Christopher Vito Gesualdi / Vito / Vaedophile / CringleJingle / Co-Host of the "The Biggest Problem in the Universe" Reboot - Self-admitted paedophile, least funny comedian, lolicon artist, shotacon consumer, spousal abuser, snuff distributor and pet of Dick "Juju the cow" Masterson. Follows accounts making CGI of teenagers and generates AI images of lolicon hentai covers.

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Will physical copies of the fat nonce book be delivered by Halloween (Year 2025 edition)?

  • YES. He will fulfill his promises and Eric July will be epically lynched!

    Votes: 11 4.0%
  • NO. Also he is fat.

    Votes: 266 96.0%

  • Total voters
    277
While skimming this I didn't even fully appreciate how fucking pathetic his dreamgirl decription is.

View attachment 5749082

This description of his ideal woman is gayer than men fucking.
I just want to say that the design for Beck sucks. What about that design is supposed to say "spunky immature boyish tagalong that wants to be a hero but doesn't know how"?

If a young girl is trying to be a superhero in a world where they exist, she should be in some line of work that allows her to be around and to annoy superheroes to get more involved in their world. She'd be trying to be an assistant or something, not sitting complacent in a diner.
Fun fact: Beck is based off of Vito's now-deceased female friend. She's dead and now he's living out his sexual fantasies about her.
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He even commissioned art of her getting tentacle raped for this shitpile comic.
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The "sex appeal" of his comic is based off of a dead woman. Fucking sickening.
 
...promising to go harder on Eric
WHY. It's over. July has three comics out to mostly positive reviews. Vito's first one is delayed half a year again because he needs special pens or something and we already know it's dogshit. This is the stupidest feud, and their obsession with proving this guy is slightly less than perfect is almost creepier than the pedo stuff.
 
What about working at a diner indicates to anyone that she's trying to accomplish this goal either?
You're giving this more thought than Vito did. Female characters being waitresses in a diner was a common trope in the 80s and 90s, and because Vito doesn't have an original thought in his head that's what she is.

Same reason half his character descriptions are 'looks like [existing famous character or trope]'. His magnum opus is just stealing shit from other people who already did it better.
 
WHY. It's over. July has three comics out to mostly positive reviews. Vito's first one is delayed half a year again because he needs special pens or something and we already know it's dogshit. This is the stupidest feud, and their obsession with proving this guy is slightly less than perfect is almost creepier than the pedo stuff.

 
What about working at a diner indicates to anyone that she's trying to accomplish this goal either? A character's job is really important to what kind of person they are. Fight Club's Narrator works in soulless risk assessment, Superman+Spiderman are journalists because they have privileged access to major events, 1984's Winston works in the Ministry of Truth because history rewriting is the most important part of Orwell's vision of how the party maintains control.

If a young girl is trying to be a superhero in a world where they exist, she should be in some line of work that allows her to be around and to annoy superheroes to get more involved in their world. She'd be trying to be an assistant or something, not sitting complacent in a diner.
If I had to guess, it's some kind of "homage" to Sarah Conner in Terminator 1 who has a job as a waitress, and the idea is that she's a layperson out of their depth suddenly finding themselves tasked with something important. But I agree, the whole "my quirky tomboy NEET waifu who reads comic books" thing feels incongruous with the diner waitress in a trad outfit aesthetic.
 
I don't know shit about script writing but I don't think I should be able to see your disinterest grow stronger with each page.
I also think if it takes you a page and a half to describe what happens on one comic book page you definitely have no understanding how comics actually work.
EVERY page has four, five, six, even seven panels, I think they stopped making comics like that in 1957 probably.
 
