. NONE Of THEM gave a fuck about Japan, or had any sort of section put aside to cover Japan's gaming scene and in the case of Nintendo Power, the magazine was 100% subscription only save for a brief 6 month period (where two issues and the four strategy guide issues dedicated solely to Mario 3, Ninja Gaiden 2, Final Fantasy, and the four player game add on were released for individual sale in electronics departments in late 1990) and EGM didn't even have wide distribution until around 1990.

Nintendo heavily leverage the promise of footage of SMB3 to get asses to see The Wizard and even put out a mini-magazine about the game for select theaters to sell to push the hype.

The hype was done in this manner in part, due to the fact that Nintendo of America opted to turn Doki Doki Panic into US Super Mario 2 and largely embargoed coverage of SMB3's release in Japan to avoid hurting SMB2's sales. They were willing to play the waiting game, because they knew SMB3 was going to be a big game and milk a super slow reveal for the game to maximize fan anticipation to the point of incorporating it into "The Wizard" while making sure that they got every penny they could ring out of SMB2.

But that said, The Wizard and it's standing in pop culture applies largely for capturing the zeitgeist for Nintendo in that moment of time. The Wizard is a pretty crappy movie and even the writers saw through the shameless Nintendo shilling (besides SMB3 it shilled HARD the Power Glove, which by the time of the film's release was a MASSIVE flop for Nintendo), which is why they inserted the last act twist towards the final 20 minute mark where the autistic kid KEEPS running and we find out that he was never trying to get to the video game championship tournament; the who point was to get to the park where he and his dead sister once played at so he could bury a time capsule of photos of him and his sister/keepsakes of her as part of an attempt to get closure on her death. That last 20 minutes is the only redeeming part of the film IMHO, but even then the whole thing is one big circle jerk for Nintendo that it only works as a curiosity of that moment in time in pop culture and even then, not even a good one as far as not holding up upon viewing save for the last twenty minutes.

Unlike Bob, I am more ready and willing to say "mea culpa," eat a slice of humble pie on this, and learn something in the process. As I stated before, my memories of that time are hazy at best as I was more interested in LEGOs than I was in video games or movies. It still doesn't take away from the fact that Bob vastly overestimated the cultural influence of the Wizard and SMB3.

 

[MirrorNoir]

This is about as basic a take as you can have, but it remains fundamentally true: A systemically racist institution would never allow a black man to take a seat at the top of the totem pole, or anywhere within its structure that afforded him power.

You believe Russians can hack the US election, but a nationwide white supremacist cabal could do nothing to stop Obama securing two terms on their own soil? Fuck outta here, Bob.

Modern-day Danzig is a goofy motherfucker, but he's also absolutely right. Even the marketable pop-punk like early Blink 182 wouldn't fly by today's standards, and the fact I can't even fucking enjoy old DMX tracks without them butchering the 'problematic' parts is proof things are objectively worse.

It's the same with stand-up comedy: imagine Eddie Murphy doing pretty much anything from Raw or Delirious in 2021, he'd be fucking crucified, but it's still some of the funniest shit I've ever heard.

If your bar for happiness is looking like Ewan MacGregor in Trainspotting you should seek help immediately, and not with getting your tits cut off.

Delirious was embargoed for sale for 20 years and it took Murphy needing money to get the video reissued and even then, it's now OOP again.

Also, Blink 182 probably is a bad example due to the fact that the band self-destructed in part because Tom DeLonge (the super silly one) actually fucking grew up and shamed Mark Hoppus (the serious one who everyone expected to become the male Chrissie Hynde) so badly over Mark wanting to play the silly poop/streaking joke songs so badly that Mark spiked a documentary about their failed reunion and ended up churning out his own mid-life crisis album complaining about how he was having to grow the fuck up purely to spite Tom on the basis that Blink would forever outsell Tom's new band (Angels + Airwaves).

 

[instythot]

Patton Oswalt might guest-interview for Chris. He's a raging Leftie fedoratipper who likes to work with amateur web producers. I'm surprised AIDS Moby hasn't also been contacted since he worked with Bob awhile back.

It's amusing watching Bob blow his top over the lack of Mario Continuity. Wasn't he a fan of regular comic books and anime? Those things have all kinds of Alternate Universes and continuity issues. What was so special about the Mario Universe that Nintendo had to guard its' lore like the Dead Sea Scrolls? It was just another kid's franchise. What disturbed me most about Bob's rambling was how he credited Mario to saving his life, for providing him with purpose and a reason for living. This makes me feel that Bob's family didn't spend a lot of time with him. You don't build a religion around a thing you CONSOOMED as a child unless you're utterly isolated and completely hate the humanity that surrounds you.

Patton Oswalt... maaaaaaaybe. Assuming that Bob doesn't get all genocidal in the negotiations. As much as Patton might do the same from time to time, he also sobers up occasionally and can recognize normal behavior enough to land regular sitcom gigs

I think Chip would decline aids Moby. He's clearly fishing for some juice, not one of the morons who Pat's Bob's retarded head. Or, in a shocking display of Chipmaning, would decline Jack and ask if he could send Mike, Rich or Jay instead.

