- Joined
- Nov 8, 2017
If Bob can't even understand Venom, then I highly doubt he can understand Carnage. Then again, I'm expecting someone with extreme black and white morality to understand a morally gray character.
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I think he’s referring to the movies seeming lack of bathos. Bob has a problem with genre fare that takes itself seriously, which is why he enjoys the winking self-awareness of the MCU."Tries to be a real movie." What does that mean? Is it like the way Bob tries to be a real critic?
I don't get his thing with Venom. Is it because he sees he's in black and so assumes he's some edge master? This is a very childish rant.
Venom tends to change between villain and anti-hero at points. However, one of its children is solely evil and that's Carnage. Feel free to correct me if I am wrong.I don't get his thing with Venom. Is it because he sees he's in black and so assumes he's some edge master? This is a very childish rant.
More or less. Venom's "villain" tendencies are pretty much solely directed towards Spider-Man who he feels dicked over by Pete and the symbiote being rejected. The only straight up villain Venom was probably when Mac Gargon/Scorpion had the symbiote. He's an anti-hero and mostly fine working with anyone else. Carnage is more of the monster.Venom tends to change between villain and anti-hero at points. However, one of its children is solely evil and that's Carnage. Feel free to correct me if I am wrong.
More or less. Venom's "villain" tendencies are pretty much solely directed towards Spider-Man who he feels dicked over by Pete and the symbiote being rejected. The only straight up villain Venom was probably when Mac Gargon/Scorpion had the symbiote. He's an anti-hero and mostly fine working with anyone else. Carnage is more of the monster.
But as we know now (as per the interview with Michelinie in Comics Creators), it turns out that there were reasons why Brock was not as effective a choice for the host of the symbiote - he wasn't the one Michelinie had in mind! This story has pretty well made the rounds of fandom, but Venom was originally supposed to be a pregnant woman whose husband was killed in an automobile accident because the driver was distracted by Spider-Man. To add to the misery, the husband was flattened right in front of her. The shock forced her into labor, and she lost her baby, and her mind, in the process. The symbiote would find her in her grief and bond with her and the two would seek revenge against Spider-Man. While a misguided motivation, at least it wasn't because her misery was caused by her own actions as Brock's was. She was a true victim and hadn't done anything wrong except being in the wrong place at the wrong time. And since Spider-Man has historically had very few female villains of any lasting merit, this could have been a definite change from the ordinary.
But Spider-Editor Jim Salicrup did not believe that the audience would accept a woman as a viable physical threat to Spider-Man, even one enhanced by an alien symbiote.
(and part of me always wonders, why none of the alt takes on spidey - like the Ultimate universe - ever try experimenting with this alt venom take - or is that Spider-Gwen's venom?)
As it stands now, "Venom" in Spider-Gwen is apparently just another universe's Gwen. "Spider-Gwen" ended up in a universe like what the main one was like when Gwen was alive and somehow this resulted in that Gwen Stacy never dying and eventually becoming Venom. Pretty sure they just wanted to use the "Gwenom" pun by making her yet another Gwen.
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Thats nothing new. There are mountains of old comics with horrendous execution, but that fact goes against D&C's REEEE gimmick.Well that's... disappointing.
I'm increasingly agreeing with Zack of Diversity & Comix - what is up with writers these days actually having good ideas but extremely poor execution? I mean a flipped universe where Gwen is the hero is Peter the lost love should be a story that leaves not a fan dry eyed. But I saw the panels from that issue she was introduced and it was... just nothing.
Oh wait... how did I see it put somewhere else? "Blank Canvas Art." Where it's more about letting the audience put whatever they want into it than actually trying to tell a damn story. No wonder Bob loves this style.
If Bob can't even understand Venom, then I highly doubt he can understand Carnage. Then again, I'm expecting someone with extreme black and white morality to understand a morally gray character.
Thats nothing new. There are mountains of old comics with horrendous execution, but that fact goes against D&C's REEEE gimmick.
Look we all know about the Clone Saga. Thing is the companies are supposed to LEARN from these mistakes.
If you want a simple compare contrast, just grab a Dark Horse Star Wars comic from a few years back and read it against a modern Marvel Star Wars comic. There's a noticeable dip in quality.
Of course it makes some sense conceptually that as the industry loses market share, there is less money to hire quality talent but some of this stuff is on Bob Chipman levels.
That’s why I found his attacks on Sequel Trilogy’s critics amusing because you have a non-fan of Star Wars attacking actual fans.Disney's handling of Star Wars is just another example of how Bob doesn't care about the quality as much as the brand. He only cares about who is producing it, regardless of whether or not it's actually good.
I don't get his thing with Venom. Is it because he sees he's in black and so assumes he's some edge master? This is a very childish rant.
Venom is a being produced by SMP as part of that deal Sony struck with Marvel. Of course Bob hates it. If it was being produced by Marvel Studios he'd be sending Tom Hardy fan mail begging for pubic hair clippings for his collection.
We should start asking why he hates women and Jews, considering he shits on every Sony Spider-Man movie and they're made by a woman (Amy Pascal) and a Jew (Avi Arad).
It's because he's a Nazi.
And this is supposed to counter his point instead of reinforcing it how?
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Ignoring that he's jumping to conclusions before the story is even fully developed (again), that logic is idiotic. If somebody dies in, say, police custody, you don't charge people all the way up the ladder until you're suing a supreme court justice.Yeah, sometimes this gig sucks harder than usual.
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