you ain't kidding, they act like they a bunch of druggies
Oh that ain't nothing. They broke out Jim Sterling's favorite whipping boy from the old Greenlight days.
so what the hell did they work on that wasnt unity assets, shit writing, references to pop culture, events/characters from previous games, or forced politics/fetishes? vehicle combat? air sections?
Tons of equipment, worldspace, voice acting, scripting, etc.
This particular Wojak is something else. In their examples of "in-universe" fetishism they've included a little girl being sold into slavery. Did anybody see that scene and think "sexual?" I didn't.
I've started with Frontier. Can I play out my 'fascist power fantasy?"
He... he actually used his regular username on the fucking porn mods site? How fucking retarded can someone get?
The use of copyrighted content in a mod is usually a pretty bottom-of-the-barrel complaint, it's not like this is a commercial product, but then again, Frontier is both high-profile and on the Steam marketplace (albiet for free), so I wouldn't be surprised if this came back to bite them.
Ouch, yeah, I know the Crusaders intro is rough, but I didn't realize it was that bad from the Legion side. I got a bad feeling about it being an unannounced lock-in during the first meeting with the boss and managed to reload the autosave and nope out, but yeah, fucking ouch.
If there's one thing that Frontier does exceptionally well, it's demonstrate just how fucking genius OG Fallout and NV were for not using unkillable NPCs: it's fucking hard to make a story-based game that doesn't break into a thousand pieces the moment the player gets the power to just kill whoever they want.
Reflecting on it, there really aren't any unkillable essential NPCs in Fallout 3 or New Vegas (outside of children). Makes you wonder why they couldn't manage that in Oblivion or worse Skyrim where anyone attached to any major quest was fucking immortal.
3 had Dad and the named BoS characters, IIRC. It's actually an interesting little story across the Fallout and Elder Scrolls games themselves. In F1/2, your end goal was destructive in nature, the only problem was getting there, and in essence the entire main quest was simply the act of getting directions to where you needed to go. Even in Morrowind, Bethesda was unable to emulate this, and so they introduced the "essential" tag, which played the famous "with this character's death" message, essentially a glorified "congrats, genius, you broke it" message. This was then changed to immortality for Oblivion, apparently because console players thought that reloading the autosave was more obnoxious than the game just flatly refusing to let them kill people (also worth mentioning is that Oblivion introduced children, and something something ESRB). New Vegas walked it back towards the old Fallout games, limiting the essential tag itself to only children, but arguably halfway cheating by having Yes Man both reincarnate and be physically incapable of holding a grudge.
I was actually vibing to this pretty well for the first minute and a half, but HOLY FUCK A POWER ARMOR TRAINING MANUAL?! No, no that's not how that fucking works, what the fuck is wrong with you people?
Now that you mention it, the parallels are startling, what a timeline that both would be associated with the same song.
