NeoGAF & ResetERA - The Hilarious N̶e̶v̶e̶r̶e̶n̶d̶i̶n̶g̶ Splintering "Gaming" Forum Circus

Many people are upset at the New York Times who don't watch Fox News. Here's why.http://archive.is/f0uA4http://archive.is/f0uA4
As the Times broke a story today on Hillary Clinton, some of us brought up the New York Times's journalism and a frustration at this falling into a pattern of behavior for them. Others responded incredulously "It's News, why wouldn't it be reported"? And yes, it is news and deserves to be reported on and examined. But news can also be framed and reshaped. A single headline can drastically change public perception of a story in a "glass half-full" or "glass half-empty" way. And over the course of the last two years, the New York Times has engaged in a pattern of behavior that deeply concerns many who had previously relied on them for news and caused them to question their agenda.

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This started with their campaign coverage in the lead-up to the election.

"In just six days, the New York Times ran as many cover stories about Hillary Clinton’s emails as they did about all the policy issues combined in the 69 days leading up to the election.”


From the article - "The researchers found that the Times devoted much more online and print real estate to the campaign horse race and personal scandals for both candidates than it did to their policies on topics such as health care and taxes."

Now, while the NYT was far from the only journalistic entity exhibiting this during the election, as one of the US's premier journalistic institutions, seeing this type of ratio from them without any public accounting or contrition for their coverage decisions is concerning.

And this campaign coverage piece in particular only serves to further worry people. Investigating Donald Trump, F.B.I. Sees No Clear Link to Russia

The issue with this piece is simple: It's completely false. We know now that the FBI had independently opened an investigation into Donald Trump prior to this piece being published. By the time Christopher Steele presented them with his compiled Dossier, they had already opened an investigation due to George Padadopolous getting drunk in London and revealing things to Australia's chief UK diplomat. How the Russia Inquiry Began: A Campaign Aide, Drinks and Talk of Political Dirt

Someone wanted this piece out there pushing a false story. And the New York Times played ball. And unfortunately, it appears to some that they continued playing that ball game. Once Trump was elected, patterns in their reporting have concerned people about editorial decisions.

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The first sign that something unusual was going on w/ the Times's behavior was been their fascination with "Trump Voters". Since Trump's election, we have seen a slew of stories treating a trip into rural Ohio as something akin to a British adventurer diving deep into a far off land, sending back word at how different those people living there are.

One indication that something unusual was going on was when in June of last year, Michael Cohen, a Boston columnist, caught that the Times cited the same pro-Trump Small Business owner in two entirely different articles as evidence of support for Trump. (Even photographing him twice!) Twitter Chain here- https://twitter.com/speechboy71/status/871056260417933312

This pattern has only escalated since, with similar articles about "Real Americans" continuously coming out of the magazine. At the end of the year, they published a Trump Presidency year-in-review article on twitter as President Trump has brought a reality-show accessibility to a once-aloof presidency, invigorating voters who felt alienated by the establishment Recently, it got so bad that they gave their own editorial page over entirely to letters from Trump Supporters: New York Times’ Trump-voter fetish hits a low point as it turns over its opinion page to them And just today the Washington Post has thrown journalistic shade the New York Times with a piece titled Deep in Clinton country, voters stand by their candidate

Now, this again isn't unique to the NYT, the Post themselves have published a piece like this and gotten pushback on it. (A Hill piece looking at the WaPo piece and its context leads to an article pointing out the WaPo themselves have done this type of piece) But it's been especially noticeable out of the NYTimes, and there exists a concern that the pattern of behavior we've seen out of the organization is based on one thing:

Access.

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In a piece by NYU Professor Jay Rosen, he details concerns he and others have regarding the NYT's new social media policy, instituted this year. Pricing access to the Trump White House: the strange case of the Times social media policy In it, he details how NYT managment has locked down expression of poltical viewpoints by their reporters. Whereas before they would get into it blow for blow on twitter, now they must project a much more sterile, neutral facade to the world. And they're not really hiding what their motivations are.

Here the Guidelines swerved to include the voice of Peter Baker, senior White House correspondent for the Times who is not known for his dexterity on social platforms. (Thrush has three times as many followers on Twitter, Maggie Haberman 6X.) Baker spoke not about social media but his concern for what the White House thinks:

"It’s important to remember that tweets about President Trump by our reporters and editors are taken as a statement from The New York Times as an institution, even if posted by those who do not cover him. The White House doesn’t make a distinction. In this charged environment, we all need to be in this together."