 

[TowinKarz]

He's literally a child trapped in an adult's body.

Which isn't a fatal flaw per se, some manchildren manage to leverage their cheerful doofus personalities into drawing comics or making toys or building model railroad empires or other pursuits that spread the joy or at least keep them busy and happy and out of your hair. But then....

And as we've seen, that attitude he has towards his favorite products translates over to politics, thus the midwest genocide fantasy.

You get THOSE ones, who not only don't grow up inside, but they don't grow up intellectually, spiritually or socially either..... they're still the same self-centered brats they were at 5, convinced the world is destined to be their oyster, that their mere existence vindicates God and history so why bother learning it? (the fact the world produced me is recursive proof of my importance) and everyone else is a meanie-head out to ruin their fun.

At least the lawful-good aligned manchild knows how to troubleshoot his tablet for drawing comics if it wonks out on him, or has the basic electrical understanding to fix his train engines when they break down.... but Bob-types are useless and skill less unless it's self-promotion and tantruming.

There's plenty of places in the world for dopey autistic fat guy (tm) to fit in and make a comfortable, if not exemplary, life. But the halls of power? From Washington D.C. to Hollywood pitch room? THose aren't one of those places.

 

[Pokemonquistador2]

Actually they are upset for a ton of reasons:

1. Elizabeth Banks is a talentless cunt who is super fucking woke and screams "MISYGONY!" whenever she fucks up, produces a huge steaming flop, or called out on being a cunt of the highest order to people who are fair game for abuse by members of the church of the anti-life. She's basically desperate for a franchise of her own to make her big bucks and famous too, but has repeatedly failed miserably due to her woke shit and her general cunt nature.

2. Seth McFarlane TRIED to reboot the franchise but ultimately ran screaming into the night because Fox wanted mean spirited Family Guy 2.0, which Seth EXPLICITLY refused to do to the point that he sat on the rights until they expired (and were scooped up by Banks) rather than rape the franchise, as Seth explicitly wanted to make a reboot of the franchise that fit the G-Rated tone of the original.

3. The only other major Flintstones project of the last ten years was a comic reboot written by an edgy anti-God atheist who got fired from DC for wanting to write a story about God disowning Jesus for an edgy Superman expy and who's entire career has been filled writing smarmy SJW "all establishments and institutions are corrupt because of those evil old white men!" bullshit.

The run was a hot mess to put it mildly: Fred was raised by a random gay couple who lived in a compound of strangers who had orgies all the time and that Fred didn't know which of the sex cult members was his real mom and dad and that Wilma/Fred themselves are living in sin and refuse to get married because his gay adopted parents couldn't. Both Fred and Barney are war veterans and have killed people, with Bam-Bam being a war orphan Barney adopted after murdering the kids family. The town's mayor was a Trump stand-in who the town boarded up into his office building so they could ignore him and his authority (and the mayor being too dumb to realize what happened to him), and God/Christianity a literal scam several "intellectuals" came up with to try and control the town with Peebles repeatedly mocking the concept of God via atheist talking points about the 'absurdity" of religion relating to whether or not God existed.

The only redeeming thing is a tearjerker story about the animal appliances and one of their deaths that only had power due to the artist drawing them in a kawaii fashion; but the bulk of the twelve issue mini-series was smug liberal bullshit that mocking small town America and society while offering no real solutions except being smug "too cool for school" liberal cynics.

I'm going to assume you are a zoomer who was born right around 1999/2000 and as such, never grew up with the Flintstones (who were fucking EVERYWHERE in the 1980s and 1990s, until they got shipped off to Cartoon Network around 1995-1996). But for those of us who DID grow up with them on TBS and WGN, watching them religiously as kids, it is a big fucking deal that a cancerous cunt like Ms Banks is going to rape the franchise.

Nah, I'm a Gen-Xer (unlike Bob) who saw The Flintstones as a kid in syndication, but I was more of a Jetson's fan since I was more into Sci-Fi. I knew the Flintstones were shown on Cartoon Network but wasn't aware of a large 90's era fandom. Am a big fan of the original Honeymooners, though. I don't think you could ever get away with a character like Ralph Kramden on TV today. Only Jackie Gleason could have come up with the right combination of blustering rage and sympathetic charm to play the character. Never saw the Honeymooners movie remake so I don't know if it was any good.

Anyway, that Flintstone comic sounds awful. It's the kind of thing that could only be written by a smarmy fuck who's secure in the knowledge that the people he shits over will never attack him. And yet he'll still feel he's making great strides for the Side of Good because he still thinks its Reagan/Bush Era America and Evangelicals are ruling the country with an iron fist.

 

[TowinKarz]

Anyway, that Flintstone comic sounds awful. It's the kind of thing that could only be written by a smarmy fuck who's secure in the knowledge that the people he shits over will never attack him. And yet he'll still feel he's making great strides for the Side of Good because he still thinks its Reagan/Bush Era America and Evangelicals are ruling the country with an iron fist.

