Careercow Robert Chipman / Bob / Moviebob / "Movieblob" - Middle-Aged Consoomer, CWC with a Thesaurus, Ardent Male Feminist and Superior Futurist, the Twice-Fired, the Mario-Worshipper, publicly dismantled by Hot Dog Girl, now a diabetic

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How will Bob react to seeing the Mario film?


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Being a Thinker like Zuckerberg won't save you from Superior Future, unless you surrender your Thinkery invention to the Force of Good.
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Moviebob has literally never fought for the good guys, and the only reason Moviebob hasn't been brought on to help the bad guys is, simply, that even evil has standards.



Hunter Biden's laptop continues to generate interest:
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What Moviebob fails to understand here is that, if social media sites weren't protecting Fuckwit in Chief Biden's fuckwit son Hunter, Joe Biden would never have become Fuckwit in Chief.




What does this guy mean? In the best-case scenario, it's "hire more border control agents". Worst-case, it's "give these migrants and foreign nationals the jobs that actual Americans should be filling".

Speaking of workers.
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Obviously the key word here is "deserve".
Fuck you, Moviebob.



Bobby attempts to ridicule Peter Coffin (awww sweet!) backfired.
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I would never have put up such compromising photos or videos of myself like Bobby or Coffin do, even if these could occasionally drop a quarter or a dime in my pocket.
That image of Movibob in FellerYeller's post could be captioned, "Moviebob cowers in corner when provable facts don't conform to his opinions".



Moviebob alleges that this house adorned with Trump and MAGA flags "might not have anything to steal". My opinion of that same house: "If you dare attempt to steal from me, and everything below your neck will be transported to the morgue in a body bag; everything above your neck will be taken there with a sponge."

I agree with and endorse this sign's message.
 
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No Hands Productions, where Chris, Bobby and friends had fun making trashy zombie films in the tradition of John Carpenter's Vampires.

Ithaca Mourns: A Zombie Odyssey, in which the chief zombie killer (Jeremy Soltys) is a fat dude who wears a leather trench coat and reads Homer.
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The resolution is dismal but this is Bobby's character, a one-eyed zombie-killing hick. His voice is instantly recognizable.
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Snake Plissken has seen better times.

He eventually dies:
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These are fron the "what we are" video.
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Zombies say, Where are brains! No brains! WTF!

Catie/Katie, the Chipman sister who went away, was roped in their craziness
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First Catie got machine gunned:
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Then Bobby finished her off with a machette:
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No Hands Productions, where Chris, Bobby and fans had fun making trashy zombie films in the tradition of John Carpenter's Vampires.

Ithaca Mourns: A Zombie Odyssey, in which the chief zombie killer (Jeremy Soltys) wears a leather trench coat and reads Homer.
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The resolution is dismal but this is Bobby's character, a one-eyed zombie-killing hick. His voice is instantly recognizable.
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He eventually dies:
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These are fron the "what we are" video.
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Zombies say, Where are brains! No brains! WTF!

Catie/Katie, the Chipman sister who went away, was roped in their craziness (this is from a production called Now I Lay Me Down To Sleep)
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He did the title cards in Comic Sans :story:
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I didn't know Bob had moved out of the Revere basement.

Anyway his voter registration now lists him as living in Lynn, MA. It was previously listed as Revere.

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All mortgage documents for 12 Southside is in the name of Patricia Chipman. Who I can now confirm is Bob's mom after reading her husband Pete's, obituary,

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So it looks like Bob might have moved back in with his mom.
ah, so he's now once again the Lord of Lynn. Wonder what happened with the property owned by his aunt with complete asshole strangers living upstairs? Did she like, die and the estate had to sell the house, or the aunt sold the house to dispose of the property because it's more trouble than it's worth or something? Or was she forced to raise the rent too high for Bob to stay there and he had to move back to his literal mom's basement? I mean for all the flex of him boasting he no longer lives in the flooding basement hovel, he's now literally doing the thing he knows he'll get ridiculed for the MOST. (Also he's a fool if he thinks an offhanded comment like he no longer lives in flooded basement hovel won't activate our autism)

Unless, his mom literally bought him a house to live in, which is extremely unlikely at best.
 
Is Robert taking the casting of Chris Pratt as Mario even worse than I thought?
Yes he literally went on a large ongoing meltdown about how the entire movie will not be the lord of the rings epic he wanted it to be. If I were to compare it, it's similar to Chris Chan's generation 5 meltdown except a bit more grounded in reality
 
Now I don't know Bob's situation. It is possible that he moved back in with mama because of some health issue and he's there to take care of her, doing the one good thing in his life. It is also possible that he has no money and and he moved back in with mama until he could get some scratch together. It is also possible that he's finally reaching the end of his own love quest because why not? It's 2021 and the dam's already broke. Even Chris has said that love is love so clearly he wouldn't be against such debauchery.
He'll never get any money together unless he wins the lottery. The man refuses to get a real job because it would take time away for playing film critic online. We only know of Bob living on his own one time in his entire life. And it bears repeating that he only did it for a short time before he had to move back with his family.
 
NGL I feel sorry for whoever has to deal with the aftermath of Bob moving out of the Revere Flooding Basement Hovel™. Imagine looking at apartments (or looking to buy the whole damn house) and seeing the "Green Screen" painted walls downstairs and going "What the FUCK is THAT, and how many coats of some other color of paint will it take to make it go away?!"
 
It's a sci-fi term for taking monkeys and stuff and making them think like people.

I'm not even kidding.
Could also be an antiquated way to describe charitable reform efforts. H.L. Mencken mocked "The uplift" extensively in the 1920s, as a hobby for rich educated women with limited job opportunities to feel better about themselves. Being almost literal White Man's Burden stuff, it isn't too far removed from the sci-fi term now that I think of it.
 
