Careercow Robert Chipman / Bob / Moviebob / "Movieblob" - Middle-Aged Consoomer, CWC with a Thesaurus, Ardent Male Feminist and Superior Futurist, the Twice-Fired, the Mario-Worshipper, publicly dismantled by Hot Dog Girl, now a diabetic

How will Bob react to seeing the Mario film?


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"I don't want religions to be persecuted, but I totally want religions to be persecuted."

Just a reminder that Thomas Jefferson, whom modern Democrats used to consider their spiritual founder, was so proud of having written Virginia's statute of religious freedom that it's engraved on his headstone, when the fact he was the third President is not.
 
Another variation on the theme of tactics-targets:

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People risking life and limb to preserve their way of life is now "temper tantrums" to Bobby:

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I have no idea what he means by "Shakespeare's shared universe", considering many of Shakespeare's plays aren't even set in England:

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Of course he likes Thor: Ragnarok, but I suspect for all the wrong reasons.

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What is it with him being so obsessed with capeshit being intentionally self-parodic?
 
Holy shit Bob...Every time I think Bob can't surprise me anymore he go's and spergs harder. Like what did DC ever do to you besides daring to compete with your beloved Marvel Bob? This just isn't healthy.
Meanwhile Bob continues to demonstrate that the Superior Future will be a Fascist's wet dream. Freedom of Religion is such an Obsolete America thing.
 
They wanted a more unified theme connecting the movies. If you'll notice all the original Avengers in the MCU were tied to the idea of technological advancement. Iron Man is self explanatory, Captain America's origin was rewritten to add Howard Stark building a machine to make him, Hulk was rewritten into being a failed Super Soldier connecting him to that, Hawkeye and Black Widow were both written as SHIELD agents which was started by Howard. Thor would've sticked out so they rewrote him as part of an alien species who's abandoned tech on Earth was one of seeds for all this happening. Even the later stuff is generally connected to Stark or his dad.

Personally I'm not a fan of writing something in that way. They've seemed to have lightened up a bit on it with Dr. Strange.

That's because the MCU draws heavily from the "Ultimate" line of reboot/alternate universe comics that Marvel had running for 10 or 12 years. For example the current MCU Peter Parker is the Ultimate Peter PArker. Still a teenage High Schooler. Movie Hawkeye is Ultimate Hawkeye, a SHIELD Assasin. Not Classic Comic Hawkeye, a Carny. Hulk comes from trying to recreate the Super Soldier Serum. Most of the Super Powers good and bad go back to WW 2 and are offshoots or attempts to recreate Project Rebirth. In 2000 Marvel wanted to create a new easy entry line of their books, that didn't come with all the decades of established baggage. They opted to follow an old design concept from their failed 80's New Universe line. That of being fully interconnected and a bit more "real world". Everything is connected, everything stems back to certain key events or turning points. Of the main MCU characters Captain America is almost 100% classic comic version, as is Black Panther and more or less Dr. Strange. As said above Hawkeye, Hulk, Spider-Man are pure Ulimates line. Ant-Man, Thor, Iron Man, Falcon and Black Widow are sort of hybrids of the two lines with a lot of new.
 
Gotta love that Bob dismisses a conflict that killed 600,000 people as a "temper tantrum" buts spends ages bitching about a fucking comic book movie.
Really says it all about MovieBob, doesn't it?
 
Gotta love that Bob dismisses a conflict that killed 600,000 people as a "temper tantrum" buts spends ages bitching about a fucking comic book movie.
Really says it all about MovieBob, doesn't it?
Oh, you're referring to that limited skirmish in the mid nineteenth century?
 
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No Bob, he's calling you petty and deranged into thinking you have power, not saying you have any actual power. You would realize that if you weren't petty and deranged.
 