You not only had to watch what you say but what you linked to. To stay on the right side of the policy, you had to be aware of where your links were headed, and distribute the destinations around.
The reason for concern becomes more obvious when you consider that Maggie Haberman, the Times' Chief WH correspondent, is known as "The Trump Whisperer". She's the crown jewel of the paper's White House coverage. She's known for having access to many sources within the adminstration.

And she has also gone on record w/ reCODE calling reactions to Trump "Shrill" and offered the following take on views of Trump in NYC vs rural areas.

“The five-borough view in New York City, of Trump, is so unbelievably different than the national view of Trump,” Haberman said on the latest episode of Recode Decode, hosted by Kara Swisher,recorded live in Austin, Texas at the 2017 Texas Tribune Festival. “The national view was formed over 14 years of ‘The Apprentice.’ I was amazed and people would go to Iowa and people would describe him like Thomas Edison: ‘He’s this innovator, he formed this huge business, he’s decisive’ and it’s, like, he fired Gary Busey. That’s who we’re talking about.”
The problem inherent in access journalism, just like in Video Games journalism, is that if a subject doesn't like you, they can have you excommunicated. If a publisher doesn't like the scores you're giving a game, they'll stop sending you review copies and giving you access to demos at trade shows. And if a White House doesn't like the way you cover them, they can stop giving you interviews and off-the-record talks.

Michael Wolff's book, "Fire and Fury", succeeded largely because he just burned all his bridges. He never intended to go back for a second helping of information, so once he had been blacklisted by Trump's new Chief of Staff, he sat down and spilled all he knew, free of the consequences. Someone like Haberman is going to be in a much more delicate situation, given the need to balance information with access.

And it's here that we enter the reason I wanted to create this thread, to create context for why there was criticism of the NYT's Clinton story today. It was not about the newsworthiness of the story. It absolutely was, and the tweets that USA Today found from 2017 showing pictures completely recontextualized the story for all of us who had a more forgiving and charitable outlook on the circumstances.

But the byline for the story was quite unusual. Maggie Haberman, a White House correspondent, was on there in addition to a second reporter. Haberman has been at her post covering the Trump administration for over a year now. An investigative piece on the Clinton administration was awfully strange coming out of her. And especially one with that strong a title, given that "Shield" implies complete protection, and that wasn't quite the case given the information presented in the NYT piece: Hillary Clinton Chose to Shield a Top Adviser Accused of Harassment in 2008

But it was less strange if you were to click on her name and look at the story she had broken 12 hours earlier. This one was hard to miss: Trump Ordered Mueller Fired, but Backed Off When White House Counsel Threatened to Quit This story, one that could single-handedly bring down a Presidency, one that somehow went unreported in June despite bizarre subtweeted statements by political officials at the time as well as rumors circling at the time, is one that could make you a legend. And it could also cut off your access to the West Wing.

In the film "The Post", the events surrounding the Panama Papers are examined by the film, and the precarious nature of access journalism is put on display. Be too mean, publish the wrong leak, run the wrong story? With a capricious, narcissistic President in tow, traditional norms are in short supply, and journalists risk being cut off at a moment's notice if they get on the wrong side. The consequences are real.

Which is why the open question for many reading that NYT headline and byline for many: Was the timing coincidence? Or was a piece aimed at Donald Trump's 2016 general election opponent, timed to run 12 hours later w/ a byline credited to the "Trump Whisperer" simply the price of maintaining access to a man with a notoriously short attention span?

This entire thread is gold. The New York Times went from lugenpresse to the alt-right to officially a neo-nazi publication according to Reset Era.
 
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No two ways about it. I'm genuinely radicalized... I am furious at pedophiles and pedo-apologists. One of my life's goals now is to live long enough to see children never again at risk of being molested and having their lives ruined, and to have pedo-apologia diminished as a relevant factor in progressive politics.

Yeah, yeah, I know what's coming next...

[USER WAS BANNED FOR THIS POST]
^Watch out everybody! We got a badass over here! Fucking hell. That's some MovieBob tier sperging.
 
Can't Create Myself In Most RPG's Monster Hunter World Let Me Down Toohttp://archive.is/knXqFhttp://archive.is/knXqF
This probably could be conveyed in a more professional manner, with examples of other games, details, and various screenshots to prove my point. However, this is pretty candid as I'm writing this after spending over an hour in Monster Hunter World's Character Creation. Fortunately, the beta didn't allow for very detailed character creation so I was unaware till now of the limited hair style options in the game.

