Of all places Ubisoft could set their bastardized "historical" games in, they probably thought the usually polite japanese would be very welcoming to the "artistic rendition" of their society. They sure as shit wouldn't try that with China.
I'm so glad they misread the Japanese as similar to the white American liberals who hate themselves.
To add insult to Ubisoft's injury
"Showa American Story" is an upcoming game that combines American and Japanese culture (and some minor Chinese culture) and the setting is an alternative history where the US got colonized by Japan:
https://www.youtube.com/watch?v=H8O6gNEoLZw
It has been met with universal praise by the Nips (Japanese), Chinks (Chinese) and the Gooks (Koreans), not to mention the Crackas (Whites).
Remember though, these guys had teams of experts researching for historical accuracy. But cant be bothered to check a fucking date for any cultural significance or what the tori gate they're using is a historic monument to.
Whoever the "experts" are, if I remember correctly, none of the experts were Japanese, except a female race-traitor activist professor called Sachi Schmidt-Hori and if her name is any indication, probably got her tight Nipponese pussy fucked by a German/Nazi. She mainly writes on topics like faggotry and gender and one of her essays is "Tales of Idolized Boys: Male-Male Love in Medieval Japanese Buddhist Narratives"
The other expert is of course Thomas Lockley, a (((huwhite))) man (eg Polish Jew) living in Japan who specializes in fan fiction and history revisionism. His groundbreaking novel is about a nigger "samurai" (eg. lowly servant/clown/pageboy) and his source that We Wuz Samuraiz is like a few sentences/passages from Japanese historical documents. This book is probably ground zero/a major inspiration of Assassin's Creed Shadows. His other source is the Yasuke wikipedia article which he personally edits himself and uses his novel as a source.
According to some sources, Thomas speaks out of both sides of his mouth or his writings present 2 different narratives depending on whether the target audience is Japanese or English speakers. In other words, when presenting to the West the narrative is "Blacks Wuz Samuraiz" and my facts > your facts.
But when presenting to the Japanese, this "fact" is avoided or watered down and the discussion is actually more nuanced (maybe he was a samurai, maybe he wasn't, we don't have much evidence, etc).
(link not working ATM)
Conclusion: Thomas Lockley is a clout chasing Jew who wants to make his mark on the world by falsely proclaiming that Yasuke was a Samurai.
Thomas Lockley is currently MIA having been driven off the Internet by the initial early controversies.
Aside from the controversy, who is this even for?
Legacy Assassin's Creed fans, White people and their nigger pets.
If you want your spargaggle wee-wee fill in the ancient Japanese setting, there is Ghosts of Tsushima who ate AssCreed's lunch a long time ago and I bet you that people who really wanted an AC game in Japan just played this years ago. If you want to play as an assassin in the same setting, there is Tenchu
There's also Sekiro Shadows Die Twice by the ever reliable From Software.
My point is, who is the intended audience at this point? Maybe their die-hard fans who mindlessly buy anything with a Ubisoft label will move sales, but will it be enough?
Ubisoft niggercattle, Assassin's Creed niggercattle, White niggercattle, and nigger niggercattle.
Definitely don't expect support from Asians, Japanese or otherwise.