That's because the MCU draws heavily from the "Ultimate" line of reboot/alternate universe comics that Marvel had running for 10 or 12 years. For example the current MCU Peter Parker is the Ultimate Peter PArker. Still a teenage High Schooler. Movie Hawkeye is Ultimate Hawkeye, a SHIELD Assasin. Not Classic Comic Hawkeye, a Carny. Hulk comes from trying to recreate the Super Soldier Serum. Most of the Super Powers good and bad go back to WW 2 and are offshoots or attempts to recreate Project Rebirth. In 2000 Marvel wanted to create a new easy entry line of their books, that didn't come with all the decades of established baggage. They opted to follow an old design concept from their failed 80's New Universe line. That of being fully interconnected and a bit more "real world". Everything is connected, everything stems back to certain key events or turning points. Of the main MCU characters Captain America is almost 100% classic comic version, as is Black Panther and more or less Dr. Strange. As said above Hawkeye, Hulk, Spider-Man are pure Ulimates line. Ant-Man, Thor, Iron Man, Falcon and Black Widow are sort of hybrids of the two lines with a lot of new.
I thought Ultimate Spider-Man was Miles Morales, not Peter Parker.
 
I thought Ultimate Spider-Man was Miles Morales, not Peter Parker.

Ultimate Spider-Man was Miles Morales after they killed off Peter Parker... 12 years into the book. Miles was kind of the beginning of the end for the Ultimate Marvel Universe.
 
I'm pretty sure that shared universes require crossovers.. Did anyone see Romeo's cameo in Hamlet?

Also, Bobbo is sure getting massacred on Twitter:
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Shakespeare's Shared Universe? Like King Lear -> The Tempest -> A Midsummer Nights Dream? I'm gonna go with "Thing's Bob's Never Read and Only Knows of From Cartoons!" for $1000 Alex!
 
Ultimate Spider-Man was Miles Morales after they killed off Peter Parker... 12 years into the book. Miles was kind of the beginning of the end for the Ultimate Marvel Universe.
:offtopic::autism:If you ask me Ultimatum was the point of death for Ultimate Marvel. Everything after that was just the corpse being manipulated for a few extra pennies.
 
:offtopic::autism:If you ask me Ultimatum was the point of death for Ultimate Marvel. Everything after that was just the corpse being manipulated for a few extra pennies.


Their were warning signs from earlier, the fact evenyone but spider man was a total prick, quicksilver and scarlet witch fucking, the way x-men never really clicked. People often state that SJW stuff is killing marvel but the truth is the writtings been a bloated boring mess for at least a decade now, the SJW stuff is just a really clumsy attempt to pump fresh life into things with new characters but being because the authors are sjw's the characters have twitter feed soundbites instead of a personality (except the new ms marvel since Sana Amanat can actually write).
I think what's instructive is that for all his droning I'm fairly confident Bob doesnt actually read marvel comics because nobody fucking does. Because they're shit.
 
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There are two types of male SJWs.
The Chris Evans type. Wealthy Famous Successful. Pure virtue signaling. Maybe some genuine belief depending on the person. Self confident and assured in their superiority over the Deplorable's
...and then theres the second type.
The Movie Bob type. The Andrew Dobson type. The exact opposite of the Chris Evans type in every way. I have always found these guys fascinating. Most of all their whole hearted self loathing and complete lack of self respect. These two traits combined drive them to prostrate themselves before an ideology that will only ever view them as "one of the good ones". Our dearest Blobby is merely the largest in a long sad line of cucks.
But the Chris Evans type is pretty much your typical Hollywood liberal. Those have been around for as long as there has been Hollywood.
 
Bob knowing Shakespeare? That's rich!

Hey, the Tetralogy stuff is what any decent Shakespeare undergrad survey of the canon will tell you. I didn't even get into the "Problem Plays," which are way more interesting than Bob's dummy "shared universe" idea. (One of them, The Winter's Tale, includes what is possibly the greatest stage direction ever written: "Exit, pursued by a bear.") I was just going from memory, but he really wouldn't have to do much research to learn about it. I'm actually genuinely curious as to what he's talking about, and even more so what undoubtedly ridiculous process led to him coming up with it.
 
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