I leave for a few days and catch up with the Mario and moving in with mom sagas. This is just delightful.

Picking on Bob Chipman is fun. He's such an easy target because he refuses to take a Twitter break and ask himself the questions that matter. Has anybody here ever mailed out a million manuscripts to slush piles? If you have, you've had the pleasure of countless impersonal and occasionally personal rejections. It stings! Yet, if you realize what's going on, you're receiving honest, meaningful feedback. Pretty soon you learn to love rejection because real feedback is worth more than gold. Makes you a better person, really.

Bob does not appreciate feedback. Shit, he doesn't even *tolerate* it. He'll sprain his fat fingers reaching for the block button while conjuring the saddest attempt to turn an insult into a compliment. "I've earned profit on all those books, so joke's on you!"

Now we've reached Mario territory. Now we've reached the point where Bob illustrates he's deliberately learned nothing over his career. Whatever casting, company, animated, whatever idea a studio comes up with, throwing a tantrum isn't the response. If you're a critic, your entire existence is predicated on maintaining objectivity until you see the actual product. You simply can't give an honest assessment of a work by screaming like a girl having her first period because the casting isn't what you'd choose. You're not making the movie.

Bob's simply an unpaid hype-man that gives out free publicity for the honor of seeing movies two days early. That's his entire life. I mean it - that's the sum of all his bellowing and studio blowjobs. He sees *some* movies two days early. Afterward, he'd go home to his basement and Nintendo posters with no wife, no kids, no pets, and no money.

Now that's even come to an end. No wife, kids, pets, and money Moviebob drags his ass home after seeing Ant Man 3 two days early to his mother's house. At 40. To dovetail back to the beginning, he's had all the feedback in the world to be anything but that guy but he mashed the block button and spent the afternoon wasting his energy on a snarky Twitter retort.

Of course, Bob will eventually spin this as some noble gesture. He'll claim his mother is sick or getting on in years and can't move that couch herself. That's true - mothers do get old sometimes. Most of us just get in our cars and drive over, move the couch, eat some of her expensive cookies and then drive back to our own GLORIOUS HOMES. Or, and get this one - if mom's really old and fucked up, you have mom move in with you. You know, into your nice new house that doesn't have the inconveniences of her old place.

Apologies for the mountain of text. When I see my favorite living misery's been screaming in the wind about fucking Mario and moving back in with his mother, it makes my little Grinch heart grow three sizes larger. I think I'm going to take my dog for a walk and pick sunflowers.
 
Sorry, this post is a bit late but I’ve always wondered, why are modern writers so against new ideas and independent thoughts?
It's not just SJW hacks with no talent and no original ideas, though that's part of it. Another part is covered in ShortFatOtaku's video about Netflix adaptations.
Another has to do with the all or nothing approach to profits.

When it comes to adaptations and translations, there's a certain disgust or lack of care, because it's something from outside the bubble. Games and anime are from outside of the movie industry, so they don't care if they're ruined in the name of politics. Those within the bubble (Ghostbusters, Star Wars) are a little harder to judge, but most likely it's because they appeal to nerds, ie. People they hate.

As for profits. Hollywood, much like AAA gaming, are stuck in an all or nothing race to the bottom. The constant need for quarterly "growth" over consistent, steady profits means either something has to be a 5 billion dollar mega hit, or it might as well not exist. The profits from that one hit are expected to cover the bloated costs of all the "failures".

An established IP is more likely to become a hit than an original property. They have to keep digging up the old over and over and over. Anything to tip the odds slightly in their favour.

after spending decades shitting on fans losing their shit like he currently is.
Remember when people like Bob and Lindsay mocked the people who were upset by 2016 Ghostbuster AFTER the trailers came out?
That's the gold for me. Mass Effect, Sonic, and Star Wars fans say "hi".

When is he apologising to James Rofle?
 
Bob hopes the movie flops when the issue is that Illumination basically uses low budgets and the way they work with their movies that guarantees it would make bank especially with the release date being when it's likely that COVID hysteria would be over so the current issues with the return to theatres wouldn't affect it. Who knew that Bob's desire for the theatres reopening would end up creating his worst nightmare.
Bob Chipman and the Mario Movie is pretty much a re-telling of the Monkey Paw.
 
It's not just SJW hacks with no talent and no original ideas, though that's part of it. Another part is covered in ShortFatOtaku's video about Netflix adaptations.
Another has to do with the all or nothing approach to profits.

When it comes to adaptations and translations, there's a certain disgust or lack of care, because it's something from outside the bubble. Games and anime are from outside of the movie industry, so they don't care if they're ruined in the name of politics. Those within the bubble (Ghostbusters, Star Wars) are a little harder to judge, but most likely it's because they appeal to nerds, ie. People they hate.

As for profits. Hollywood, much like AAA gaming, are stuck in an all or nothing race to the bottom. The constant need for quarterly "growth" over consistent, steady profits means either something has to be a 5 billion dollar mega hit, or it might as well not exist. The profits from that one hit are expected to cover the bloated costs of all the "failures".

An established IP is more likely to become a hit than an original property. They have to keep digging up the old over and over and over. Anything to tip the odds slightly in their favour.
That does make sense.

After all, these people only care about money.
 
This fatass was either not out at dinner or wanted to pretend he was important/busy enough to make the pleb wait for his judgment on bing bing wahoo.
If he was too busy to see a cast list, how come he's not too busy to be on twitter?

Get real Bob, you were stuffing your fat face with big macs in your basement apartment and crying about the cast.
 
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