Upon watching previews and reviews of the game I was impressed with how detailed the character creation seemed in Monster Hunter World, I've been playing the series since the PSP and have enjoyed the evolution of the series. However, this game, like many others in its genre, tends to leave out hairstyles and facial features which many would describe as being features or physical attributes commonly seen in Africans, African-Americans, Aboriginals, i.e. Black Features. Regardless, my complaint today is the lack of a freaking simple buzz cut!!!

I just want to make a character that looks like me... I feel that it's always been a challenge, especially with JRPG's or MMO's with Japanese developers. Heck, even Western games with character creation give me trouble. I was pretty surprised when even the safe bets of Afros, Dreadlocks, or even Cornrows didn't appear in this game; Monster Hunter World.

Tweeted about it here with a photo of myself and the avatars I gave up on. Going to my default, playing as a Female Avatar. On the, old site, I complained about Xenoblade Chronicles X having a similar issue.
https://twitter.com/KoKuTanLuFi/status/957116822175719424

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EDIT: Thanks for the feedback guys, I did manage to settle on a female character with partial braided hair, reminding me of Sombra (Overwatch) and Laura (Street Fighter V). The hairstyle was actually DLC (Free).

He's mad he can't make an exact replica of himself.
 
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There's something about character creation modes that seriously rubs those colored puzzle pieces together.

I hope science figures that out at some point.

What gets me is that the one on the left is a good approximation of him. He mad it's not identical. Very few people can make identical replicas of themselves in video games.
 
What gets me is that the one on the left is a good approximation of him. He mad it's not identical. Very few people can make identical replicas of themselves in video games.
My friend, you know that only autism has any chance of explaining this phenomenon.
 
New information on The Last Night means a new opportunity to whine about the developer's tweets.
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I usually cherry pick the exceptional individuals. In this thread, I'd have to cherry pick the comments actually talking about the game.
Mark my words, this thing will very likely sell well. Those were the same kinds of responses ResetEra had to A Hat in Time's launch.
 
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Not only is it crazy that they don't understand the very purpose of science fiction - to hypothesize a future world based around current trends and predictions and attempt to examine potential consequences to the of those changes over time to both the individual and society - It is just hilarious and dumbfounding and just plain goofy to me that they take offense on such a personal level at the possibility that a future world where everyone gets what they want and has infinite free time and no hardship might cause psychological/social problems. Even if you phrased it in such a way where you still admit that universal social services were desirable despite said hypothetical new problems they'd still hate you.

I guess that's the defining characteristic of the extremist: If they didn't think of an idea first, then it's not worth thinking of to begin with.
 
New information on The Last Night means a new opportunity to whine about the developer's tweets.
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I usually cherry pick the exceptional individuals. In this thread, I'd have to cherry pick the comments actually talking about the game.

You know, I, for one, wouldn't be so prone to mocking their asses if any of them could be even remotely inclined to get Soret's fucking setting right. I mean I'd still do it, it's a forum full of people convinced that the Autism Holy War is still going strong, but I'd be doing it because they're ideologues, not because they're fucking morons.

The whole premise is that it's a world where universal basic income (UBI) has given people an acceptable living standard but at the price of creative stagnation and drowning mediocrity. Without cause to excel, people don't. The reason Quinn and so many other people took offense to the game isn't merely because Tim Soret was a GG supporter and tweeted about it once years ago; it's because he's fundamentally attacking one of the sacred tenets of the extremist left (that UBI is a fucking panacea to all their problems).

It's a pretty terrifying scenario in its own right, too, because it's pretty much accurate as far as human behavior goes. Think how many cows we cover that are SSDI or Welfare leeches, and are solely because being so is less effort than actually working. One of the reasons I'm curious where Soret's taking this is specifically because it's likely to give us some insight on where their most-touted endgame lies, and I'm pretty sure it's not a pretty one for those in it.
 
You know, I, for one, wouldn't be so prone to mocking their asses if any of them could be even remotely inclined to get Soret's fucking setting right. I mean I'd still do it, it's a forum full of people convinced that the Autism Holy War is still going strong, but I'd be doing it because they're ideologues, not because they're fucking morons.