The script is really, really basic. Something you would expect from a person who only consumes the most mainstream media like Rick and Morty or the Boys. There's a lot of lamp shading, if you're not familiar what it is, it's when you acknowledge your lackluster writing but do nothing about it. It's not clever, it's the most faggot thing you can do in writing.
The characters are shit. Beck wants to be a superhero, but she's happy to be a sidekick for the guy who just destroyed her world and killed its greatest hero. He's a villain, you psychotic bitch, all your friends and family are dead. Sam is cool and aloof, there's nothing to say about him, he's every millennial writer protagonist ever. Meteor Man supposed to be a Super Man stand it, but halfway in the story he's revealed to be a gay pedophile, who takes woman as hostage. *hits blunt* what if Super Man was a pervert. Breaking new ground there, vito. I hope he doesn't change Meteor Man's name and gets sued, would be a fun parallel to ISOM.
There are a million vitos trying to make it in LA. How are you special, vito? What do you bring to the table that differentiate you from other greasy pedophiles who try to make it in the industry? This is not good enough to be on the worst episode of Rick and Morty. If Ethan Van Sciver really liked this, he should just end it all.
ISOM maybe a mess narrative wise, but at least it's ambitious. It actually has a B plot, it introduces 10+ characters and plot for future books. Eric will learn from his mistakes and figure his shit out eventually, the foundation is there. Vito introduced 5 characters, 2 of them died. There's no set up for what to expect next, we don't even know why Sam is doing this (aside for promotional material)
It's shit.
 
I don't know shit about script writing but I don't think I should be able to see your disinterest grow stronger with each page.
I also think if it takes you a page and a half to describe what happens on one comic book page you definitely have no understanding how comics actually work.
EVERY page has four, five, six, even seven panels, I think they stopped making comics like that in 1957 probably.
Generic spider man type guy walks in
GSMG: woah, that just happened
SK: wow that's such hack writing


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Spider man guy stuffs a bunch of cigarettes in his mouth like that one Simpsons frame. SK makes a ^w^ face with a anime sweat drops.
SK: Sou, desu-ne~?


The script is really, really basic. Something you would expect from a person who only consumes the most mainstream media like Rick and Morty or the Boys. There's a lot of lamp shading, if you're not familiar what it is, it's when you acknowledge your lackluster writing but do nothing about it. It's not clever, it's the most faggot thing you can do in writing.
The characters are shit. Beck wants to be a superhero, but she's happy to be a sidekick for the guy who just destroyed her world and killed its greatest hero. He's a villain, you psychotic bitch, all your friends and family are dead. Sam is cool and aloof, there's nothing to say about him, he's every millennial writer protagonist ever. Meteor Man supposed to be a Super Man stand it, but halfway in the story he's revealed to be a gay pedophile, who takes woman as hostage. *hits blunt* what if Super Man was a pervert. Breaking new ground there, vito. I hope he doesn't change Meteor Man's name and gets sued, would be a fun parallel to ISOM.
There are a million vitos trying to make it in LA. How are you special, vito? What do you bring to the table that differentiate you from other greasy pedophiles who try to make it in the industry? This is not good enough to be on the worst episode of Rick and Morty. If Ethan Van Sciver really liked this, he should just end it all.
ISOM maybe a mess narrative wise, but at least it's ambitious. It actually has a B plot, it introduces 10+ characters and plot for future books. Eric will learn from his mistakes and figure his shit out eventually, the foundation is there. Vito introduced 5 characters, 2 of them died. There's no set up for what to expect next, we don't even know why Sam is doing this (aside for promotional material)
It's shit.

Kiwi farms faggots don't get it! Vito explained the super powers? Can you tell what Eric's shitty self insert's powers are?!!

ACK ACK ACK YOU'RE LIKE A FAT WOMAN
 
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The script is really, really basic. Something you would expect from a person who only consumes the most mainstream media like Rick and Morty or the Boys. There's a lot of lamp shading, if you're not familiar what it is, it's when you acknowledge your lackluster writing but do nothing about it. It's not clever, it's the most faggot thing you can do in writing.
The characters are shit. Beck wants to be a superhero, but she's happy to be a sidekick for the guy who just destroyed her world and killed its greatest hero. He's a villain, you psychotic bitch, all your friends and family are dead. Sam is cool and aloof, there's nothing to say about him, he's every millennial writer protagonist ever. Meteor Man supposed to be a Super Man stand it, but halfway in the story he's revealed to be a gay pedophile, who takes woman as hostage. *hits blunt* what if Super Man was a pervert. Breaking new ground there, vito. I hope he doesn't change Meteor Man's name and gets sued, would be a fun parallel to ISOM.
There are a million vitos trying to make it in LA. How are you special, vito? What do you bring to the table that differentiate you from other greasy pedophiles who try to make it in the industry? This is not good enough to be on the worst episode of Rick and Morty. If Ethan Van Sciver really liked this, he should just end it all.
ISOM maybe a mess narrative wise, but at least it's ambitious. It actually has a B plot, it introduces 10+ characters and plot for future books. Eric will learn from his mistakes and figure his shit out eventually, the foundation is there. Vito introduced 5 characters, 2 of them died. There's no set up for what to expect next, we don't even know why Sam is doing this (aside for promotional material)
It's shit.
Shit, I've read fanfic but was better. This feels like a story that a autstic teenager writes after binge watching a bunch of his favorite shows. It really does feel like Sonichu. It is structured and written just like Sonichu is. Speaking of which, can someone please make a photoshop of Vito and his OC's heads on the cover of the first issue of Sonichu?
 
