Cartoon Industry thread - Showcasing the Spergery of the Animation Industry

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Animator with a ego as massive as his talent with Zero restrictions vs post Soviet ruskies forced into a closet until they can come up with something funny to fill a game with.
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It's like the inverse of Acme vs Coyote where if it released it would've been immediately forgotten and reposted from time to time on indian RETVRN accounts.

It's like an electrician/plumber trying to make a house all by himself because he's really skilled and perhaps the best in his field, basically the animation equivalent of groverhaus

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Like it's extremely impressive he did it all by himself,it technically worked out,you can live in it and NOT die. But effort and gumption does not make a good house nor animated film.
he card scene alone is infinitely better than what I can do,but I bet I could make a better movie. Probably not a movie with better animation,but a better movie none the less.
Honestly even if the Thief and the Cobbler had came out the way he wanted it would have either flown under the radar of Disney or become “muh 80s dark fantasy forgotten classic”,it wouldve been a dud but like Laura Palmer in it's death it has greater life.
 
Vinluv Handesbukia said:
View attachment 7702185


Animator with a ego as massive as his talent with Zero restrictions vs post Soviet ruskies forced into a closet until they can come up with something funny to fill a game with.
View attachment 7702186

It's like the inverse of Acme vs Coyote where if it released it would've been immediately forgotten and reposted from time to time on indian RETVRN accounts.

It's like an electrician/plumber trying to make a house all by himself because he's really skilled and perhaps the best in his field, basically the animation equivalent of groverhaus

View attachment 7702187
Like it's extremely impressive he did it all by himself,it technically worked out,you can live in it and NOT die. But effort and gumption does not make a good house nor animated film.
he card scene alone is infinitely better than what I can do,but I bet I could make a better movie. Probably not a movie with better animation,but a better movie none the less.
Honestly even if the Thief and the Cobbler had came out the way he wanted it would have either flown under the radar of Disney or become “muh 80s dark fantasy forgotten classic”,it wouldve been a dud but like Laura Palmer in it's death it has greater life.
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What are you on about? You found a CD-i animator(?)'s twitter but instead of focusing on that, you shifted gears into shitting on William's pet project movie instead of focusing on the fact a team member of CD-i games is still alive. Are you ESL?
 
Whoa-whoa-whoa, is the guy who EDIT helped to animate the Zelda CD-i games oh, he was just involved with the reanimation project, but he's literally saying that Richard Williams' flamboyant, theatrical animation style is cut from the same cloth as the people who did the CD-i animation? And so he decided to emulate that for his segment instead of just coming right out to say that "Yes, I actually studied his work and that's just how I animate even though I no longer like the man anymore"?

Bruuuuh the absolute ego on this Britbong lmao. :story:
 
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Kari Kamiya said:
Whoa-whoa-whoa, is the guy who helped to animate the Zelda CD-i games actually saying, nearly 30 years after the fact, that he was literally taking a potshot at Richard Williams' flamboyant, theatrical animation style?

Bruuuuh, that's not the "got'cha" he thinks it is lmao. :story:
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Vinluv Handesbukia said:
View attachment 7702185


Animator with a ego as massive as his talent with Zero restrictions vs post Soviet ruskies forced into a closet until they can come up with something funny to fill a game with.
View attachment 7702186

It's like the inverse of Acme vs Coyote where if it released it would've been immediately forgotten and reposted from time to time on indian RETVRN accounts.

It's like an electrician/plumber trying to make a house all by himself because he's really skilled and perhaps the best in his field, basically the animation equivalent of groverhaus

View attachment 7702187
Like it's extremely impressive he did it all by himself,it technically worked out,you can live in it and NOT die. But effort and gumption does not make a good house nor animated film.
he card scene alone is infinitely better than what I can do,but I bet I could make a better movie. Probably not a movie with better animation,but a better movie none the less.
Honestly even if the Thief and the Cobbler had came out the way he wanted it would have either flown under the radar of Disney or become “muh 80s dark fantasy forgotten classic”,it wouldve been a dud but like Laura Palmer in it's death it has greater life.
Click to expand...
He is not an animator of the original CD-i games, I think hes referring to a reanimated scene he made for the ZeldaCD-i reanimated
 
Idiot Sandwich the 3rd said:
He is not an animator of the original CD-i games, I think hes referring to a reanimated scene he made for the ZeldaCD-i reanimated
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Well geez, maybe if @Vinluv Handesbukia actually took English classes and knew how to actually string words together and present his material for us to see, we all wouldn't have been confused over his sperging over William's work or some shit.
 
That animation doesn't even look finished with all of the loose lines and bad perspective. The original CD-i animation is somehow smoother and more fluid. Also, how are you going to brag about making a story board for less than 10 seconds of animation?
 
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Why the hell are the adult cartoon reviewers acting shocked and grossed out over the trailer for Fixed? They demanded Hollywood produce more R-rated movies for years. What do they think the Jews in Hollywood would make? They cannot produce anything that isn't disgusting or political propaganda. At least Fixed does not look political, I guess. Unless Fixed a metaphor for transgenderism.
 
Battlefield2142EU said:
Why the hell are the adult cartoon reviewers acting shocked and grossed out over the trailer for Fixed? They demanded Hollywood produce more R-rated movies for years. What do they think the Jews in Hollywood would make?
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They want "arthouse" adult animation, not "adult humor cartoons". And yet, they ignore foreign films for doing what they want.
 
DeadwastePrime said:
they dont ignore foreign films. they specifically look towards the asian anime market (and some french productions if popular enough) after all
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Must all be retards who need dubbed versions of films. I don't recall any break in the regular release of Spanish, Czech, Polish, Russian, and Israeli animations for the past 80 years. And I personally believe that Australian and New Zealand animated films/shows still use the English language, though some may disagree.
 
Kari Kamiya said:
They want "arthouse" adult animation, not "adult humor cartoons". And yet, they ignore foreign films for doing what they want.
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It is well documented that they tend to hate Anime as much as Razorfist does. It overlooked how much they either ignore or hate French animation. They think western animation means North American and British animation. Like French animation does not exist.
 
Kari Kamiya said:
Also this push for more disability (amputee) rep is getting really uncomfortable that it may just be people pushing a fetish onto children. Her having a peg leg needs to actually be super-duper important to her journey because she'll have to learn to accommodate for everything around it and the hinderances she'll have to overcome. Her origin of having that peg leg also needs to be important to the story if they're going to be front-and-center about it because the audience can't be expected to be able to ignore it.

Look, Hiccup didn't lose his leg and Edward Elric his arm and leg so that shitty Tumblr amputee OCs can waltz about and do tricks around them like they never lost a body part. If you're going to insist on this, we really and truly need to see it happen because growth is crucial, and that's how you get children who do have prosthetic limbs come to terms with their disability.
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You invented your own story and got angry about it.
 
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You don't get it!!!! I need my Pixar beanmouth kiddy slop to make a krillion dollars NOW NOW NOW!!!
 
Western animation really needs to get over Walt Disney and stop hating him because a Jewish communist slandered him at every chance he got. You can't attack your foundations and keep your identity. Disney, by modern standards, was still insanely pro-worker. Spiteful, but insanely pro-worker. Kind of like Henry Ford, who was actually an antisemite who had an insanely Jewish lawyers, but was insanely pro-worker.
 
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