The whole premise is that it's a world where universal basic income (UBI) has given people an acceptable living standard but at the price of creative stagnation and drowning mediocrity. Without cause to excel, people don't. The reason Quinn and so many other people took offense to the game isn't merely because Tim Soret was a GG supporter and tweeted about it once years ago; it's because he's fundamentally attacking one of the sacred tenets of the extremist left (that UBI is a fucking panacea to all their problems).

It's a pretty terrifying scenario in its own right, too, because it's pretty much accurate as far as human behavior goes. Think how many cows we cover that are SSDI or Welfare leeches, and are solely because being so is less effort than actually working. One of the reasons I'm curious where Soret's taking this is specifically because it's likely to give us some insight on where their most-touted endgame lies, and I'm pretty sure it's not a pretty one for those in it.
My only concern is that 1 of this game's 2 main selling points (the plot) is quite susceptible to smear attacks and politically-motivated "criticism", if many outlets report that the story is "disappointing" or "goes nowhere"..etc, then normies may think that it is indeed so and not buy the game.

The 2nd selling point is the amazing visuals, they are both unique looking and beautiful at the same time, it is made with a very risky art style (and possibly story) that no AAA developer would ever try nor even approve, which is full proof of the worth of indie gaming's biggest pillar & selling point: Lack of creative oversight from non-creative individuals, it's too bad this pillar has been abused to death by the dominant indie clique and assholes like Phil Fish & Zoe Quinn.

I for one hope that Soret gets it right whether they do this or not, because this is one of the few story premises I can actually say is "ambitious" without cheapening that word. In fact the whole game can be described as ambitious.
 
You know, I, for one, wouldn't be so prone to mocking their asses if any of them could be even remotely inclined to get Soret's fucking setting right. I mean I'd still do it, it's a forum full of people convinced that the Autism Holy War is still going strong, but I'd be doing it because they're ideologues, not because they're fucking morons.

The whole premise is that it's a world where universal basic income (UBI) has given people an acceptable living standard but at the price of creative stagnation and drowning mediocrity. Without cause to excel, people don't. The reason Quinn and so many other people took offense to the game isn't merely because Tim Soret was a GG supporter and tweeted about it once years ago; it's because he's fundamentally attacking one of the sacred tenets of the extremist left (that UBI is a fucking panacea to all their problems).

It's a pretty terrifying scenario in its own right, too, because it's pretty much accurate as far as human behavior goes. Think how many cows we cover that are SSDI or Welfare leeches, and are solely because being so is less effort than actually working. One of the reasons I'm curious where Soret's taking this is specifically because it's likely to give us some insight on where their most-touted endgame lies, and I'm pretty sure it's not a pretty one for those in it.

One small dissent in that one aspect of idea is not all that new, but the fact only Soret's game has gotten these idiots chimping instead all that used the same theme before it just heightens the hypocrisy.

Soret may be using UBI and deconstructing it, but media taking the idea of a lazy society encouraged to be indolent because they are provided all they want instead of working for it has been covered before.


Aldous Huxley's Brave New World covered this theme that removing all reason to strive for something leads to a craptastic world, but he just replaced income with a society specifically tailored to be the wet dream of modern day IDPOL types.

His world was one where everything was highly automated, society was designed to slot everyone into a niche, and people were allowed to fuck who they wanted and indulge in drugs that kept them docile and happy, but in exchange creativity came to an end.

The protagonists are those who realize this kind of world, while nice on the surface, it's really a joyless world of hedonism and pointlessness. People have no reason to have ambition and are discouraged from showing any, so the world has no high culture, no ideals, and no progress towards anything better, and most have their urge to care drowned in sex and drugs, while those that do care realize they live a world where any creative urge they feel is not only ignored, it's regarded with contempt.


As for vidya games, Chrono Trigger had a major subplot where a magical kingdom thrived in a society of laziness and complacency because they had all their needs fueled by magic, most too happy with their cushy lives to dwell on the fact their source of power was a Cthulhu they were slowly awakening the more they took advantage of it, and by the time they realized their mistake, most of them died.


Star Ocean 3 had a big twist where it's discovered the known universe is a big MMORPG played with by another universe, and the people said other verse are so busy with this they don't notice or care that why they are enjoying themselves, their batshit leaders can exercise all sorts of ridiculous power over them and the people of MMORPG verse and they are ignorant of the atrocities said leaders are doing because they are too addicted to being lazy fucks.


Basically, Soret isn't so much covering new ground as he's taken ground visited before and applying it to the sacred cow of the very hedonistic shits autistically screeching about it and daring to show why their Paradise is really Inferno in disguise.
 
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