God the way how women are written in this is just dreadful. Show this to the feminists over at r/MenWritingWomen and watch them have a stroke in real time. The women are written how a greaseball incel would write women.
I cannot describe how delighted I would be to read, or perhaps hear, a woman's take on Beck. See you in 3 years when the book comes out!

Also, Vito's comic has multiverses in it. For those that don't know comics, multiverses are mostly used by talentless hacks to tell a story or save a character from dying. Basically the "He is not dead! This takes place in Earth-934 not Prime Earth" bullshit.
Whenever I hear or see the phrase "Earth-#12345" my eyes glaze over. So, there are unlimited Earths? Not only that, but probably time-travel too. Your story is about individuals with special powers, but they are interchangeable with an infinite number of people who all have identical powers?

there's nothing to say about comic books tropes that hasn't been said a hundred times already and a hundred times better than this puerile guff.
NoooOoooo! There's so much more to say about Evil Superman! He's not overplayed!
Meteor Man.png
(I was told to give up Bing for a while, and return to Paint, let me know what you think)

There seems to be a general tendency to make the arms really short but the torso elongated. That's... unusual for a heroic male body, to say the least. It's more how you'd draw a female body than a male.
I would have never noticed that, but now that you pointed it out I can't un-see it. There is definitely something I don't like about this art.

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idk about you but I just read the script and this is NOT how I imagined them.

When the disheveled and bleeding anti-hero walked into the diner with the lovable loser heroine inside it, I imagined these two:
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That's Kyle Reese and Sarah Connor from Terminator. Despite their shortcomings, they are easy to like and easy to root for. Unlike Slime King and Becky or whatever their names are.

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Your incredibly resourceful and successful assassin looks and dresses like this? Really?

He wastes 4 lines of text and two (rare) pic references for a shoddy background Simpsons reference one panel after describing one superhero character in his superhero comic as "Batman-like", and refusing to elaborate. What the fuck does that mean in this context for the artist? Should the artist create a new character here? Isn't that your job as a writer? My man, making new heroes up even if it's for a one-panel visual joke or pun it's half the point of making a funny superhero comic. You can't be so creatively bankrupt you fail to see this. Then again, the main antagonist is superman with a M, so maybe I'm expecting too much.
If you take anything from this, Vedo, know that this is absurdly frustrating for artists. "Batman-like?" So, just draw Batman? No... but don't draw not-Batman. So what the fuck are they supposed to draw? As the writer you have one job: don't fucking leave everything to the artist's imagination.
 
Fun fact: Beck is based off of Vito's now-deceased female friend. She's dead and now he's living out his sexual fantasies about her.
View attachment 5750044
He even commissioned art of her getting tentacle raped for this shitpile comic.
View attachment 5750052
The "sex appeal" of his comic is based off of a dead woman. Fucking sickening.
Wow that's even worse than what we all thought. Absolutely vile. How long until Vito troons out to skinwalk her?
 
You're giving this more thought than Vito did. Female characters being waitresses in a diner was a common trope in the 80s and 90s, and because Vito doesn't have an original thought in his head that's what she is.

Same reason half his character descriptions are 'looks like [existing famous character or trope]'. His magnum opus is just stealing shit from other people who already did it better.
It's simple.
When it comes to fat neckbeard basement dwelling neets with zero social interactions, they project their pornographic fantasies onto the female characters they create.
 
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