- Joined
- Oct 1, 2014
as someone with 3 years of experience in the animation industry Her art is pretty much standard to a lot of hires we have working in our studios. Her style is very derivitive of SoCal queer punk underground artists and has a lot of technical value hiding under the surface
You know how some musical acts will specifically contain elements in their artwork that is purposefully abrasive for the sake of alienating outsider groups (think Velvet Underground and Big Black)? This is that same concept. Most of you come from high or middle class families (theres absoluetly nothing wrong with this) but you also have to realize this is coming from an influience of traditionally overlooked or underrepresented groups in america, and that's not something you're going to find aesthetically pleasing at first glance.
You know, you have a point, but I think you neglect that Rory herself is from an upper-middle class background (her moms are both doctors) and isn't from SoCal and isn't even punk; she has a good grasp on art but her attempt at purposely uglifying things is performative. It's ugly, but it's also very surface level. It's a very lazy kind of ugly and the thing is, I'm not sure how intentional it is.
I've defended Rebecca Sugar's art style in this very thread as being a very purposeful kind of ugly that manages to have appeal. Rory's definitely aping Sugar's style, but it's the watered-down Sugar from Steven Universe, which ironically enough is made to look more cutesy and simplified than Sugar's usual work.
I certainly appreciate your challenging of the echo chamber in this thread but I do think there is some merit in saying that her artwork is rather slipshod, and I think that has a lot to do with her ego. It's caused her work to stagnate in some uncomfortable place between cutesy and ugly that fails to be ugly-cute but isn't ugly enough to really stand on its own legs. It just comes across as crude and unfinished. Rory is still trying to suss out her style but she acts as though she's already perfected it and takes criticism of her work very poorly.
I'd also argue that her exaggeration of racial stereotypes could be pulled off, but she's not exactly R. Crumb here. She's not presenting them in a grotesque way to make the viewer uncomfortable, she's doing it as a genuine attempt at appearing "progressive," and then slinking off when the very people she's trying to appeal to think her depictions are offensive.
TL;DR it's pretty much her attitude and the way she presents herself and her art that's getting her this kind of backlash more than anything else.