Actually, sounds to me more like he's enjoying tap-dancing on the grave of 80's America..... now that he's 100% sure that "those kind" of people won't be rising again.... until 1/6 happened and put him in a state of permanent cold sweats.

 

[LordofCringe7206]

I randomly spotted Bob today when going through the Michael Tracey-Tom Morello fight on Twitter today.

Context for what he was shitting on Tracey for:

 

[Gaear Grimsrud]

That woman's family probably escaped from a country with a brutal dictator that the CIA installed.

 

[Positron]

The only other major Flintstones project of the last ten years was a comic reboot written by an edgy anti-God atheist who got fired from DC for wanting to write a story about God disowning Jesus for an edgy Superman expy and who's entire career has been filled writing smarmy SJW "all establishments and institutions are corrupt because of those evil old white men!" bullshit.

Tell me he now works for Marvel.

Michael Tracey speaks ill of one of the guys from Rage Against the Machine. Now he is in Bobby's crosshairs.

Yup. Bobby thinks Pussy Riot is a big deal. Typical coomer.




Has Bobby?



Bobby loves the CIA when they weed out people Bobby doesn't like. That they are now woke is just a bonus:


Glen Greenwald on the latest and wokest CIA recruitment video, which we made fun of in our SJW thread. Bobby, as usual, is not so much "missing the point" as "going 180-degree away from the point":


Yet when a woman that Bobby stalks after (the next Lindsay?) criticizes the same ad, Bobby is reduced to gibberish.


More CIA apologetics, and Gamergate:




+ + + +
Bobby is upset when people characterizes his intellectual-creative uberklass as "educated" rather than "smart":


Bobby thinks there is absolutely no way to prevent people using technologies to harm others. If the Dems go by this logic, they should stop limiting firearm ownership.



Meanwhile Bobby wishes mob justice on people who had erroneous beliefs:




Apparently Bobby thinks BLM is about equality and human rights, and that people discredit BLM because it has been monetized:





Which allows me to segue into the (largely) Capeshit part of this update:

+ + + +
Robert Lumière tells you artsy-fartsy cinephiles to "suck it up":


Huge spiel about MCU in which Bobby shares his vision of post-family, post-national Superior Future:



Both Black Panther and Disney Star Wars are disposable palp. So Bobby's comparison was likely to be appropriate.

Disney removed Dr. Strange from Wandavision because Kevin Feige thinks an empowered woman cannot stand competition with a man:


Let's hear how our Intellectual Triumvirate of Capeshit elaborate:


But not all is well in MCU wokeland: The Stinkface Larson Show got demoted. Luckily for Bobby, the new setup opens opportunity for lesbo tribbing:


More lesbo capeshit:


Black Widow:


James Gunn:






Breasts:


Slutpop whores (Instagram link; not sure if work-safe)


Cartoon:




Apparently impaling someone at the throat by an American flag is "patriotic".

 

[TowinKarz]

To "live down" shame, you must have been shamed by it in the first place...

You, personally, must have done something shameful, AND you have to have the empathy required to realize it.

Normal people cannot be shamed by the fictitious actions of fictitious people in film... it wasn't them and acting is not endorsing the portrayed behavior. By that logic, someone who put a sign around their neck that said "TOWIN KARZ" and robbed a bank should make me feel ashamed for myself because "I" was depicted by a third-party, doing something wrong.... which is pretty close to "you're bad if you're born white" SJW thinking now that you mention it.

 

[Nihil Jung]

Delirious was embargoed for sale for 20 years and it took Murphy needing money to get the video reissued and even then, it's now OOP again.

Also, Blink 182 probably is a bad example due to the fact that the band self-destructed in part because Tom DeLonge (the super silly one) actually fucking grew up and shamed Mark Hoppus (the serious one who everyone expected to become the male Chrissie Hynde) so badly over Mark wanting to play the silly poop/streaking joke songs so badly that Mark spiked a documentary about their failed reunion and ended up churning out his own mid-life crisis album complaining about how he was having to grow the fuck up purely to spite Tom on the basis that Blink would forever outsell Tom's new band (Angels + Airwaves).

whats the name of the doc?

 

[Andrew Neiman]

Bob going full fedora tipper and violent anti-mayo fantasy, yet again.

View attachment 2124409

MovieBob's tone is so incredibly off-putting. He could find a way to tweet that 2+2=4 that would tempt people to disagree just so as not to be associated with him.

 

[Mr._Blonde]

Black Widow? What's the point? Seriously, what is the point of showing this movie now? About 90% or so people saw Endgame. We all know she died. All the suspense in that movie is pretty much nil to none. Even the events spinning from the Falcon and Winter Soldier (Spoiler: Contessa Valentina Allegra de la Fontaine shows up to recruit John Walker for something in the future ((Thunderbolts)) and John Walker becomes US Agent) means jack now. They should have shown Black Widow before Captain Marvel. And still no X-Men? Not even a Easter Egg? I'm starting to feel Disney actually wasted money on Marvel. The rest of phase 4? Ehhhh.